Trump, Rubio, Cruz, and Identity Politics

Donald TrumpI have to admit to being at a loss about the Republican presidential nomination. It does seem hard to believe that Donald Trump would be the nominee. But why do I think that? In a lot of ways, he is the Ross Perot of his day. I don’t mean that they are the same. Perot was an actual issue candidate. That issue — the budget deficit — was wrong; but it was something that intelligent people could disagree about. But they both appealed to people in much the same way: they were self financing and seemed like the kind of people who were willing to tell the people “the truth.” It’s a kind of affinity fraud, or as it is know, “identity politics.”

There are a lot of conservatives who are in love with this idea. Part of it is the delusion that people deserve their wealth. As we all know, Ross Perot’s fortune was highly tied to government largess. And the same thing is true of Donald Trump. See question number 17 of David Cay Johnston’s 21 Questions For Donald Trump. But to the conservative mind, these are self-made men. And without any experience in government, they are expected to walk into the White House and fix all our problems. So I see no reason why Trump can’t manage to take a third of the Republican delegates.

Ted CruzMatt Bruenig wrote an interesting article related to this, The Trump Confidence Game Analysis Has No Basis in Fact. Really, it just comes down to the fact that everyone has predicted that Trump will die out but he’s only grown in support. And I understand this. There is just this gut feeling in me that Trump can’t win, but there is no actual evidence behind it.

I noticed this in a recent Jonathan Bernstein article, Trump Will Still Lose. Here’s How. From the beginning, Bernstein has said that Trump will lose because he is of “the party decides” belief. But I found this most recent article to be hedging more than usual. Maybe there really is something different this time. Maybe it is all just about Trump being a billionaire.

Cruz seems like such an obvious choice, because he is even more vile than Trump, but is savvy enough to know what he can and can’t say regarding the media. But who really cares? Imagine that it is Marco Rubio? We are still talking about a horrible person. And let’s not forget that of these three, Trump is most likely to be the best. He’s not committed to conservative ideology. The other two are. So I imagine that a Trump administration would at least have some pragmatic aspects to it and very likely some absolutely positive policy.

Marco RubioBut as Brian Beutler noted, the GOP’s indentity politics may doom Marco Rubio. But he is wrong when it comes to the Democrats. He thinks that the reason that Martin O’Malley hasn’t caught on is because he is too much of a banal white guy. But that isn’t it. I think O’Malley hasn’t caught fire because he doesn’t offer anything especially exciting. Dismissing the Democratic base’s embrace of Sanders (a while male from the Northeast) being because he is a “left-wing insurgent” is self-refuting. The Democratic base is interested in issues, not “types.”

This is something I’ve talked about a lot, but people have a hard time accepting it. The Democrats are not the party of identity politics. African Americans don’t vote for the Democratic Party because it is the African American party. They vote for it because it has done a great deal for the African American community. If there is an identity for the Democratic Party, it is economic uncertainty: poor and working class people vote for the Democratic Party because they think that it looks out for their economic interests.

It is the Republican Party that is all about identity politics. They are, after all, the people who claim to be the “real” Americans. And they very much want to vote for a rich white guy, because we just haven’t had enough of those. So currently, Trump and Cruz look like the clear favorites to win the nomination. Politically, the three are very similar. But Rubio has the problem that he looks just a little bit like he might be ethnic.

That’s what it seems to be about. The Republicans have long ago given up on policy. It is all about personality and identity. And as a result, it is most likely that they will nominate Trump or Cruz. In the end, all they want is some blowhard to talk tough — but one they trust. And that means a white man. It’s funny that the Democratic Party with all its diversity is the one that is seen as the party of identity politics. Is the Democratic Party the African American party? No. Is it the Latino party? No. Is it the woman party? No. But the Republican Party is the white male party. It is the party of identity politics.

Morning Music: Dick Wagner and Steve Hunter

Rock 'n' Roll AnimalOkay. I’m willing to admit when I’ve made a mistake. And I’ve made a mistake with this poorly considered week of sound-oriented guitarists. So I’m going to finish out the week with guitarists who aren’t necessarily so into sound (although all electric rock guitar is a lot about sound). I’m just going to go with some guitarists who I admire. One of them is Dick Wagner. Another is Steve Hunter.

They are probably best known for their work with producer Bob Ezrin (one of my all time favorites — one of the unsung greats of rock music). In this capacity, they worked with acts like Lou Reed, Alice Cooper, and even Kiss. Well, Wagner played the lead guitar on the typically stupid Kiss song, Flaming Youth.

You can hear the two of them play together on a bunch of Alice Cooper albums. Dick Wagner was particularly close to him. But I thought we would listen to the two of them off the beginning of Lou Reed’s album Rock ‘n’ Roll Animal. They played so beautifully together. This intro — before “Sweet Jane” — was written by Hunter. I think Reed especially sucks at this period where he was addicted to speed. But the band is so great that it doesn’t much matter.

Anniversary Post: Huygens Space Probe

Huygens picture of Titan's surfaceExactly ten years ago, the Huygens space probe landed on the surface of Saturn’s moon Titan. It is the only probe to have successfully landed on an outer solar system object. Titan was a great choice, because it is the only moon in the solar system with a notable atmosphere. It’s surface pressure is about 40% greater than the Earth’s. And it’s atmosphere is made up mostly of nitrogen. Now you may wonder why all that nitrogen doesn’t just escape off into space. It is because it doesn’t have enough energy. Titan might not have much gravitational pull, but its surface temperature is 94 K — roughly -290 °F. Still, overall, it is a lot like the Earth with wind, rain, and seas. It is just that instead of water, Titan has liquids of simple hydrocarbons like methane and ethane.

In 1997, the European Space Agency launched Cassini—Huygens. It was an incredibly ambitious mission, flying by many planets and moons before going into orbit around Saturn in 2004. On 25 December 2004, Cassini released the Huygens probe, which reached Titan’s atmosphere on 14 January 2005. It descended to the surface two and a half hours later. Not a great deal was known about Titan until this mission, because (like with Venus), it’s think atmosphere obscured its surface details. In fact, it was long thought that Titan was the largest moon in the solar system, because its large atmosphere was counted as part of the solid moon.

One of the most interesting things about Titan is how much water it has. It’s density is less than double the density of water — and about half the density of the moon and one-third that of the Earth. On the surface are “rocks” of frozen water. But amazingly, Titan appears to have a thick subsurface layer of liquid water. Overall, it is about the most fascinating object in our solar system — other than the Earth itself.

After about an hour and a half on the surface of Titan, Huygens ran out of battery power and now just sits there on Titan. It is interesting to think, however, that it seems to have landed in a dry flood plane. So by now, it might have been carried off somewhere else. Titan really is very Earth like. So you can imagine what might happen to a similar probe that was just abandoned in the Mississippi delta.

When Bad Editing Meets Professional Graphics

Gold Graphic 1I want to show you the process of editing with an example I recently went through in getting an IG created. When the whole thing is posted, I will see about putting a link in here. But it doesn’t much matter. What does matter is that one small part of this very large infographic was about Mansa Musa, the great 14th century ruler of Mali. On his pilgrimage of Mecca, he spent so much gold that he caused its value to plummet and set off a years long depression in the Middle East. I often use this as an example to explain to gold bugs that inflation greatly effects gold based economies.

The artists that I work with appear to be from Asia: Russia, India, wherever. I don’t actually know because I don’t work with them directly. But they are brilliant. I am constantly amazed at their work, as you can see in the following infographic that I edited, How to Avoid Falling in Love with a Chatbot. And they came up with the graphic you see above to illustrate the issue of gold deflation: beggars could be covered in it but still need to beg.

Gold Graphic 2I responded to the image, “This is clever, but will be seen as racist in America. And the sign doesn’t make much sense. How about a larger sign that reads, ‘Will work for food — but not gold!'” The artist responded to my editing suggestion with the graphic on the left.

This is the kind of change you get when you are working with a professional. I wasn’t clear about what my problem was. But I asked for one specific thing and they gave it to me. And I like it. Of course I do! It was my idea! But I also think they rendered it perfectly. But I think it is clear to an American eye what’s wrong with this. It just will be seen differently here than it will be in most other areas of the globe.

So I responded, “This still bothers me. Either: no smiling (he’s a beggar after all) or a full set of shiny gold teeth.” Again, this is my mistake. I’m working with really professional, talented artists. And I’m a solid professional writer, but in the art of editing, I’m still learning. What I should have asked for was simply a lighter skin tone. I think that would have fixed it.

Gold Graphic 3What I got back was just what I asked for. And I’m afraid that it made it worse. I really hate this situation, because I’ve found myself on the other side of it many times. People ask for changes but they are unclear or don’t even know what they want.

So I wrote back, “I understand he is supposed to be some guy from the Middle East. But he comes off as the ‘happy negro’ stereotype. I think it will be fine to make him not smile and not show any teeth. I don’t want to beat this one to death, but I think it’s important.” I think that was the breaking point with the artist. I still think that so much pain could have been avoided if I had just written, “Please make the beggar a lighter color.” But like I said, I’m still learning.

Gold Graphic 4So the artist, realizing that they were working with an idiot client just changed graphic as you can see on the right. The inforgraphic lost what I thought was a nice joke. But this entirely new graphic is actually a better representation of what we are talking about. And it is beautifully rendered.

Clearly, I do a much better job when I’m editing writers. (I also edited the writing of this infographic — that’s where most of the time is taken.) But it shows just how hard the process is. It also speaks rather well for the company that I work for that it is willing to pay the artist and me to work out issues like this. A lot of companies just don’t care.

Steve Schmidt’s Conservative Affirmative Action

Steve SchmidtLast night, I watched a little bit of the MSNBC coverage of the then upcoming State of the Union address. And what I saw so upset me that I didn’t even watch the event. It was big news yesterday that Iran had captured ten US Navy crew members. So it was time to start demagoguing! And there was Steve Schmidt on “liberal” MSNBC going on (and on and on) about how the president needed to change his speech and talk tough about Iran and under no circumstance should the president tout the Iranian nuclear deal because Iran is bad, bad, bad.

Chris Matthews fired back. He’s not an artful guy, but what he said was basically correct: the Republicans just look for anything to complain about the president, that it was a bad faith criticism, and that Schmidt himself was doing that. Schmidt defended himself by noting that his wife was in the Navy and through a kind of “some of my best friends are military,” claimed that he didn’t just want war.

What exactly Steve Schmidt is doing on television is unclear to me. If he had been more successful, we would have President McCain, be at war with Iran right now, and have Sarah Palin embarrassing us all over the world.

As I recall, both Rachel Maddow and Chris Hayes made the argument that the whole thing was a diplomatic issue and maybe the president would be wrong to politicize it and might put these very service members in jeopardy. All I could think at the time was that this was going to be how it was. It didn’t matter that the president wanted to use the SotU address to call for collaboration, it was all going to be about conservative jerks like Steve Schmidt going around claiming that Obama is weak because he doesn’t rip off his shirt and pound his chest.

At the actual SotU address, Obama went on with his speech as planned. He told the assembled conservative whiners that we had a solid economy, and, “The United States of America is the most powerful nation on Earth.” And then after the speech, the press was filled with headlines like this one in The Washington Post, Iran Releases Captured US Navy Crew Members. And there was this in The New York Times, Iran’s Swift Release of US Sailors Hailed as a Sign of Warmer Relations. Oh! So contrary to Steven Schmidt, it’s actually things like the Iran nuclear deal and the fact that Obama believes in diplomacy that made this whole thing a non-issue, except for the conservative ranters who are only interested in finding fault with the president because he happens to be a Democrat.

Now you might say that this is much ado about nothing. And that’s true in an absolute sense. It’s just that it is always true. What Steve Schmidt was really saying was that he doesn’t like the Iran nuclear deal, and he doesn’t like it because he doesn’t like the president, and he doesn’t like the president because he’s a conservative hack. Of course, what seems to have been lost in all of this is that it was actually America that was at fault. What Iran did is what we would have done in that circumstance. But any excuse for more whining from conservatives.

What exactly Steve Schmidt is doing on television is unclear to me. If he had been more successful, we would have President McCain, be at war with Iran right now, and have Sarah Palin embarrassing us all over the world. Someone on Twitter last night said that he should be on Fox News, but I countered that. Say what you will about Fox News, at least the people on it are interesting. Steve Schmidt is on MSNBC because the network is desperate to have some kind of conservative who can breath through his nose to sort of counter Rachel Maddow. I hope Schmidt realizes just how much he benefits from affirmative action.

Morning Music: The Edge

The EdgeToday, we come to the guitarist I was most thinking of when I started the week talking about guitarists who were focused on sound: David Howell Evans — better known as The Edge of the band U2. I’m not a huge fan of the band or even of The Edge as a guitarist. But he is a great guitarist and he is an even greater sculptor of sound. I think of him as the Brian Eno of the guitar.

What we have here is a collection of featured guitar parts from him on eleven different U2 songs. As I’ve noted, I’m not at home, so I’m not going to the trouble of making sure the following list is correct. But of the songs I know, it is right:

  1. 11 O’Clock Tick Tock
  2. Sunday Bloody Sunday
  3. New Year’s Day
  4. Bullet the Blue Sky
  5. Until the End of The World
  6. The Fly
  7. Mysterious Ways
  8. Love Is Blindness
  9. Please
  10. Miracle Drug
  11. Unknown Caller

It’s pretty amazing stuff. At the same time, it isn’t really my kind of stuff. I’m not that into sound. But I greatly admire it. And The Edge has been enormously influential. There are now two generations of guitarists who his thinking totally dominates. It’s pretty amazing, especially coming from such an unassuming fellow.

Update

I just found this article, The Top 5: Overrated Guitarists. It contained this, “Most sensible critics see the iconic U2 guitarist for what he is: a great sonic pioneer who turned out to be the perfect receptacle for Brian Eno and Daniel Lanois’ sonic experimentation.” I had never really thought much about the guy, so I was pleased to hear that my take on him was actually widely shared.

Anniversary Post: Nika Riots

Chariot RacesOn this day in 532, the Nika riots occurred. Basically, it was a fight that broke out by different partisans in the big chariot races in Constantinople. Now these partisans were, among other things, political parties. And they were angry about the arrests, three days earlier, of members of the Blues and Greens for murders that had occurred at a previous chariot race.

During the chariot races on 13 January 532, the fans stopped chanting “blue” or “green” and started chanting, “Nika.” This more or less means “win.” The main thing is that the people had united in their anger against Emperor Justinian. But Justinian was no fool; he understood how to divide and conquer. He sent word and gold to the Blues, who abandoned the Greens, allowing the troops to come in and slaughter them. In the end, half the city was burned and 30,000 of the rioters were killed.

The Nika riots were clearly a political uprising, but the proximate cause was the chariot race. It does remind me of football hooligans. But it more reminds me of terrorism. I doubt anyone at the time thought it was really all about chariot races. Yet there are a whole lot of people around today who think that terrorism is all about Islam. In fact, I’m still stinging about an argument I had some time ago where I let off an Islamophobe because I didn’t want to offend someone whose work I had admired. Since then, he’s shown that he is quite clearly an Islamophobe. The distance between New Atheist and Islamophobe can be a hair’s breadth.

Anyway: rioting over chariot races. Quite interesting just because, well: chariot races. Who’d have thought?

Afterword

On a personal note: my parents were married 55 years ago today. But my mother died over a decade ago.

Our Town’s “Happy” Ending

Our Town 1940

In 1938, Thornton Wilder wrote Our Town. It was hugely successful, ultimately winning the Pulitzer Prize for Drama. And as I’ve discussed, it is a fine play. Ultimately, what is most innovative about it can be found back in 1921 in Luigi Pirandello’s Six Characters in Search of an Author. But not everything needs to be innovative. And Our Town does deal with a fundamental issue about the perspective of life in an omniscient context.

This is established at the beginning of the play when the Stage Manager talks about the newspaper delivery boy, Joe Crowell. The Stage Manager tells us that he is very bright and will go on to graduate high school at the top of his class. Then he will go to Massachusetts Tech and graduate at the top of his class there. He was going to be a great engineer. But then World War I came and he was killed in France. The Stage Manager sums it up, “All that education, for nothing.”

But in the context of the play, that can be said about everything. The one thing that is most clear throughout the play is that people die. They live their lives and then they die. There isn’t much more to it than that. We may have a positive or negative impact on others, but they too will die. The significance of our lives is like an asymptote that approaches zero the further we move in time. Wilder seems to have something to say about appreciating the present, but it is vague and the play itself seems most interested in death.

It is thus interesting to see what Hollywood did with the play when they first tried to film it in 1940. Clearly, they had to get rid of the obvious theatrical nature of play. So there are real sets much like we found in director Sam Wood’s earlier film, Goodbye, Mr Chips. But that doesn’t really matter. Trying to maintain the “theaterness” of a play in a film is usually a bad idea. It’s better just to film a play, which worked well for the filmed versions in 1977 and 1989.

The problem with the film is the ending. As Emily, dead from her second childbirth, goes to visit her 16th birthday (12th in the play), she has the same reaction that she has in the play. “Oh, Earth you’re too wonderful for anybody to realize. Do any human beings ever realize life while they live it? Oh, I want to live, I want to live, I want to live!”

And then she wakes up. It was all a delirium from her second pregnancy. Praise the Lord, they gave Our Town a happy ending! Or did they? After all, the film is otherwise very faithful to the play. We learn that Joe Crowell died in the war. Everyone dies. The film is still all about how people die and how they can’t see their lives in their completeness. But we are deprived of an edifying ending. We just get Emily having a bad dream. The film commits the same sin that the play indicts the whole of humanity for.

This is the problem with art as commodity. I can imagine the producers thinking that they needed to tack on a “happy” ending, even though the film itself isn’t happy. But it wasn’t just these money grubbing fools. The film was nominated for an Academy Award. It lost to Rebecca, but so did The Grapes of Wrath!

Anyway, I can’t imagine why people do this kind of thing. If you want to give people pleasant films, give them pleasant films. Don’t try to trick them into thinking that a sob-fest is okay because we get to end on a nice picture of Emily with her baby. Emily will die. And millions of women will die during childbirth. It’s a disgrace. Literally.


Original movie poster for the film Our Town (1940 film) by Source. Licensed under Fair use via Wikipedia.

New Republic and the Pernicious Meddling of the the Rich

Chris HughesAs I was getting ready to leave town Monday morning, I saw that Chris Hughes had decided to sell New Republic. It’s interesting to me because I was harsh in my criticism of the late 2014 resignation debacle. I first wrote, New Republic: 1914 – 2014. And then later, Attack of the Crybaby: Why Chris Hughes Turned Against New Republic. It is this latter one that I find myself thinking about now. What exactly was Chris Hughes thinking all this time.

I don’t think that what happened is opened to debate. Hughes started by thinking it would be fun to own a magazine. He had a great time hanging out with really accomplished, sophisticated people who had earned their reputations at the top of the liberal publishing pyramid. It must have been heady for Hughes, because let’s not forget: all Hughes did was happen to be Mark Zuckerberg’s roommate. That’s it. There’s no doubt that he’s smart enough, but he isn’t even at Zuckerberg’s level, and that level is low itself.

But after hanging out with the cool kids for a couple of years, Hughes got bored with it. After all, people like Jeet Heer were little more than celebrities to Hughes. And the truth is to them, Hughes was probably just a rich kid who owed his position to luck. They appreciated the money, but that was as far as it went. So given that New Republic was no longer fun, Hughes had to come up with a reason to have bought it — something to save face. So he came up with the idea he would revolutionize publishing.

What it shows is that it is dangerous to have really rich people around. Hughes is like Bill and Melinda Gates. They are all people who think that because they are wealthy, they must be smart and able to fix difficult problems.

The problem was that Hughes couldn’t revolutionize anything — the best he could hope for is to be the roommate of someone who might revolutionize publishing. And that wasn’t going to happen. But even if he had been a genius, he didn’t understand the publishing industry. So he was destined to fail regardless. And so that led to his letter Monday where he announced that he was selling New Republic because of the question he can’t answer, “Can it find a sustainable business model that will power its journalism in the decades to come?”

Well, it’s going to be pretty hard to sell New Republic as anything but a brand name that someone might want to take on. Thirteen months ago, it employed a great staff of writers and editors. Now they are mostly distributed throughout the publishing industry. Now I pretty much only follow Brian Beutler and to a lesser extent Elizabeth Stoker. I don’t see who is going to be all that interested in buying Chris Hughes’ plaything now that he’s broken it.

Josh Marshall at Talking Points Memo made a great point about the constraints of running a news organization within a budget. That was something that Hughes had no interest in. The idea of managing New Republic better doesn’t seem to have ever occurred to him. Instead, he blew $20 million in four years. His idea seems to have been that he could use the power of the internet to turn the magazine into something really special. But of course, there are already millions of people on the internet trying to do that.

A lot of people are talking about the old New Republic business model: modest financial losses made up for with donations from rich donors. Certainly that is what I thought Chris Hughes was going to do when he first bought the magazine. But he’s turned out to be far more immature than that. He never had a plan. He never tried to make the magazine efficient. He just tried to have fun. And when he was done, he tried to say face.

His legacy will be that he destroyed the magazine. There really is no point in it continuing on. But of course, it will continue on — just like Netscape continues on. But what it shows is that it is dangerous to have really rich people around. Hughes is like Bill and Melinda Gates. They are all people who think that because they are wealthy, they must be smart and able to fix difficult problems. And because they can throw around a lot of money, there are always lots of people around to tell them they are right. But now that Hughes isn’t having fun and everyone is laughing at him for being incompetent, he’s giving up and going out looking for something else to have fun with. After the Gates Foundation manages to finish all its education “reforms” only to find that they’ve made things worse, the Gates will find something else that they don’t understand to help “fix.”

No one should care that New Republic is dying. But we should care very much that our excessive income inequality allows rich fools to destroy venerable institutions because they think their money makes them smart.

Morning Music: Frank Zappa

Frank ZappaI’ve long felt that Frank Zappa was one of the most underrated guitarists of all time. But it has only been over the last decade or so that I really began to appreciate his later work. When I was younger, I tended to miss what he did. Now, its brilliance seems self-evident.

In 1981, he released a double album of instrumental tunes called, Shut Up ‘n Play Yer Guitar. He eventually went on to release two followups. I’m not going to spend a lot of time on this. I think most people recognize the brilliance of Frank Zappa. It’s sad that we lost him so young.

Here is a nice pseudo-reggae tune, “Treacherous Cretins”:

Anniversary Post: 2010 Haiti Earthquake

Haiti Earthquake 2010On this day in 2010 was the 7.0 M earthquake in Haiti that killed well over 100,000 people. The death toll was so high because it struck the most populated area of the country. In all, over three million people were affected by it. I think Haiti is an embarrassment to the west. There is no reason for us to allow its people to live in such poverty and suffer so much. But of course, that’s the modern American way: people are divided into the winners and the losers — the producers and the moochers. If someone was a winner, they would be smart enough not to be born in Haiti.

Lumosity Can’t Help Your Brain or Your Soul

Lumosity“No matter why you want a better brain, Lumosity can help.” So said the endless ads with the squeaky clean faces and doodles drawn on and around those faces. It was supposed to help you “improve your performance with the science of neuroplasticity.” Reading it makes it sound kind of portentous, but the ads themselves came off more like an ad for visiting the local farmer’s market on Saturdays. It’s good for you — and the kind of thing that upper-middle class, college educated people do. Unfortunately, it turns out that attending the farmer’s market is about as effective as Lumosity at improving your performance “but in a way that just feels like games.”

Last week, Lumosity settled a $50 million lawsuit with the Federal Trade Commission (FTC) for false advertising. But they will only have to pay $2 million because the company is in bad financial shape. Now I’m not the kind of person to kick someone when they are down. So I leave it to you to piece together your own joke involving two or more of the words “bright,” “management,” “luminous,” “brain-training,” and “bankruptcy.” But it is a serious matter, because the company made some outrageous claims. As Jessica Rich at the FTC said:

Lumosity preyed on consumers’ fears about age-related cognitive decline, suggesting their games could stave off memory loss, dementia, and even Alzheimer’s disease. But Lumosity simply did not have the science to back up its ads.

But there was apparently one thing that Lumosity did help people with the training itself. As Michael Hiltzik put it, “The largest studies indicate there’s no effect except for performance on the tests themselves — possibly the result of increased familiarity with the tests.” And that’s great! But Noodlecake Studios’ Brickies is more fun and doesn’t cost $14.95 per month. (In fact, it is free.)

I understand the fear. But the commercials were clearly making an emotional appeal rather than an intellectual one. It was the “one weird trick” for losing belly fat — but for your brain. But I wonder about the people who liked these ads. And there are apparently 35 million people who pay for this service every month. I’m very much aware of my own mental deterioration over the years. But it isn’t as simple as my being smarter before. I know that I’m just not as good at doing quick mathematical computations. But it’s possible that is due to an autism like effect, where I was better at that kind of stuff because I didn’t think about much else.

With age comes different abilities. I’m able to make vastly more complex and creative connections than I could when I was 25 years old. But I was better at solving differential equations then. Lumosity promised to get me those old days back. But I’m highly skeptical that I could get that kind of brain processing back without losing the far more valuable things I’ve gained since. So the woman in the commercial who wants to “remember people’s names” strikes me as having an awfully dangerous desire.[1] Are we willing to give up a profound understanding of the system of people we interact with just so we can know their names, like we are performing Harry Lorayne’s memory trick?

I don’t know what people want from their brains. My longstanding belief has been that it is far more important to be interesting than “smart.” And that is usually just a question of people being themselves. I have one friend who is incredibly well read — especially when it comes to philosophy. And he can be annoying to talk to, because he can (And does!) name an author who wrote about any “new” idea I’ve recently been thinking of. It tends to be a conversation stopper. At the same time, many people I consider a bit dim can make me rethink the whole world.

So even if Lumosity were delivering on its promises, I think what it was offering was awful: junk food for the brain and the soul.