About Frank Moraes

Frank Moraes is a freelance writer and editor online and in print. He is educated as a scientist with a PhD in Atmospheric Physics. He has worked in climate science, remote sensing, throughout the computer industry, and as a college physics instructor. Find out more at About Frank Moraes.

Republican Hypocrisy of Minimum Wage

Raise the Minimum Wage?

Yesterday, the CBO came out with an estimate of the effects that a rise in the minimum wage would have on the economy. They determined that an increase of the minimum wage to $10.10 per hour would cause a range of effects on the economy from the loss of as many one million jobs to a gain of a small number of jobs. Their “most likely” estimate is a loss of a half million jobs or roughly 0.35% of all jobs. The estimate for a $9.00 per hour minimum wage was a loss of 100,000 jobs, or roughly 0.07% of all jobs. Not surprising, the Republicans have run with this. Raising the minimum wage is a job killer!

There are a number of things to note about this. First is that this is a small number of lost jobs. Second, the purpose of raising the minimum wage is not to create jobs, even though there is a decent amount of evidence that it would do that. The idea is to allow those who work to get paid a reasonable wage. The Republican argument that we shouldn’t raise the minimum wage is the same as the argument for getting rid of the minimum wage altogether. I realize libertarians would make that argument, but very few mainstream Republicans would. And remember: according to a recent Washington Post-ABC News poll, 58% of Republican voters want the minimum wage increased.

Jonathan Chait brings up an excellent point about this, The Congressional Budget Office and the Bizarre, Partisan Jobs Debate. He takes a minor swipe at liberals, “[T]he party accustomed to heeding its findings has had to painfully spin.” I don’t think that’s right, but that’s all he has to say about that side. Quite rightly he focuses on the hypocrisy of the Republicans who are only ever interested in job losses when they come from programs for the poorer classes.

The Republicans were eager to end extended unemployment benefits. The CBO says that cost the country 200,000 jobs alone. The American Recovery and Reinvestment Act (“the stimulus”) that Republicans claim did no good has increased employment today by between 100,000 and 800,000 jobs. And the Sequester that Republicans see as their greatest recent accomplishment has destroyed almost a million jobs with a range from a quarter million to a million and a half.

Add on to this all of the things that Republicans are not willing to do to create jobs and you get what you always get: a party that is focused exclusively on the rich. What I find amazing is that anyone listens to the Republicans on these matters. They are clearly disingenuous on matters of job creation. They don’t care at all about creating jobs. It is just a cudgel to use to argue for policies they do like: tax cuts for the rich, military spending, and cutting programs for the poor.

Many Words About Milos Forman

Milos FormanOn this day in 1848, Louis Comfort Tiffany was born. He did a lot of “decorative arts,” but is primarily known for his wonderful stained glass work. He was the son of Charles Lewis Tiffany, the jeweler would founded Tiffany & Co. But Louis’ work really does stand on its own. I recommend clicking over and checking out a bit of his work. Of course, I have a great fondness for stained glass. I’m not sure why.

Charles Schwab was born in 1862. He isn’t that Charles Schwab. He was an engineer who went on to lead Bethlehem Steel very effectively. And then he lost all his money in the mid-1930s and died in poverty in 1939. How many times have you heard this story? It makes sense. In a truly free market, this is exactly what you would expect: opportunity to succeed also means opportunity to fail. But we don’t see this kind of thing anymore. Sure, working class people crash and burn all the time. But not the elite. And that’s because we don’t have a free market. In 2007 and 2008, there should have been any number of billionaires who lost everything. There should have been a number who went to jail. Instead, they all kept their wealth and their freedom. I would have a much higher opinion of Republicans if they would be for allowing the rich to fail. And of course, they will tell you they are. But when it comes down to it, they never are. Modern conservatism is best characterized as a religion that worships rich people.

Pee Wee King was born in 1914. He was one of the great country songwriters of the last century. He is best known for writing the music to “The Tennessee Waltz.” And that’s as good a reason as any to listen to David Bromberg’s great version of the song:

The great singer and songwriter Irma Thomas is 73 today. I love her work and especially the album Live: Simply the Best. Here she is doing “It’s Raining”:

Other birthdays: Bloody Mary (1516); inventor of the battery Alessandro Volta (1745); physicist Ernst Mach (1838); stainless steel inventor Harry Brearley (1871); actor Edward Arnold (1890); pediatrician Hans Asperger (1906); actor George Kennedy (89); cartoonist Johnny Hart (1931); novelist Toni Morrison (83); talentless rich person Yoko Ono (81); film writer-director John Hughes (1950); actor Cybill Shepherd (64); singer Juice Newton (62); actor John Travolta (60); actor Greta Scacchi (54); actor Matt Dillon (50); and Molly Ringwald (46).

The day, however, belongs to the great film director Milos Forman who is 82 today. He has made some of my favorite films: One Flew Over the Cuckoo’s Nest, Ragtime, and The People vs Larry Flynt. And he’s had some notable failures like Valmont. One thing I really like about him is that he works closely with writers but generally doesn’t take screen credit. Of course, on Valmont he did take screen credit. And I think it is illustrative. The film is based upon Les Liaisons dangereuses. At more or less the same time, Dangerous Liaisons was released and it is the one that everyone has seen. There are many reasons why Valmont is an inferior adaptation, but the biggest one is that Forman and co-writer Jean-Claude Carriere decided that the ending where the Marquise de Merteuil gets her comeuppance wasn’t necessary. They decided that it was only in the book to appeal to the moralistic culture of the time. I totally disagree. I think we very much want to see her taken down—not because she is immoral but because she is an awful person. But I think it is great that they grappled with that question and made a reasonable, if ultimately incorrect decision.

My favorite of Forman’s films is the director’s cut of Amadeus. If you have not read it, I recommend reading my rather long discussion of the difference between the original released version of Amadeus and the director’s cut. The original version is very good. But the director’s cut is great. And I don’t think anyone else has addressed the issue, but I don’t think I’m alone in noting that something was slightly off in the original. However, I will warn you that most people seem to prefer the nice safe original version. But I expect more from my readers.

It is almost impossible to pick a scene from Forman’s work. Although he makes beautiful films, what’s more important is that he’s good at telling two hour long stories. But I picked a scene from Ragtime. This is a subplot in the movie (but a large part of the novel). It’s very sweet and funny:

Happy birthday Milos Forman!

Corpse in the Dorm

Nicholas BarnesOver the years, I have written a lot about the corpse under the bed. For those of you who do not know it, it is the story of motel guests who complain about a bad order that is determined to be a dead body rotting under the bed. What’s sad about the story is that it isn’t a legend. It happens all the time. Here’s one from just last year, Police Arrest 40-Year-Old Connected to Suspicious Death at Hickory Motel. And each and every story sounds pretty much the same, “One guest at the motel described smelling a foul odor Thursday, but it wasn’t until lunchtime Friday that police got the 911 call…”

To me, these stories are about a fundamental problem in our society. People don’t stuff dead Senators under motel room mattresses. They stuff people who they think no one will miss. It makes me think of Matthew 25:40, “To the extent that you did it to one of these brothers of mine, even the least of them, you did it to me.” Generally, the people who stuff bodies under beds are desperate and frightened people, but they are also serial killers. There is a larger indictment of society here.

Gawker reported last night, University of Chicago Student’s Body Found Decomposing in Dorm. It seems that 20-year-old Nicholas Barnes died in his dorm room over a week ago and just like the classic story, no one noticed until the smell of his rotting flesh started seeping out into the hall. This is, of course, very sad. A young man has died. But as a society, we should be ashamed that it took a bad smell to notice.

According to CBS News, Barnes was a Germanic Studies major who spent last fall in Austria. It quotes Dean of Students Susan Art, “Nick will be painfully missed. He was an excellent student, admired by faculty and peers alike.” I don’t doubt that this is true. And that makes it all the worse.

In our society, someone can be well liked with lots of what passes for friends now days. But when they disappear for a week, no one notices. The modern world allows us to have social connections that are a mile wide and an inch deep.

I used to just worry that as a society we were dividing into the worthy and the unworthy. But the death of Nicholas Barnes reminds me that our problems are much deeper than even that. We are becoming a society of individuals who only know how to interact in the most facile ways. Oh, you were sick? I just thought he decided to leave Twitter! I really question whether these are the kinds of lives we want to lead. But habit is a powerful thing. And we have developed some very bad habits.

Angry People and Democratic Wimps

Thomas FrankThomas Frank is back with a great article at Salon, The Matter With Kansas Now: The Tea Party, the 1 Percent and Delusional Democrats. It is the angriest I have ever seen from Frank. He argues that the pseudo-populism of the Republican base did not come about in a vacuum. The base really is angry at the elites of the country, but while the Republicans appealed to that in the most disingenuous way, the Democrats did nothing.

The only word I disagree with is “nothing.” The Democrats actively pushed the social conservatives away by turning into a socially liberal but economically conservative party. As a result, the social conservatives had no choice but to go with the Republicans. They could either get social conservatism with economic elitism from the Republicans, or social liberalism with economic elitism from the Democrats. At the same time, economic liberals have been effectively demoralized. They will vote for the Democratic Party, but they are none too excited about it.

Frank sums up what happened pretty well:

Democrats essentially did nothing while their pals in organized labor were clubbed to the ground; they leaped enthusiastically into action, however, when it was time to pass NAFTA and repeal Glass-Steagall. Working-class voters had nowhere else to go, they seem to have calculated, and — whoops! — they were wrong.

The problem is that being wrong hasn’t changed them. After the worst financial crisis since the Great Depression, we needed up with yet another New Democrat who on economic issues is only distinguished from the Republicans in being slightly less eager to enact more neoliberal policies. It almost makes me think there was a conspiracy. The power elite took control of both parties so that we would have no real choice on economic issues. Then they made the Republicans so crazy on social issues that liberals dare not go to a third party for fear that it would cause a Republican to win. In this conspiracy theory, Ralph Nader would be key.

Of course, we need no conspiracy. It is simply that money is extremely important in politics. Politicians have to appeal to those who have money. They do it by giving them the rich policies that they want. Frank’s solution is for the Democratic Party to make a populist turn on economic issues. But the fundamentals of politics push against that. We see that right now in the jockeying for the Democratic presidential nomination. The reason that everyone thinks Clinton is unbeatable is only partly because of her poll numbers. The bigger issue is that she will be a fundraising juggernaut. And I don’t think anyone expects that as president she will be anything much different from her husband or Obama. Remember: Obama got lots of little donations, but he’s governed entirely in the interests of his big donors.

I expect for this to continue on for the rest of my life. As it is, in the mainstream press “liberalism” has been redefined to mean what I call “social liberalism.” But there is no doubt that the Democratic Party is better on economic issues than the Republican Party. The Republicans want to makes things far worse while the Democrats want to limit how fast things get far worse. But Thomas Frank is right: even on the level of electoral politics, it is likely that the Democrats will lose. There are too many people who are angry and if the Democrats don’t appeal to that on a rational level, the Republicans will on an irrational level.

Isabelle Eberhardt’s Worthwhile Life

Isabelle EberhardtOn this day in the early part of the 20th century, we saw three fine actors born. The first is Kathleen Freeman who was born in 1919. She was a character actor over five decades known for her acerbic roles. I’m sure you’ve seen her countless times. She was, for example, in 11 Jerry Lewis films where she was his foil. She was also in Support Your Local Sheriff. And, most of all, she played General Burkhalter’s sister in Hogan’s Heroes. She was always great, spicing up anything she was in.

Our second actor is Hal Holbrook who is 89 today. About a decade ago, I dragged my wife to see him in Mark Twain Tonight. I knew it from my childhood. Then as now, I think there is little that can compare to a great actor on stage all alone. But she had no idea what to expect and was high skeptical. Of course, she loved it. How can anyone not? He’s done much else of note. But I don’t think this part of his career gets enough attention. So here is seven minutes of him doing Twain:

And the third actor is Alan Bates who was born in 1934. He had a long and varied career. But I most remember him for two of his later films. First there is Claudius in Zeffirelli’s Hamlet. And then there is his fantastic performance as Jennings, the alcoholic butler, in Gosford Park. I wish Bates had lived longer.

Other birthdays: astronomer Tobias Mayer (1723); stethoscope inventor Rene Laennec (1781); the man they named the line after, Andre Maginot (1877); evolutionary biologist Ronald Fisher (1890); mathematician Abraham Fraenkel (1891); activist Huey Newton (1942); actor Rene Russo (60); if I were a southerner, a comedian who would embarrass me, Larry the Cable Guy (51); basketball player Michael Jordan (51); hack film director Michael Bay (49); and actor Joseph Gordon-Levitt (33).

The day, however, belongs to the writer and activist Isabelle Eberhardt who was born on this day in 1877. She lived much of her adult like in Algeria during the French occupation. And she was often in conflict with it as she worked to help the native people. I wrote about her last year with regard to a biopic about her, Isabelle Eberhardt. My initial assessment of her has only grown stronger the more I’ve learned. As I wrote then:

The film ends with Eberhardt’s death due to a flash flood that destroys her home. Right before the walls crumble, she says, “I want to live!” It is a movie cliche, of course. But in the context of her life, it is a fitting epithet of her. Because there is little doubt that in her 27 years, she lived a great deal more than those of us pushing twice that age.

Happy birthday Isabelle Eberhardt!

Glengarry Glen Ross Signifies Nothing

Glengarry Glen RossThe guys at the The Q Filmcast do a podcast every week where they pick a film on Netflix to discuss. It is a surprisingly good show. There are five of them and they never seem to agree. Thus far, I have agreed the most with their producer Adam Rodgers, who the rest of the gang seem to think is a cinematic philistine. I don’t consider myself a philistine, but I do constantly rebel against what I think of as the professionalization of mediocrity. If you have the money to hire professionals, it is trivial to tell a standard story in a standard way. In general, I’m more into psychotronics and more generally personal art that is thrilling but often inconsistent or worse.

So when I heard that the Q boys were going to watch Glengarry Glen Ross, I was excited. I’ve been meaning to watch it for years, but I hadn’t gotten around to it. So I curved up with it Friday night and watched. It is everything that you expect from a David Mamet film. And if you like him, I don’t see how you can go wrong. Unfortunately, I don’t like Mamet. That’s not to say that I always hate his work. For one thing, when I read American Buffalo when I was a kid, I thought it was fantastic. But that was my introduction to him. Since then, I think everything that Mamet has to offer is on display in that play.

I remember reading that in his original script for The Verdict, Mamet ended without the jury coming back. I admire this. The story is about the personal redemption of Frank Galvin. It doesn’t matter that he wins the case in practice; we’ve seen that he has won in the eyes of Galvin. But it does have a resolution because Mamet is constrained by Barry Reed’s novel. When Mamet is not constrained by someone else’s story, he doesn’t bother to even come up with a story. Generally, he writes stories that are “full of sound and fury, signifying nothing.”

This is entirely true of Glengarry Glen Ross. It tells the story of four salesmen and an office manager. The owners of the company have decided to have a sales contest where the top two win prizes and the bottom two are fired. We only get two days into the month before the entire office is destroyed. As is typical of Mamet, he seems not at all interested in the absurdity of the situation. Nor does he seem to be aware that ultimately the owners are to blame—you make people too desperate and they will turn on each other. Of course, they already have, just in smaller ways. We learn, for example, that the office manager has been giving out good leads to agents he likes and bad leads to agents he doesn’t. In fact, my reading of the script is that the agents’ sales are totally determined by the leads given to them, just as they allege throughout the film.

All of this conflict is in the service only of the conflict itself. The thematic core of the film comes when a once great salesman (Jack Lemmon) asks the office manager (Kevin Spacey) why he is trying to destroy him. The office manager says, “Because I don’t like you.” That’s the tautological message of the film: people are cruel because people are cruel. I don’t doubt that Mamet sees the world like that. But that isn’t the way the world seems to me. People are cruel to each other mostly because they get an advantage from it. Mamet’s take on the world is the simplistic mentality of pubescent boys who haven’t learned how to manage their hormones.

Along with the unrealism of the plot, we have the highly stylized Mamet dialog. In small doses, it’s fine. But I’ve been inundated with it for decades. It hasn’t grown. It’s the same thing we always get from him. And sadly, it is the same thing we get from a lot of writers who have followed after him. If it weren’t for how foul it all is, I’m sure critical opinion on it would have changed and more people would admit to how annoying it is. But okay, it is what it is. What is is not is realistic.

I know that Glengarry Glen Ross would work much better as a play. That was especially true of the scenes between Moss (Ed Harris) and Aaronow (Alan Arkin). These are very funny, fast paced dialogs. But the director James Foley decided not to do them in a two shot or similar. So we cut back and forth between the characters very fast. It not only makes one’s head spin, it distracts from the dialog. There is no continuity. I have no idea why it was done that way. I am rarely even tempted to say something I don’t like is wrong, but here it is hard to escape that conclusion.

The film does not expand itself very much from the play. At times, I think that works rather well. The opening in payphones worked really well, for example. It reminded me of the art direction in the 1996 version of A Midsummer Night’s Dream. But the vast majority of the film takes place in the office. And other than it looking totally like something built on a sound stage, it had nothing of the otherworldly feel of the other locations.

There are things to admire in the film, however: mostly the acting. It is great. Kevin Spacey as the small minded and hateful office manager was wonderful. Al Pacino gave a slightly muted performance, which was perfect for the flamboyant “closer” of the office. (Am I saying that Pacino usually over-acts? Yes!) Lemmon, Harris, and Arkin were all excellent. Alec Baldwin tried very hard but was not properly supported by the direction. The standout performance was Jonathan Pryce in a small role with almost no dialog. Throughout the film, I felt he was the human ombudsman, looking on in horror, “What kind of creatures are you anyway?”

I know that a lot of people will like Glengarry Glen Ross. And there is no doubt that Mamet is probably more in tune with American attitudes toward drama than he ever has been. But I think a close viewing of the film shows its problems. It is ultimately empty socially and spiritually. It has nothing to say and it says it in the most offensive way it can. And as much as that is modern America, I don’t want to be reminded. So in the end, my feelings about the film are the same as Adam’s: I just don’t like it; it makes me feel bad without any enrichment. Regardless of how we dress up our feelings about a film post facto, that’s what it all comes down to. It would seem that Adam is just being more honest than the rest of us.

Julianna Forlano Does Comcast

Julianna ForlanoAbsurdity Today is a periodic comedic take on the news produced and performed by Julianna Forlano. She has a wry wit with moments of extreme silliness. And she definitely looks at the world through liberal eyes.

I’ve been following her videos since almost the beginning. I first wrote about her almost two years ago. In that article, I expressed my surprise that she hadn’t broken out of the 5,000 viewer ghetto on YouTube. She is, after all, funny and insightful. And the videos are short. What’s not to like?

I wish I could report to you that Forlano has gone big, but that doesn’t seem to be the case. It is now the second day after I received an email notice that a new Absurdity Today was up. Yet there are only a bit over 6,000 views as I write this. Now, that isn’t bad. But more people really ought to know about her video channel.

That’s especially true given that her videos, which were always good, have only gotten better. And this newest episode is really great. So take two minutes out of your day and check it out. And if you like it, subscribe. Otherwise, some day we will pine for the days when everyone’s videos didn’t look like they were produced by John Green.

The following video addresses the news that Comcast is trying to gobble up Time Warner Cable. The Comcast automated phone system bit is brilliant. And the video ends with an appeal to go to Free Press and sign the petition to stop the merger. I recommend doing that too.

“Your estimated wait time is… irrelevant!”

Happy Oney Judge Day!

George WashingtonWell, it’s President’s Day. But according to the federal government, it isn’t; it is instead Washington’s Birthday. I don’t especially like that. The best thing you can say about our first president is that he wasn’t ambitious. Many people (most notably John Adams) wanted to form a native aristocracy. Luckily, we didn’t get that explicitly in our politics, but we certainly got it implicitly in our society generally. So maybe the country should celebrate Washington, but you will forgive me if I don’t.

Washington is generally considered our richest president (but wait a few years and I’m sure that this will change as income inequality gets ever worse). Like almost all rich people everywhere, he was not rich through work but through owning. And in his case, what he owned were human beings. For 200 years, people have been trying to make out that Washington was against slavery. This is almost entirely by cherry picking statements he made. Any non-psychopath who is doing something evil will occasionally have bouts of moralizing.

What’s more, Washington never seemed to have any problems with slavery as long as his slave population was young and profitable. As they got older, they were less profitable. So as Washington started have economic problems with his slave population, his moral reasoning kicked in. “These slaves are costing me money… And you know, slavery is wrong!” And just look at his slave holding. He started at the age of 11 with ten slaves. And he actively acquired them as he got older, ending with 317.

According to a review of Joseph J Ellis’ His Excellency: George Washington, “He concluded that slavery was economically inefficient and that people who were compelled to work would never work hard.” You can just imagine the scene. Washington is looking out the window of his mansion sipping tea. He sees the slaves working in the tobacco fields and thinks, “If only those slaves worked harder, slavery would be a whole lot more morally defensible!”

Oney JudgeWhen Washington was president, he wanted to bring some slaves to work from him at the President’s House in Philadelphia. The problem was that if a slave was in the state for more than six months, he was automatically freed. So Washington just cycled the slaves so they never spent six month continuously at the President’s House. What a great guy, huh?!

One slave working at the President’s House, Oney Judge, escaped. That didn’t please the Washingtons. They spent years trying to steal her back. In The Pennsylvania Gazette advertisement of reward for her capture, they mentioned that they didn’t know what she was wearing. This was true, “As there was no suspicion of her going off, nor no provocation to do so, it is not easy to conjecture whither she has gone, or fully, what her design is…” Yeah, what could have caused her to escape?!

The Washingtons never got Judge back. She died in New Hampshire at the age of 75—older than either of the Washingtons. George Washington did free his slaves in his will. So that’s something. But it is interesting that Judge was one of the Washingtons’ dower slaves who ultimately belonged to the Custis Estate. So she would never have been freed.

Afterword

If Washington had wanted to free the dower slaves (there were 154 at the time of his death), he could have brought them to Pennsylvania for six months. Of course, that would have required him to lose some of his wealth while he was alive. Anyway, they were all getting such a great deal being one of his slaves. All that “hardly working” and free room and board! When you look at it properly, George Washington was doing a great service to his slaves. And I’m sure he thought that most of the time.

Maximilian Schell Suddenly Gone

Maximilian SchellI was shocked to see that Maximilian Schell died at the age of 83 back on 1 February. He seemed healthy, but apparently he got a bad case of pneumonia and quickly died. The next thing you know Max von Sydow will be dead and I won’t know what to do. These people I don’t personally know are so much part of me, it is hard to carry on. It is one thing to have the movies, even when they don’t make anymore themselves. (Although that isn’t true of either of those men.) But seeing them from long ago on screen and knowing that they are alive is something special. The odd things is, I’m a lot more okay with my own death than I am theirs.

Now I’m going through my films to see if I have any of Schell’s films to watch. In terms of his acting, I’m afraid I’m left with relative dreck: The Freshman and The Brothers Bloom. Although I have to admit, he’s great in both of those, especially the first. But I wish I had Judgment at Nuremberg or The Man in the Glass Booth. I will probably watch Marlene, his documentary about Marlene Dietrich. At least she gave us another seven years! I will miss the old man.

Here is a great scene from Judgment at Nuremberg, although I have to say that Montgomery Clift steals it:

Odds and Ends Vol 8

Odds and EndsWell, the tabs are really starting to add up in my little world. Right now I have 56 tabs open in Chrome alone. That can only mean one thing: I need to do another installment of Odds and Ends. There is some very important stuff today. That’s generally the case with these posts. If there is something that hangs around on my tabs for a long time, it usually means it is something interesting. Often I don’t get around to writing about it because I don’t feel I can do justice to it. But here, I just dump it without adding too much. And away we go…

  1. Let’s start with Paul Krugman who wrote a great rant over on his blog, Fighting the Last Macro War? Noah Smith wrote an article claiming that economists are always working on the last crisis, Is Macro Doomed to Always Fight the Last War? Krugman defends the Keynesians very well and you can read the post if you want to know. What I thought was more interesting was how he attacked the freshwater economists. These are basically the University of Chicago gang, with their real business cycle (RBC) models, who think that the government is evil and everything will be great if the government gets out of the way. Krugman thinks Smith is being way too easy on them:
    First there was stagflation—and that did indeed knock Keynesians back for a while, even as it gave freshwater macro some credibility. As I’ve already indicated, the freshwater guys then stopped there. And I mean really, really stopped there: in many ways they seem to be forever living in 1979.

    In particular, they never reacted at all to the second macro war, the disinflation of the 1980s. The point there was that disinflation was very costly, with protracted high unemployment—which shouldn’t have happened if freshwater macro were at all right. This reality, as much as clever new models, drove the Keynesian revival; the RBC guys paid no attention, and learned nothing…

    Now, you might ask why, in that case, we haven’t solved the problem [of our persistent economic slump]. But the answer there has nothing to do with lack of economic understanding; it has to do with ideologues who made up new doctrines on the fly (like expansionary austerity or doom by 90 percent debt) to justify policies that made no sense in the standard models. If politicians turn to climate deniers, that’s not a reflection on climate science; if they turn to crank macroeconomics, that’s not a reflection on Keynesianism.

    Ouch! I’m sure some of the freshwater guys will swat back—impotently, of course.

  2. The Can Kicks BackA bit over a year ago, I wrote, Rich Kids for the Rich. It was about The Can Kicks Back, an astroturf group of young people concerned about government debt. As I wrote then, it was “founded by seniors at Phillips Academy, a $40K per year prep school for the kids of the wealthy. And just like their parents, they are concerned about the debt—and for the same reasons.” Well, Byron Tau at Politico reported that The Can Kicks Back is in debt. In November, their communications director wrote in an email, “Without someone/something else covering staff costs and without fundraising miracles like Stan or near-Stan happening consistently, I don’t know how we both sustain [an] organization and do meaningful things…” The “Stan” mentioned is billionaire hedge fund manager Stan Druckenmiller. He gave them a check for a quarter million dollars last year—roughly 40% of their fundraising for the whole year. Of course, I’m sure that The Can Kicks Back will not go bankrupt. Having a youthful face is important for the billionaires’ campaign to starve granny.
  3. Dylan Scott at Talking Points Memo provided the following graph of Obamacare enrollment by state:
    Obamacare Enrollment

    The redder a state is, the higher the enrollment. The highest is Vermont with 52.4% of eligible people enrolled. The lowest is surprisingly Hawaii with just 3.2%. If you click over, they have a very cool interactive map where you can see what the enrollment is in any given state. But you can see the general shape of things: in conservative states, fewer people are getting enrolled. Part of that is the deep south where it seems they are determined to continue fighting the Civil War by other means. It’s all disgraceful. Poor people are suffering all over the nation because Republicans want to register their disapproval of President Obama. We Democrats weren’t thrilled with Medicare Part D, but we weren’t spiteful about it. There is really something wrong with those people.

  4. Chris ChristieAlec MacGillis wrote a great long piece over at The New Republic, Chris Christie’s Entire Career Reeks. If you are at all interested in Christie, you should read it. I want to draw your attention, however, to a much less prominent article. Right after the story broke, Joe Patrice over at Above the Law wrote, Governor Chris Christie Did What We All Should Have Expected From an Old Prosecutor. Patrice is a defense attorney and he argues that the way Christie appears to have done business as governor is exactly the way prosecutors do business everywhere in the United States. The whole idea is to apply maximum leverage at all times. This is why your average junkie caught with a bag of dope ends up facing 16 charges instead of just one. If you are at all interested in Christie or our horrible “justice” system, you should really read Patrice’s article.
  5. David Sirota has a great piece over at Pando Daily, The Wolf of Sesame Street: Revealing the Secret Corruption Inside PBS’s News Division. It is mostly about how former Enron trader John Arnold gave $3.5 million to PBS affiliate WNET to produce a series on public pensions called Pension Peril. The problem is that Arnold is simultaneously lobbying to have public pensions slashed. There is nothing surprising about this. As conservatives have painted PBS and NPR as liberal outlets, they have also managed to push them far to the right through funding mechanisms. It is extremely sad. The good news is that Sirota’s article had a big impact. After much jockeying, PBS announced that it would be returning the money to Arnold. Of course, several of the shows have already been made, but hopefully PBS will be more careful in the future. I’m not hopeful, though. For every case like this that gets noticed, there are dozens that don’t. Just look at the ridiculously skewed The McLaughlin Group that has been on PBS for 32 years.
  6. I thought it would be nice to end this Odds and Ends with a performance of one of my very favorite songs, Fields & Kern’s “The Way You Look Tonight.” That turned out to be really hard! Maybe it is just because I know the song so well and have lived with it for such a long time that I’ve gotten intolerant of other interpretations. But I don’t think so. For example, I found a version by Eliane Elias that isn’t what I’m looking for right now, but I see completely that it is brilliant. The worst of what I found was Tony Bennett. Now, I’ll admit: I think Bennett is about as overrated as anyone has ever been in any field whatsoever. But his “talk” version is worse than embarrassing; it is the waste of a great song. I did find this nice version by Catherine Brozena. But the only thing that really did it for me was this great version by Carla Cook:

    Wow. I’m gonna have to spend more time listening to her!

That’s it for this digest. I’ll see you around the internet!

Ever Beautiful Tarot Cards

Pamela Colman SmithOn this day in 1884 the great filmmaker Robert J Flaherty was born. He is best known for making the first kinda-sorta first feature length documentary, Nanook of the North. I get kind of tired of people claiming that it isn’t a documentary. It is clearly the film from which grew the rich documentary ecosystem we have today. I also think this attitude reflects a naivete regarding just how real are today’s documentaries. The reality is always at least distorted. The question is whether what is presented is truthful and I think that Nanook is. The full film is available online. It is well worth checking out. Flaherty went on to have an interesting and often controversial work life. Check out anything you come upon.

Anna Mae Hays is 94 today. She was the first female general in the United States military, having served in World War II and the Korean War. From 1967 until her retirement, she was chief of the Army Nurse Corps. She retired shortly after receiving the rank of general. This was also true of Elizabeth Hoisington, the second woman to reach that rank. I don’t doubt that these women deserved the rank. I suspect they deserved the rank ten years earlier. But giving out the rank to woman about to retire was probably the army trying to ease into the modern world. No one would scream too loudly, given they were retiring. And then the army could move on to giving the rank when it was deserved. Anyway, Hays and Hoisington were both trailblazers.

The excellent British film director John Schlesinger was born in 1926. He directed a wide variety of films such as Far From the Madding Crowd, Marathon Man, and the unfairly maligned Honky Tonk Freeway. But he is best remembered for Midnight Cowboy. It is essentially Waiting for Godot in New York. In the following ending to the film, see if you don’t see what I mean with regard to the interdependence of the characters. And when Joe Buck puts his arm around Ratso at the end, it still kills me.

Other birthdays: Japanese painter Kano Eitoku (1543); ventriloquist Edgar Bergen (1903); actor Hugh Beaumont (1909); songwriter Sonny Bono (1935); screenwriter Vincent Ward (58); actor Ice-T (56); tennis player John McEnroe (55); and screenwriter Eric Red (53).

The day, however, belongs to the illustrator Pamela Colman Smith who was born on this day in 1878. She was closely associated with photographer Alfred Stieglitz who felt her work had a synaesthetic (multi-sensory) sensibility. She was also friends with poet William Butler Yeats, for whom she illustrated some books. But she is best know for the Waite-Smith tarot cards. Arthur Edward Waite wrote the booklet that went along with the cards, but the cards themselves are all Smith’s. You have doubtless seen them. Pretty much all tarot cards either use her designs, or are recreations of her designs. I remember them from my childhood. (Because I was raised by Satanists!) They are wonderful. Here are some samples:

Tarot Cards

Happy birthday Pamela Colman Smith!