I just watched The Life and Times of Judge Roy Bean. I remember vaguely it being very successful. And when I saw it was directed by John Huston, I thought I would give it a try. I should have looked closer.
Troubling signs occurred during the credits: written by John Milius. But I stuck with it. Right off, it looked like a dumb person’s idea of combining The Wild Bunch and Butch Cassidy and the Sundance Kid. Of course, it was filled with Milius’ notions of romantic violence. But even apart from this, the film really misses. I like Huston as a director, but this didn’t work. He is no Hill, much less Peckinpah. This is material that just doesn’t work to his strengths. The action is too realistic and the comedy too broad. (It doesn’t help that Milius provided an episodic script filled with awkward, predictable violence and awkward, predictable comedy.)
It is interesting that Huston and Millius couldn’t create an interesting story for the film. After all, they had some interesting characters to work with: Roy Bean, Lillie Langtry, Grizzly Adams (although Adams has no actual connection to the real life story). I think, as is often the case in movies, they were just too in love with their idea.
Overall, the film looked good. The filming and art direction worked. But other than that, pretty much everything else is weak in this film. The score by Maurice Jarre is overbearing. The editing was stilted, but I figure this was because Huston didn’t provide sufficient coverage. The make-up even seemed wrong, although the women looked beautiful. To top all of this off, the acting was surprisingly bad. It seemed like everyone was having a good time, but no one seemed to be working—except for maybe Victoria Principal. (I also liked Anthony Perkins, although I have a soft spot for him.)
Perhaps I’m being unfair. When a film doesn’t work, all of the parts stand out as bad. For example, if the movie had been more engrossing, I probably wouldn’t have noticed the music. But there is no getting away from the fact that The Life and Times of Judge Roy Bean is almost a completely unwatchable film.
My biggest complain about Monty Python’s Flying Circus, is that it is not that well written. It has good ideas and often takes them in bizarre and delightful directions. But most of the time, instead of ending a skit, they simply stop it. Their favorite way of doing this is to just start an orthogonal sketch. This is the basis for, “And now for something completely different.”
I have long thought it curious that conservatives are drawn to the language of Republicans about small business and self-reliance. These are shown to be myths by their actual policies. But now I am more inclined to think these conservatives only believe in the Republican bellicosity. So the conservatives only use the nice words to justify their belonging to the Republican Party. Their real reason is that they too like the “kick ass, take no prisoners” tough talk of the Republicans. This does, of course, explain why women tend to be Democrats.
Ezra Klein has a 