Don’t Forget Cervantes

Jáuregui's CervantesEven though we’ve already had our birthday post, the day cannot go by without mentioning that Miguel de Cervantes was born on or around this day in 1547. I often find myself reminding people that I’m a bit of a Cervantes fan, even though all they have to do is look at the header of this website. The site has had three headers since it was started almost five years ago. The first was the René Magritte header, which was super cool but took up too much of the page. Then we had the phrenology header, which was interesting but I never felt comfortable with it. That’s when we came up with the current “Lego” Don Quixote header. Or rather I should say that Andrea did. She’s done all the art and all the thinking.

But the header does give one incorrect impression. Although I think the two Don Quixote novels are amazingly awesome works, it isn’t just that. Cervantes himself was a really interesting guy. He’s a lot more than those two books. He did quite a lot of great work in his later years. I think it is because he really started showing who he was on the page. It’s clear that he was a very funny guy. He had a wry outlook on life. And especially at this point in my life, I need that.

Life and Times

Cervantes is also my kind of guy. He always wanted to be a poet, but he wasn’t from a rich family and he wasn’t a very good poet. So he joined the army and went off to war. This was at a time when soldiers had to be hunter-gatherers to get fed. They often waited years to get paid. Spain was at war with the Ottoman Empire, and Cervantes fought bravely — even heroically. In the process, he lost one of his hands. It has never been clear to me whether it was amputated or simply useless. Regardless, on his way back to Spain, he was captured by Algerian pirates. Because of some mix-ups in communication, his captors became convinced that he was well connected and thus would bring a high ransom. He wasn’t and didn’t. He spent five years in captivity, during which time he tried escaping four times — a couple of them quite involved schemes. Eventually, his family was able to provide a small ransom and get him released.

On his return, he tried to get a military commission, but the government wasn’t interested. He continued to write plays, but no one was really interested in them either. This is about the time that he and Lope de Vega became literary enemies. Cervantes was a traditionalist, as far as theater was concerned. And de Vega was revolutionizing the theater. It’s an interesting irony that when Cervantes finally found success by revolutionizing the novel, de Vega was disparaging.

Regardless, without any other way to make ends meet, Cervantes became a tax collector. This does not mean what you probably think. He would go into townships and negotiate with the entire town to pay what it owed. These negotiations could go on for months and Cervantes didn’t have a great deal of leverage. What was worse was that like being in the military, the government only paid him afterwards — often long afterwards. And they provided no stipend for him to get by on while working in the field.

Because of this work, he was twice thrown in prison because of irregularities in his accounting. One time it was simply a matter that he deposited government money in a bank that went bankrupt. So you can see, life for people like Cervantes was not easy and it was extremely unfair. He had constant financial problems throughout his life, although things did seem to get a bit better at the end.

The way publishing was done at that time was a writer sold a work to a publisher. That was all the money the writer got. The publisher owned it. (It is technically different now, but as any writer will tell you, don’t expect to make much more than your advance.) So when Don Quixote Part 1 was a huge hit, it didn’t make Cervantes rich. But it did make it much easier for him to publish things — and for more money. And this is when he wrote his greatest works such as Exemplary Stories, Eight Comedies and Eight New Interludes, Never Before Acted, and his masterpiece, Don Quixote Part 2.

Appearance

A couple of years ago, I wrote an article, This is Not Cervantes. It is about that image at top of this article. Everyone uses it because it is the only thing we have that might be considered an image of him. In his preface to Exemplary Stories, Cervantes talks about how a young artist could have painted a portrait of him to go into the book. As Cervantes’ scholar Melveena McKendrick noted:

This innocent remark, which could be taken to mean either that Cervantes had been painted by Jáuregui or that the painter could, if asked, produce such a portrait, predictably sent posterity haring off on a wild goosechase in an effort to discover the authentic likeness of the great man. But alas, there is none, and the portrait most often reproduced as being that of Cervantes, dated 1600, bearing the name Jáuregui and entitled Don Miguel de Cervantes, is not genuine… The painting is almost certainly a nineteenth-century fraud.

We have the same problem with Shakespeare. There is no painting or etching of him from when he was alive. The closest we come is a sculpture on his tomb, where he looks rather bloated, that was doubtless done from his corpse. Better than nothing, but forget all those images you’ve seen. Regardless, it doesn’t really matter what either man looked like. At least Cervantes was good enough to provide us with a self mocking description of his appearance in Exemplary Stories:

This person whom you see here, with an oval visage, chestnut hair, smooth open forehead, lively eyes, a hooked but well-proportioned nose, & silvery beard that twenty years ago was golden, large moustache, a small mouth, teeth not much to speak of, for he has but six, in bad condition and worse placed, no two of them corresponding to each other, a figure midway between the two extremes, neither tall nor short, a vivid complexion, rather fair than dark, somewhat stooped in the shoulders, and not very lightfooted…

Plays

Cervantes wrote at least eight full length plays. They are generally not well regarded. But I wouldn’t know. I’ve never read them. Just recently, his two best regarded plays The Bagnios of Algiers and The Great Sultana have been translated by Barbara Fuchs and Aaron Ilika in, Two Plays of Captivity. More important to me, no one has ever translated Eight Comedies and Eight New Interludes, Never Before Acted. There are individual plays translated here or there. Some day I may do it myself.

A couple of years ago, I wrote about Cervantes’ short comedy, The Cave of Salamanca. It is very funny. Here is the beginning of it from a translation by Edwin Honig:

[Enter Pancracio, Leonarda and Cristina]

pancracio: Mistress, dry those tears and stop your sighing. Remember, I’ll be away four days, not centuries. On the fifth day, at the latest, I’ll be back, God preserve me. But if it upsets you so, just say the word and I’ll break my promise and give up the trip altogether. Surely my sister can get married there without me.

leonarda: Pancracio, dear lord and master, I don’t want you to be discourteous because of me. Go now, God speed you, and meet your obligation, since the matter is so pressing. My grief I’ll keep to myself and spend the lonely hours as best I can. Only, I beg you to come back and not stay any longer than you promised. Oh, help me, Cristina, I’ve a pain in my heart!

[Leonarda faints]

cristina: Ah, weddings and holidays—such dreadful things! Indeed, sir, if I were you, I’d never go there.

pancracio: Run inside, girl, and get me a glass of water to throw in her face. No, wait, I know a few magic words I’ll whisper in her ear: they can revive people who faint.

[He speaks the words and Leonarda recovers, saying]

leonarda: Enough. It can’t be helped. I must be patient. My dear, the more you linger, the longer you delay my happiness. You friend Leoniso should be waiting for you in the carriage. God be with you and bring you back as quickly and safely as I could wish.

pancracio: If you want me to stay, my angel, I’ll be like a statue and not budge an inch.

leonarda: No, no, sweet comfort. Your wish is my desire, which means you must leave and not stay here, for your honor and mine are one and the same.

cristina: Oh, mirror of matrimony! If all wives cherished their husbands as my mistress loves hers, they’d sing a different tune.

leonarda: Go get my shawl, Cristiana. I must see your master safely off in his carriage.

pancracio: No, I beg you. Kiss me, but stay here, please. Cristina, be sure and cheer up your mistress, and I’ll get you a pair of shoes when I return.

cristina: On your way, sir, and don’t you worry about my mistress. I’ll see to it we both enjoy ourselves so she won’t miss your absence.

leonarda: Enjoy myself? Me? What a fantastic idea! Without my love beside me, I can know no bliss or joy, only grief and sorrow.

pancracio: I cannot bear this any longer. Ah, light of my eyes, farewell; I’ll see nothing to delight me will I gave upon you once again.

[Exit Pancracio]

leonarda: Good-bye, and good riddance to you! Go, and don’t come back! Vanish, go up like smoke in thin air! Good God, this time all your bluster and squeamishness don’t move me a bit!

cristina: And I was afraid your sweet nothings would keep him here and spoil our fun.

leonarda: Do you think our guest will really come tonight?

cristina: And why not? I’ve been in touch with them, and they’re just dying to come.

Cervantes was a little devil. Eventually the husband’s carriage breaks down and he comes back and it all turns into something like a Marx Brothers movie.

Translations

When it comes to Don Quixote I still get asked a lot what translation is the best — or at least which one they should read. The standard answer to that is, “Anything but Peter Motteux.” But in general, I wouldn’t even go that far. I would say you should read any copy you can get your hands on. The standard translation is John Ormsby’s, which is absolutely free and available in a number of formats from the Gutenberg Project. Walter Starkie’s 1957 translation seems to always be available in abundance at book sales for a quarter. Or you could get The Portable Cervantes, that provides Samuel Putnam’s lightly abridged Don Quixote, two stories from Exemplary Stories, and a tiny bit of The Troubles of Persiles and Sigismunda.

I don’t think it is necessary to pay more for one of the recent translations like the one by Edith Grossman. But if you do, I would recommend taking a walk on the wild side and trying one by Burton Raffel or John Rutherford. But like I said, it doesn’t too much matter. Since Cervantes is above all a character-oriented writer, his voice comes through regardless.

The main thing to remember is that both the books are a romp. They are comedies. Cervantes had a keen eye for the absurdity of life and people and it finds its greatest expression in Don Quixote. And given that, it is perfectly all right to skip the poetry, which is, with very few exceptions, mediocre. And that’s when it is well translated. Grossman, for example, doesn’t even pretend to care.

Cervantes is still alive. If you read him.

Cheering Myself Up With Shel Silverstein

Shel SilversteinLet me state right out that last year, I was in no condition to celebrate the birthday of William Faulkner. And on this, his 121st birthday (It is technically possible!), I am in even worse condition. As always, the usual: great writer, blah, blah, blah. I really do love his work. All those Southern Gothic writers are great. But he so depresses me. Was it really necessary?

On this day in 1930, the great writer Shel Silverstein was born. And I’m not even going to talk about him. I’m just going to present some of his work. I don’t do this for you, although I do hope that you will enjoy it. I do it just to cheer myself up. He is always good for that!

Let’s start with a satirical song written by Silverstein, “Cover of the Rolling Stone.” Just to be clear, the band, Dr. Hook & the Medicine Show, is made up of a bunch of spazzes who did a whole lot of work with Silverstein, who wrote their entire second album.

Next we will do a little poetry. Silverstein has often been thought of as a children’s writer, but he never saw it that way. I think we have a similar outlook on life that way. I think people talk down to kids far too much. Just the same, they assume adults aren’t just kids with younger kids. Here’s a poem that is very close to my heart:

Memorizin’ Mo

Mo memorized the dictionary
But just can’t seem to find a job
Or anyone who wants to marry
Someone who memorized the dictionary.

Another one that is sly and silly and yet mystically profound:

Something Missing

I remember I put on my socks,
I remember I put on my shoes.
I remember I put on my tie
That was printed
In beautiful purples and blues.
I remember I put on my coat,
To look perfectly grand at the dance,
Yet I feel there is something
I may have forgot—
What is it? What is it? …

And for our last poem, a little encouragement:

Listen to the Mustn’ts

Listen to the MUSTN’TS, child,
Listen to the DON’TS
Listen to the SHOULDN’TS
The IMPOSSIBLES, the WON’TS
Listen to the NEVER HAVES
Then listen close to me—
Anything can happen, child,
ANYTHING can be.

The Giving Tree

And finally, we have an animated reading by Silverstein himself of his sentimental and beautiful book, The Giving Tree. “And the tree was happy.”

Happy birthday Shel Silverstein!

Political Writer H G Wells

H G WellsOn this day in 1866, the great writer H G Wells was born. He is best known for novels like The Time Machine, The Island of Doctor Moreau, The Invisible Man, and The War of the Worlds. But I’m not very interested in them. I just don’t find science fiction all that interesting.

But apparently, he didn’t either. All those books were written in the late 1890s. After that, he spent much of his time writing about politics. He was a proponent of socialism. But during his lifetime events changed quite a lot and he eventually came to see the best kind of system as the social democracies we see today in Europe.

I find his position on Zionism very interesting because it so follows along with mine. Throughout most of his life, he was against Zionism because he considered it exclusionary. He felt that all the races should interbreed, so that we could all get on with the business of being human. I’m totally with him on that. Whenever I hear people talking about keeping races pure (which I do sometimes regarding Africans and Jews), it sounds like madness. If there is anything good to come of globalization, it must certainly be that we can get past this mythical idea of race.

The problem is that there are always people who will divide us. I still find it amazing that people hate Jews, when in terms of “race” they just seem like white people. Yet the Nazis based a whole nation-cult-genocide on it. After seeing what the Nazis had done to the Jews, Wells changed his position. I find myself again with him. But in my mind, Zionism ought to be a temporary thing as the people of the world get on with their interbreeding to make us all a bunch of beautiful brownish people. Unfortunately, I think that Zionism tends to perpetuate the “purity of the race” thinking. But that discussion is well above my pay grade.

What’s perhaps greatest about Wells is that he really was a thinker. And as a result, he managed to annoy and offend just about everyone. I’m not saying that that is a good in and of itself. But he was idiosyncratic. And he followed that. And I admire it.

Happy birthday H G Wells!

The Great Poet Stevie Smith

Stevie SmithOn this day in 1902, the great poet Stevie Smith was born. I could easily have used today to talk about Jay Ward, the producer of such important works of my childhood such as Rocky & Bullwinkle. But I think I have written enough about him over the years. He even shows up in my first novel. And my second novel is still unfinished, so he may end up in that one too. But the thing is that there is a very good reason for highlighting Stevie Smith today, which I will get to soon enough.

Smith published three novels and nine books of poetry during her life. Her work epitomizes what I refer to as “idiosyncratic art.” But most such art is not very good in a purely technical sense. That was not true of Smith’s work. I’ve never read any of her novels, but I plan to rectify that situation by next year. I’m especially interested in reading her first novel, Novel on Yellow Paper. For one thing, I have a special fondness for writer’s first novels. There is something special about reading them while they are still finding a voice. But also, the novel was published in 1936, and deals with antisemitism and involves a trip the main character takes to Nazi Germany at that time. That just sounds too fascinating not to read.

But the special reason for discussing Stevie Smith today is that in 1978, there was a film about her named Stevie starring one of my many childhood crushes, Glenda Jackson. As is typical of great and unique films, it is not available on DVD. In fact, I can’t even find it of VHS. It may never have been released. I only ever remember seeing the film when it played at the great old Plaza Theater in Petaluma when I was a teen. The Plaza was one of those theaters that played a different double feature every night. There really is nothing our culture has produced since to make up for the absence of those theaters.

Anyway, someone did us the great favor of putting all of Stevie on YouTube in 11 parts. And it is well done, not just cut randomly by YouTube. I’ve put it into a playlist for ease of watching. You really should take the time to watch it because it may be taken down at any time. I’m always interested in that: copyright holders who don’t care enough to make a work available for sale, but still don’t want anyone watching it for free. I’m not saying that will happen here, but it does happen all the time so you are best to watch now just to be safe.

The film is based upon the play Stevie by Hugh Whitemore. And the film definitely has a play feel to it. But it is somehow vibrant. I know that film lovers tend to disregard these kinds of films because they aren’t “cinematic.” But I think the use of film to tell a story well is always worth the effort. I think the film works beautifully. It succeeds completely on its own terms. Just accept it and follow where it takes you. It is very much like Stevie Smith’s work: charming, funny, smart, dark, heartbreaking. It is a loving and fitting tribute to a great artist.

Happy birthday Stevie Smith!

B Traven on Finding a Job

The Treasure of the Sierra MadreThe bench on which Dobbs was sitting was not so good. One of the slats was broken; the one next to it was bent so that to have to sit on it was a sort of punishment. If Dobbs deserved punishment, or if this punishment was being inflicted upon him unjustly, as most punishments are, such a thought did not enter his head at this moment. He would have noticed that he was sitting uncomfortably only if somebody had asked him if he was comfortable. Nobody, of course, bothered to question him.

Dobbs was too much occupied with other thoughts to take any account of how he was sitting. Just then he was looking for a solution to that age-old problem which makes so many people forget all other thoughts and things. He worked his mind to answer the question: how can I get some money right now?

If you already have some money, then it is easier to make more, because you can invest the little you have in some sort of business that looks promising. Without a cent to call yours, it is difficult to make any money at all.

Dobbs had nothing. In fact, he had less than nothing, for even his clothes were neither good nor complete. Good clothes may sometimes be considered a modest fund to begin some enterprise with.

Anyone who is willing to work and is serious about it will certainly find a job. Only you must not go to the man who tells you this, for he has no job to offer and doesn’t know anyone who knows of a vacancy. This is exactly the reason why he gives you such generous advice, out of brotherly love, and to demonstrate how little he knows the world.

Dobbs would have carried heavy stones in a wheelbarrow ten hours a day if someone had offered him the job, but even had the job been open, he would have been the last to land it, because there already would be hundreds waiting and the natives of the country come first and a foreigner afterwards, if ever.

—B Traven
The Treasure of the Sierra Madre


H/T: Paul Krugman

Sometimes a Great Ken Kesey

Ken KeseyOn this day in 1935, the great American novelist Ken Kesey was born. I really only know him from his two novels One Flew Over the Cuckoo’s Nest and Sometimes a Great Notion. But he wrote more than this and I suppose I will have to go back and find what else he did. Certainly, those are two of the greatest American novels ever written. And he is probably the greatest writer of his generation, except for maybe Heller, but certainly not Salinger or Capote or Roth — as great as they may be.

There are generally two things that I think about with regard to Kesey’s work. First is his decision to write One Flew Over the Cuckoo’s Nest in the first person. He could have written it in the third person and it probably would have worked well enough. But there would have been various problems. One is simply the way the plot is told. There would be no reason not to know far more of what’s going on outside the ward. But because Chief is thought to be mute, he is allowed limited access to staff meetings. But the most important aspect of the first person narrative is that the book is about Chief. One of the great disappointments in the film (as great as it is), is that we don’t get to see Chief’s evolution from mental illness to mental health.

The second thing about Kesey’s work is the way he shifts point of view in Sometimes a Great Notion. Basically, he does what Virginia Woolf’s does in To the Lighthouse. But Kesey is far more clear. Reading Woolf is like floating around at see, being pushed his way and that. It isn’t about the story but rather the journey. Kesey is interested in telling a story. And he has great insight into character that isn’t really true of the early stream of consciousness writers.

In 1989, Kesey wrote a novel collectively with 13 graduate students at the University of Oregon, Caverns. Three years later, he wrote his first novel in almost three decades, Sailor Song. And then he wrote a collaboration with Ken Babbs, Last Go Round. All of them sound interesting. I will have to see if I can dig them up. Until then…

Happy birthday Ken Kesey!

Allan Bloom’s Important Discussion

Allan BloomOn this day in 1930, the academic Allan Bloom was born. Now, I’m not really a fan of his. But I did read his bestseller, The Closing of the American Mind. And it is worth discussing.

If you are very smart and well education and inclined to write an old man’s rant about how everything is going to hell, then you would write The Closing of the American Mind. At its worst, it is a parody of what happens to people when they forget what life was like when they were young. It is also a parody of an old college professor who just can’t understand why his students think he is boring.

Although the book is extremely biased, it deals with an issue that is very important to me: social cohesion through shared cultural touchstones. This is why I think everyone should know Shakespeare and the Bible. It isn’t because I think that as literature goes these are especially great collections. But they are so important to our culture that not knowing them tends to marginalize an individual.

The problem with Bloom is that he hangs on too tightly to an absolutist philosophy. I will admit that the adoration of Shakespeare has something to do with the quality of his work. But it has far more to do with history and the development of the British empire. I take a more moderate view: there is no absolute values but it is a convenient social illusion. The books we know are largely a reflection of who we have been.

As a result of this, I agree with Bloom about the needs for standards. But this must be combined with a commitment to inclusiveness. One of the purposes of education (and higher education most of all) should be shaping what our cultural touchstones are. As a result, I would like to see things like “Chicano studies” courses taken out of the academic ghetto and placed more centrally into the curriculum. At very least, students should get a good introduction in foreign language literature in translation. The focus of literature on British and American writers does us great harm.

There is a bigger problem, however. The very idea of a liberal education is dying. Now the focus of education is on specialization and how it will make the student a more attractive employee. This is a sure way of destroying a civilization. And it is interesting that The Closing of the American Mind got its start as an article in National Review. Because the whole conservative movement is about destroying the idea of liberal education. Providing education as something intended only to enrich the learner is something that is supposed to be limited to the rich. Knowing multiplication and how to read technical manuals is enough for the prols.

So like everything, the closed American mind is yet another result of inequality. And it is a problem that starts before we learn to walk. There are those who are taken to museums and given other intellectually stimulating experiences as young people. And there are those who are not. And that affects everyone for their entire lives. What’s more, it cuts the “have nots” off from the cultural touchstones of our society. Those touchstones become yet another thing that cuts off poor from rich.

So Allan Bloom may think that everyone should read Plato. And I agree! But the reason they don’t has very little to do with relativism and a lack of interest on the part of students. Rather, it is a direct result of the centuries old efforts to keep the poor excluded from all parts of the lives of the rich. And that problem starts long before young people make it to college.

Allan Bloom was right to bring up the issue. It is important and worth discussing. But as usual with conservative thought, his book works the margins without ever coming close to the central issue. But in this age in which Education Reform has come to focus mostly on destroying the liberal nature of education, we dearly need to think about this stuff.

Happy birthday Allan Bloom!

Roald Dahl

Roald DahlOn this day in 1916, the great writer Roald Dahl was born. He wrote some of my favorite books when I was a child like Charlie and the Chocolate Factory and Fantastic Mr Fox. But by far my favorite book was James and the Giant Peach. I don’t really know what about the book so captured my imagination. It’s especially odd because I was no fan of insects — giant or otherwise.

I always associate Dahl with E B White, author of Charlotte’s Web and Stuart Little. But there isn’t actually any comparison. Dahl is a far more imaginative writer. And just as important: Dahl knew how to finish a story. I still read Dahl. I don’t much pick up White, although I did recently revisit Charlotte’s Web and I revisit Elements of Style from time to time.

When I was in the fifth grade, our class did a segment on tall tales. And at the end of it, we were all forced to get up in front of class and tell one of them. There was a lot of repetition with most students doing Paul Bunyan and similar stories. I fretted over this for days, knowing that if all else failed, I too could do Paul Bunyan or John Henry. And as I walked up to the head of the class, I still hadn’t made up my mind. And I remember having an epiphany: James and the Giant Peach was a tall tell.

Most of the kids had spent less than a minute giving their little speeches. Although I was a shy child, nothing inspired me so much as a captive audience. So I told the entire story from James and the Giant Peach. I was up there ten minutes. No one seemed to mind (not that I would have noticed). It is likely that everyone was relieved that they didn’t have to hear another story about a lumberjack or railroad worker.

Anyway, when I was that age, everyone loved Roald Dahl. This was when everyone was just starting to read Tolkien and more adult books. Although, if you ask me, he was a distinct step down in terms of telling a great story. But I’ve never really grown out of Dahl and John D Fitzgerald and John Christopher (Sam Youd).

This is kind of a bank-shot, but today is Fiona Apple‘s 37th birthday. And she recorded a great version of “Pure Imagination” from the film Willy Wonka & the Chocolate Factory. I love this video:

Happy birthday Roald Dahl!

Cultural Decline and Em-Dash Typesetting

Quotation MarksAs I’m sure you’ve noticed, we abandoned Nucleus (Because it abandoned us!) and we are now running on WordPress. What you may not have noticed is that all our quotation marks and apostrophes are now directional or “smart.” This is something that WordPress does automatically when displaying a page. I’m sure I could get a plugin to stop the software from doing that. But I really don’t want to.

For some time, it’s been bothering me that I properly typeset em-dashes (—) rather than using the typewriter equivalent (–). But I stuck with the typewriter equivalent of quotation marks and apostrophes. So I’m glad that WordPress is doing this for me. But it does create a problem.

There is a debate in the typesetting community over whether there ought to be spaces before and after an em-dash. I don’t like the spaces. Adding them makes the text look too spread out with an overabundance of white space. But increasingly, style guides do call for the spaces. This is just more evidence that our culture is dying.

I was willing to buck the trend. But yesterday, I quoted this:

Not every justice would own up to partisanship by saying the recounted votes “threaten irreparable harm to petitioner”—Governor Bush—”and to the country.”

Oh. My. God.

I’ve seen this error a lot on other blogs. It makes me feel like Arthur Kirkland in And Justice for All. “Don’t you care? Don’t you even care?”

So I have now officially changed the Frankly Curious style to call for spaces before and after em-dashes. This is what we’ve sunk to. Now technology is determining our typographic choices. I just hope that as our culture crumbles, I don’t get killed by falling debris.

Some Thoughts on To the Lighthouse

To the LighthouseI finally got around to reading Virginia Woolf’s novel, To the Lighthouse. When I was about fifty pages in, I was extremely close to giving up. Woolf writes the first part of the book in limited third person. But the perspective is constantly shifting, and she provides almost no concessions to the reader. So at the beginning, I was reading along seeing things from Mrs Ramsay’s perspective and suddenly… What? When did William Bankes show up?! And I realized that without warning, Woolf had changed perspective to Lily Briscoe.

But after a while, I was able to just flow with it. A big part of it is just getting used to it. The language is quite beautiful—much of it as exact as poetry. So there is always that to appreciate. But about halfway through the first section, many of the characters come to life. Despite myself, because I knew I was doomed to disappointment, I became very interested in the Bankes and Briscoe characters and their relationship. That kept me reading most of all. But my predicted disappointment was not disappointed. Bankes is not in the rest of the novel and hardly mentioned.

The second section of the book is totally different. It is written in third person omniscient. It is very short and Woolf seems to delight in killing off her characters. In particular, Mrs Ramsay dies, even though she was the main character in the first part of the novel. And this sets up the final section of the novel that goes back to shifting perspectives, but in a much more rigid way. In it, Mrs Ramsay is arguably still the main character, since the memory of her hangs over everyone and everything.

It all goes back to Andrew Ramsay’s explanation to Lily of what his father’s philosophical work was about, “Think of a kitchen table then when you’re not there.” So Mrs Ramsay is the kitchen table: we are with her in the first section and we are not in the last section. What’s interesting about this is that the effect of Mrs Ramsay is only implicit in the remaining members of the Ramsay home. It is only Lily Briscoe for whom Mrs Ramsay is explicit. In fact, Lily seems almost obsessed with her.

The novel ends with the Ramsays finally making their long delayed trip to the lighthouse and Lily finally finishes that painting that has been eluding her since the beginning of the novel. And that’s it. Basically, To the Lighthouse is a novel featuring two days separated by a decade. And it is about how that first day affects the second and all the people experiencing it. As to what it means, that is harder to say.

Woolf seems a bit uncertain about it too. On the one hand, long after her death, we see that Mrs Ramsay still has an enormous impact on life. On the other, Lily’s epiphany is that the purpose of her art is the ephemeral feelings of accomplishment at rendering her vision. I suppose that’s about right. Life is both about now and then. In as much as the novel has an opinion on the future—on hope—it is negative.

Throughout the novel, I was sad. This doesn’t seem to come as the result of anything specific. There is just an overwhelming feeling of dread from beginning to end. It’s like beneath the words, Woolf is whispering to the reader, “Soon you will die and all you will have to show for it is the fun you had along the way. And you aren’t having much fun, are you?” To the Lighthouse is distinctly not fun. But I see why it is considered a great novel. It is edifying. And maybe it will help me to have more fun in my future presents.

One Perfect Dorothy Parker

Dorothy ParkerOn this day in 1893, the great writer Dorothy Parker was born. She is best known today for her clever sayings like, “You can lead a horticulture, but you can’t make her think” and her proposed epitaph, “Wherever she went, including here, it was against her better judgment.” But she was far more than this. She was quite an accomplished writer of poetry, short stories, screenplays, and nonfiction.

In her mid-20s, she became a replacement theater critic for Vanity Fair where she met people like Robert Benchley and Alexander Woollcott. Their lunches at the Algonquin Hotel became known as Algonquin Round Table. Basically, it was just a meeting place for clever and urbane people. But it was through this group that her work got a wider audience. According to Wikipedia, she published 300 poems during the 1920s. And she was on the board of editors of The New Yorker at its founding in 1925. During this period she also wrote a number of short stories, book reviews, and co-wrote the Broadway play Close Harmony.

In 1934 she went to Hollywood where she did quite well doing what we would now call “punching up” scripts. She did have screenwriting credit, however—most notably on A Star Is Born. In the 1950s, she was blacklisted because of her involvement in left wing politics. The executor of her will, for example, was Lillian Hellman and she bequeathed her estate to Martin Luther King Jr. So of course she was blacklisted!

What I still find interesting today is that no one went after former or even current fascists. And you can see just how radical Parker was by the fact that nothing she believed in is considered radical today. But the point is that anyone who stands up for the people against the power elite is attacked by whatever media and political organs are controlled by the power elite. And today, that means all of them. Of course, Parker was fine. She had money from all of her writing and was still employable in the magazine industry at places like Esquire.

She drank to excess in later years—especially after the suicide of her second and third husband, Alan Campbell. She died of a heart attack in 1967 at the age of 73. Here she is reading her poem “One Perfect Rose”:

Happy birthday Dorothy Parker!

Ogden Nash

Ogden NashOn this day in 1902, the great poet Ogden Nash was born. In general, poetry is hard on readers. It takes greater concentration than we are used to giving. But Nash found an audience quickly because he was so clever and funny. His poems often included made up word puns and unusual pronunciations. He also worked as a librettist for a couple of Broadway musicals.

His father had an import-export business, so the family moved around a lot. He was born in New York, but chose to live almost his whole adult life in Baltimore. Of this fact, he wrote, “I could have loved New York had I not loved Balti-more.” Other that this clever line, I can’t really understand choosing to live in Baltimore. But I guess that was just one of the things that made Nash special.

Here is Nash’s response to Dorothy Parker’s, “Men seldom make passes / At girls who wear glasses.” He wrote:

A girl who is bespectacled
She may not get her nectacled
But safety pins and bassinets
Await the girl who fassinets.

And here is his poem (part of a series about animals), “The Panther”:

The panther is like a leopard,
Except it hasn’t been peppered.
Should you behold a panther crouch,
Prepare to say Ouch.
Better yet, if called by a panther,
Don’t anther.

It’s all very playful and fun stuff—well worth spending some time with. And here is one of his songs, “Speak Low” with music by Kurt Weill:

Happy birthday Ogden Nash!