And so we end our Sheep in the Box playlist with the British punk band Toy Dolls.

They are a fun band. I can put them on and it’s nice: there’s a lot of energy and they play really well. They are a solid, professional band.

But there isn’t much too them. They are an awful lot like Richard Hell and the Voidoids but during their Destiny Street period when Hell didn’t have much to say. They also sound quite a lot like generic Ramones.

I don’t mean to be difficult here. And I will admit: I’m biased towards California punk. I don’t think we got really great stuff out of England until the post-punk period.

But I appreciate any artists who even try to entertain — much less ones like Toy Dolls who succeed in spades.

Nellie the Elephant

Toy Dolls is known for their covers and they are best known for their cover “Nellie the Elephant.” It was originally released by child star Mandy Miller. Toy Dolls released a single in 1982 of the song, which was later included on their first album, Dig That Groove Baby.

The following music video is a rerecording of the song. It’s charming. But then, most things from Toy Dolls are.

Dig That Groove Baby album cover via Wikipedia under Fair Use.

Sheep in a Box next takes us to a particularly good artist for me, Laura Marling.

According to Wikipedia, she is a “British folk singer-songwriter.” That seems strange to me. I wouldn’t call her music “folk.” Just speaking harmonically, it’s much more interesting. Sometimes her work is almost modal. At other times, it seems like it was written on a piano with leading chords. But people call Jane Siberry folk so, so I guess it doesn’t matter.

It seems that I was familiar with her before. I’ve definitely heard Ghosts off her first album, Alas, I Cannot Swim. It’s a lovely song and typical of her early work. She has grown much more sophisticated over the course of seven albums.

Her most recent album is Song for Our Daughter. We’re going to listen to “Fortune,” which is one of those piano-kind-of compositions.

According to Wikipedia, it “is about a powerless woman unable to escape her circumstance.” All I can say is that I don’t get that from the lyrics. It appears to be a conversation between two people at the end of their troubled relationship. But I’m sure someone will be able to point me to an “interview where Laura Marling said…” You know how much I like that sort of thing!

It’s a beautiful song.

Song for Our Daughter album cover taken from Amazon under Fair Use.

You may remember back a couple of weeks, I talked about how I linked punk and no so much heavy metal because punk had a sense of humor about itself? Well, today’s song is “Close Your Eyes (And Count to Fuck)” off Run The Jewels 2. And it may be hip hop but it I’d call it punk too because of its combination of anger and humor.

It’s by the band Run the Jewels, which is really just what rappers El-P and Killer Mike call themselves when they work together. In this song, they are joined by Zack de la Rocha.

I haven’t gone over the lyrics of the song carefully. But my take on it is that life is like living in a prison and the powerful people who keep us enslaved are the one constant. If there is justice, it is a temporary justice.

One part of the song references the film And Justice for All. It’s the end of the film where the lawyer enjoys what is at best a Pyrrhic victory. But more likely, it isn’t even that. Most likely, it’s just a moment of hubristic truth-telling that does no good at the cost of everything.

I like this song quite a lot although I’m a little old to want to listen to music that demands so much of my heart and left brain.

Run the Jewels 2 album cover via Amazon under Fair Use.

Sheep in the Box used Kanye West’s song “Gorgeous” as an example of how lyrics have not gotten less complex. It’s off his album, My Beautiful Dark Twisted Fantasy. I didn’t know the song, as such; but I’m pretty sure that I’ve heard it before.

I must admit that I don’t fully grok hip-hop in a musical sense. Grandmaster Flash in the 1980s is easy with its metronomic beats. Tupac in the 1990s is so much more sophisticated. It’s not that I don’t appreciate it but I don’t understand why it works in the way that I understand why Lisa O’Neill’s work does.

The Problem With Kanye

Kanye West represents some difficulty for me because of his public persona. For years, I really liked him just because he insulted Taylor Swift. I know: I’m a bad man. But I don’t think much of her artistically. And I understand: his insult wasn’t intentional. He’s just kind of an idiot.

In more recent years, Kanye West has not only been a big supporter of Donald Trump, he has also been a big source of some of the most stupidly toxic social analysis in the public square. It’s on par with Charlie Sheen when he was coked to the gills.

It’s just another example of how a great artist can be absolutely useless in almost every other aspect of life. But I don’t expect more. Some of my favorite films were made by rapists.

Gorgeous

As for the song “Gorgeous,” I can’t say I’m a huge fan. I actually prefer most of Tupac’s work to most of Kanye’s. But that may be an indication of my lack of appreciation.

But there is no doubt that the lyrics are impressive. Hip-hop really has brought assonance to unprecedented heights. And that’s a great thing given that rhyme is pretty much played out.

My Beautiful Dark Twisted Fantasy album cover via Amazon under Fair Use.

On we go through Sheep in the Book. This time we get Clown Core. When I first heard it, I figured it was a style. You know, like my beloved sadcore. And after all the bands we’ve visited, with many dozens of Viking-themed metal bands, why not a bunch of clown-based bands?

Sadly, this was not to be. Clown Core is a band that Sheep refers to as “utter madness.” He also says, “I’m fairly sure that Clown Core is just a joke thing.” That may be true, but I wouldn’t dismiss these guys.

Clown Core is an incredibly talented jazz duo. There are certainly comedic elements to the music like the sudden shifts in style — especially from a kind of free jazz with Bebop intensity to a kind of smooth jazz Kenny G would be proud of.

The thing that holds their pieces together is a commitment to minimalism. Yet they know just how much to vary this to never slide into boredom the way minimalism often does.

Brendan Fraser

Here is their song “Brendan Fraser.” This is from over a decade ago. The stuff they are known for — their bathroom songs — are from a year ago. And I do think they’ve improved in that time. But their early stuff shows that this is serious music.

Clown Core image via Amazon under Fair Use.

Another Sheep in the Book pick: Ghoultown.

They are a southern rock band who sing a lot about horror. But their style is varied and they are good enough to play just about anything.

Sometimes they push far enough into pop that they sound like 38 Special. At other times, it’s more standard heavy metal. There are also Mexican elements to their stuff — at least in the production. And sometimes they show off very clear country roots.

Drink With the Living Dead

One such example of this is their song “Drink With the Living Dead” off their 2008 album Life After Sundown.

This song is almost a rip-off of The Charlie Daniels Band’s “The Devil Went Down to Georgia.” But “Drink With the Living Dead” is better because it offers more recent myths and I don’t have to stop myself from thinking that Charlie Daniels is a reactionary fool and a symbol of the worst tendencies of America.

Also: it’s not a rip-off of black mythology by an all-white band that made tons more money than their poor forebears

In this case, it’s about a man who was hanged for shooting another man to steal his drink. Now he must walk the Earth challenging men to a drinking contest each night until he finds one who can beat him.

So when the zombie necessarily loses, it’s actually a good thing because he gets to rest in peace. I love little as much as a feel-good horror story.

Life After Sundown album cover via Amazon under Fair use.

Sheep in the Box brings us to something sublimely silly: pirate metal. And our example today is Alestorm from Scotland.

Of course, just because it is silly doesn’t mean that the bands don’t take it seriously. Running Wild (perhaps the first pirate metal band) seems rather serious about it all — focusing on pirates as they were rather than their legends.

But for whatever reason, Alestorm seems well aware of the joke. Here are a few lines from today’s song “Drink” off Sunset on the Golden Age.

We live each day like there’s nothing to lose
But a man has needs and the need is booze
They say all the best things in life are free
So give all your beer and your rum to me!

And once again, we have a song with tens of millions of views that I have never heard of. Meanwhile, I was looking at a short film by the great director Michael Kallio that has been available for a year and a half that has 141 views.

Not that Alestorm is bad. They are fun. I just feel sorry for anyone who is cursed to be liked by me. Lucky are the artists I’ve never heard of!

Sunset on the Golden Age cover via Amazon under Fair Use.

Sheep in the Box sends us to another metal band: Sabaton, which he says “seems to make music exclusively about historical battles.”

This relates to my day. I’ve been charged to put together some articles for a website about tanks. And I don’t know much about tanks. I’ve never found military history all that interesting.

But I was confronted with some facts that reinforce my major prejudice: that there is no magic in war. Things like technological innovation and strategic brilliance are extremely rare. Normally, the better army wins.

It was interesting to see that in World War II the Allies had far more resources than the Axis powers: troops, tanks, warships. The only reason they did as well as they did is because they started the war. There really was no question what the ultimate outcome would be.

In fact, the war was effectively over with the failure of Operation Barbarossa — the Nazi invasion of the Soviet Union. And that was at about the same time as the US joined the war.

(I feel it necessary to pre-defend myself here. I’m afraid some WWII buff will come along and point out that the Nazi’s almost took Moscow. Yes, they came about 8 miles from it. And then the Soviet army pushed them back a hundred miles. Regardless, I don’t know why people think that taking the capital of a country means the country is destroyed. The war would have continued. The mistake was invading the USSR in the first place. No good was coming from that.)

Stalingrad

I like Sabaton a lot more than I do Amon Amarth. But they are still heavy metal and offer up that combination I just can’t get excited about: serious style and silly content.

Today, we listen to “Stalingrad” off their first released (second recorded) album Primo Victoria. Musically, it’s pretty good with an awesome instrumental part in the middle. The lyrics are banal.

Having said this, I could listen to Sabaton for a long time without hating it. And for a style I don’t like that much, that says a lot.

Primo Victoria cover via Amazon under Fair Use.

Sheep in the Box mentioned a rapper who did songs in the Klingon language. Okay. I understand that people are pretty into this kind of stuff. But then I found out his name was Klenginem and I knew it must be a joke. (I’m not that disconnected from pop culture.)

And according to the Klenginem website, it did all start as a joke. And why not? Half the bands I really like resulted from their incompetence at performing the kind of music they wanted. As regular readers know, I’m not a big fan of professionalism. It rarely produces transcendent art. (But it’s nice to have.)

The genius behind Klenginem is Quvar muHwI’ valer who grew up on Klingon starbase Morska. He learned rap-music by listening to incoming waves. As Mr Universe said, “There is only the truth of the signal.”

There aren’t a lot of Klenginem’s songs on the internet. In fact, there don’t seem to be many Klenginem songs at all. But he has released “SuvwI’pu’ qan tu’lu’be’.”

Google Translate does not include Klingon as a language. Fortunately, there are independent sites to perform this important work. So I know that the title of the song is, “There Are No Old Warriors.” The rest of the lyrics go along with that.

It’s a pretty catchy tune. Enjoy!

Image cropped from one on Klenginem website under Fair Use.

Sheep in the Box next mentioned Amon Amarth. They are a Viking-themed heavy metal band that has been around for almost 30 years.

If you’re like me, you might think that a Viking-themed band was unusual — like a band that only performs songs about Toonces the Driving Cat. But no.

Wikipedia lists over 5 dozen Viking metal bands. Not surprisingly, most of them are out of northern Europe. A number of them started in the 1980s but the vast majority started in the 90s.

Over-Serious Metal

I’ve never been much a fan of metal. This can seem odd because I really like punk and in a purely musical sense there often isn’t much that separates them. But there is something very important that separates the punk I like (eg, Minutemen) from the rest: sense of humor.

So much of metal is so serious that I would find it funny if there were any indication at all that it was intentional and that I wouldn’t be beaten up for laughing.

The Way of Vikings

Amon Amarth is fully in this tradition. There is not even a hit that this should be fun. It is filled with self-importance. But what else would you expect from Vikings?

This is on me, but I don’t hear much difference between any of their songs. Or albums. The earlier ones seem a little more raw and that’s about it. Otherwise, it’s the usual kind of death metal with lots of tremolo-strumming and lyrics that I can’t even begin to make out.

They are clearly a great band in terms of musicianship. I can see why they are still going strong after all these years. But I won’t be checking in with them in the future.

Here is “The Way of Vikings” off their 2016 album, Jomsviking. I can actually make out the lyrics on this. It also has a nice guitar solo.

Jomsviking album cover via Wikipedia under Fair use.

Today we listen to another song that has millions of YouTube views and I missed it because I haven’t gone outside much the last twenty years or so.

The band is Flogging Molly out of Dublin. They are more or less Celtic Punk. Their 2002 song “Drunken Lullabies” sounds a lot to me like The Pogues with a sprinkling of The Clash.

Their palette is broader than that, however. I’ve been connecting more with their softer stuff but that probably says a lot more about my mood than anything else.

Float

I want to highlight their song “Float” off the album of the same name. It has a certain American Music Club feeling to it and I am not simply referring to the opening lyrics.

But I’m most taken with the chorus:

But don’t, don’t sink the boat
That you need, you build to keep afloat

That’s heavy stuff. To me, this says that we do things in order to do things. There is no meaning to life. We simply pretend. We build a boat so we will have the act of keeping it afloat to occupy us.

Cue some idiot, “I heard the lead singer on MTV Dipshits and he said it was about the break-up of his fifth marriage!”

I haven’t spent that much time with the song so I can’t even say what it means to me. It may just be my mood affecting what I hear. Or it could be my mood caused me to pick this song.

Regardless, it’s a good song!

Float album cover via Amazon under Fair Use.

You may remember that the first Sheep in a Box selection was The Hu and I noted how unplugged I was from modern culture that I had never heard of them despite their videos have tens of millions of views. Well, my friends, let me introduce “Timber.”

Sheep uses the song to mock Thoughty2 because he pronounces “timbre” as “timber” rather than the established “tamber.” This is one of those things that drives me a bit crazy. Most people do pronounce it the “wrong” way and it is a lot like fingernails on a chalkboard to me. But what bugs me is that I know I can’t correct them because they aren’t exactly wrong and I would be a dick to correct them even if they were wrong.

Not that I have a problem with Sheep mocking Thoughty2. In addition to him being very unsympathetic, who goes back and fixes one of his mistakes (badly) but leaves the other? But most of all: you learn how to pronounce “timbre” when you study music. Thoughty2 is showing that he’s never taken music seriously. But we already knew that.

The Billion View Video I Missed

Anyway, Sheep put on a bit of the song “Timber,” which unknown to me, was an international mega-hit in 2013. It was so big it made the US Billboard Hot 100 for the decade. Its video has over a billion views on YouTube.

Now you might be wondering, “How does Frank manage to avoid hearing such a phenomenon?” As all my grammar school teachers could have told you: I don’t pay attention. And as all my friends can tell you: I don’t go out much except for walks where I’m alone with the crows.

“Timber” is by Pitbull with Ke$ha sharing vocals. I can see why it was a big hit. It’s very catchy and it combines hip hop with that Shania Twain style of country music. And the video features an adorable donkey.

Timber Pitbull ft Ke$ha cover via Wikipedia under Fair use.