You Never Can Tell With Chuck Berry

Chuck BerryIt’s a big day for literature. Moby-Dick was first published on this day back in 1851 under the name The Whale. And almost as quickly, it was disparaged and forgotten and not long after Melville pretty much stopped writing until shortly before his death. It’s sad. There are a lot of similarities between Melville and Cervantes, although the latter never stopped writing. But they both spent what should have been very productive years slogging through life doing government work. Its all very sad, but they both left us multiple gems of varying brilliance.

On this day in 1927, the great actor George C. Scott was born. I’ve liked him for a number of movies, most notably in Dr. Strangelove and Patton. But for me, the best film he ever made was They Might Be Giants. Yes, it is a modern version of Don Quixote, but that isn’t what matters most here. Scott’s performance is by far his most nuanced. Both film and actor are under appreciated.

Assassin Lee Harvey Oswald was born in 1939. I bring him up only because I had no idea he was so young. He had just turned 24 when he murdered President Kennedy. Clearly, he was a very troubled young man. And because of that, I worry about loose talk of revolution and tyranny. In the late 1960s, we definitely got a lot of that from the left. That was wrong and dangerous. But today, we not only get it from the right, we get it from a lot of mainstream people. I suspect the only reason no one has taken a shot at President Obama is that the Secret Service have thankfully gotten so good at their jobs. But it really ought to be unthinkable.

Other birthdays: Baroque painter Luca Giordano (1634); the late Baroque, early Classical composer Baldassare Galuppi (1706); poet Thomas Love Peacock (1785); theoretical physicist Pascual Jordan (1902); one of the great racist villains of 20th century America Jesse Helms (1921); actor Peter Boyle (1935); actor Dawn Wells, our own Mary Ann on Gilligan’s Island (75); one of the few really distinctive movie composers Howard Shore (67); and musician Wynton Marsalis (52).

The day, however, belongs to the very great Chuck Berry who is 87 today and still performing. Most people associate him with his guitar playing. And it is great, fun pentatonic noodling—probably the most distinctive style in pop music. But that’s not why I gave the the day to him. As I noted back on 17 September, “If I had to name the greatest songwriter of the 20th century, it would be Chuck Berry.” His musical sense is wonderful and his lyrics are clever as hell. It’s just amazing stuff. Here is one of my favorites, “You Never Can Tell”:

Happy birthday Chuck Berry!

Ira’s Brother George

George GershwinOn this day in 1774, the proto-environmentalist Johnny Appleseed (John Chapman) was born. I didn’t know he was an actual person. It turns out that he didn’t wander around planting seeds, however. He started nurseries and later orchards as a business. And much of the production of those nurseries were used (As always!) to make hard cider and other alcoholic beverages.

The sociologist and photographer Lewis Hine was born in 1874. He did great work during the first three decades of the 20th century to document the lives of regular Americans. A lot of his work was with the American Red Cross, documenting their relief work. In the 1920s he did a series of photographs of Americans at work. But despite his many great successes, he found it difficult to get work in the late 1930s. He eventually lost his house and he died in poverty. In other words, his is a typical story of what we do to great Americans with the temerity to do something with their lives other than make money.

The great poet T. S. Eliot was born in 1888. He is one of those “problem” poets—in his case antisemitism. But we all have character flaws, and it doesn’t too much matter to the work. What I most like about his poetry is his jagged rhythmic sense. I think it has had a profound effect on me in terms of my songs, which have grown ever more playful, although admittedly, less accessible to others. Here is Eliot’s “Hysteria” from around 1920:

As she laughed I was aware of becoming involved in her
laughter and being part of it, until her teeth were
only accidental stars with a talent for squad-drill. I
was drawn in by short gasps, inhaled at each momentary
recovery, lost finally in the dark caverns of her
throat, bruised by the ripple of unseen muscles. An
elderly waiter with trembling hands was hurriedly
spreading a pink and white checked cloth over the rusty
green iron table, saying: “If the lady and gentleman
wish to take their tea in the garden, if the lady and
gentleman wish to take their tea in the garden …” I
decided that if the shaking of her breasts could be
stopped, some of the fragments of the afternoon might
be collected, and I concentrated my attention with
careful subtlety to this end.

The singer-songwriter Marty Robbins was born in 1925. My mother was a big fan of his and his story songs. So this one is for her:

And the Roxy Music frontman, Bryan Ferry is 68 today. I’m torn on him. In many ways, he’s a pretentious twat. But I really do love those first two Roxy Music albums. Anyway, here is one of his solo efforts, “Let’s Stick Together”:

Other birthdays: Romantic painter Theodore Gericault (1791); novelist Joseph Furphy (1843); singer Olivia Newton-John (65); and actor Linda Hamilton (57).

The day, however, belongs to the great composer George Gershwin who was born in 1898. He is often mistakenly thought of as a “serious” or “classical” composer, but he was not at all. It is probably better to think of him as a musical theater composer, which he probably would be known as today if it were not for his death at only 38 due to a brain tumor. It is best to think of him as a cross between a jazz and a classical composer. It would have been interesting to see where he would have gone as a composer, because he certainly hadn’t reached maturity. Still, he left us with a lot of great music like Rhapsody in Blue, here conducted by a fan of his, Leonard Bernstein:

Happy birthday George Gershwin!

Machine Guns, Starvation, and Chemical Weapons

Hyon Song-wolThere is a single report from one of South Korea’s biggest daily papers, Chosun Ilbo, that singer Hyon Song-wol was arrested and executed along with 11 other members of the Unhasu Orchestra and Wangjaesan Light Music Band. Hyon was once Kim Jong-un’s girlfriend, but his father put a stop to that. There have been rumors as of 2011, that the two had rekindled their affair, which doubtless would not have thrilled Kim’s new wife Ri Sol-ju.

The only reason I mention it is because news outlets here in the west seem to be focused on a single issue: the allegation that Hyon and the others were executed because they made and sold a sex tape. For example, Slate reported, Unconfirmed Report of the Day: Kim Jong-Un Had His Ex-Girlfriend Executed For Making a Sex Tape. The Global Post reported, Report Alleges Kim Jong Un’s Ex-Girlfriend, Hyon Song Wol, Executed by Firing Squad Over Porn Charges. And Huffington Post reported, Hyon Song Wol, Kim Jong Un’s Ex-Girlfriend, Reportedly Executed For Making Sex Tape.

I’m not suggesting that any of these reporters actually believe the allegations. But as Adam Martin at New York Magazine reported, also among the charges was “possessing Bibles.” And this all adds up: it sounds like just the kind of trumped up charges that autocrats love. This is right out of 1984. Remember how all of the confessions were exactly the same? And they all included deviant sexual practices and banned books.

None of this means that the story is true. On the one hand, this is a total cliche that goes right along with what we all think of autocrats. On the other hand, autocrats are total cliches that go right along with what we all think of them. So if you were going to make up a story, you would say that Hyon was arrested for sex tapes and Bibles. But if you were an autocrat, you would say that Hyon was arrested for sex tapes and Bibles. It is very hard to distinguish in this case.

Let me provide you with my wild-ass-guess that at least is grounded in a decent understanding character and narrative. Kim was apparently stepping out on his wife with Hyon. This no doubt displeased his wife. After the relationship cooled down, she insisted that Hyon “go away.” That could mean that she be killed. But I think equally likely that she be taken out of the public sphere—maybe on house arrest. Her absence could certainly generate lots of rumors about arrests, sex tapes, and machine gun executions.

Perhaps the most important point in this whole story is that it could all be true and it doesn’t matter to anyone outside of North Korea. It’s a reminder of just how horrible that government is. Of course, it is just an extreme example of where authoritarianism takes a country. There are lots and lots of examples of this same mentality in this country. It just that as of yet, we still have institutions and norms that prevent it from getting out of hand. But remember: North Korea is a theocracy. There are many in the United States who want a theocracy—just not that kind.

So what do we do about North Korea? Nothing. It has a stable government. It has the bomb. And most of all, it is only starving to death and machine gunning its citizens. It’s not like it’s using chemical weapons.

Afterword

Here is Hyon Song-wol’s catchy hit, “Excellent Horse-Like Lady”:

Update (5 September 2014 7:35 pm)

According to Wikipedia, Hyon Song-wol appeared in public after this story broke. So thankfully she was not murdered.

Clair de Bussy

Claude DebussyOn this day back in 1647, the inventor of the pressure cooker, Denis Papin was born. British tool inventor Henry Maudslay was born in 1771. Writer James Kirke Paulding was born in 1778. American astronomer Samuel Pierpont Langley (Yes, that Langley) was born in 1834. The painter of The Spirit of ’76, Archibald Willard was born in 1836.

Philosopher Max Scheler was born in 1874. The great writer and humorist Dorothy Parker was born in 1893. The great Nazi film director Leni Riefenstahl was born in 1902. Photographer Henri Cartier-Bresson was born in 1908. Screenwriter Julius Epstein was born in 1909.

Blues legend John Lee Hooker was born in 1917. Here he is doing “Boom Boom”:

Science fiction writer Ray Bradbury was born in 1920. Playwright James Kirkwood was born in 1925. And General Norman Schwarzkopf was born in 1934.

Novelist Annie Proulx is 78 today. I’m not that fond of her work, but I did learn a great deal from her. She is a very crisp writer and I admire that. But more than that, I learned that novels aren’t really about plot—or at least they don’t need to be. Actor Valerie Harper is 74. Actor Cindy Williams is 66. Here she is in one of my favorite films, The Conversation during which the original conversation (which we hear parts of many times throughout the film) takes place:

Tori Amos is 50. I don’t really know who she is. A singer I think. And comedian Kristen Wiig is 40.

The day, however, belongs to one of the greatest composers ever, Claude Debussy who was born on this day back in 1862. His music can be appreciated on so many levels that I find it hard to believe that anyone wouldn’t it enjoy unless they were tone deaf. Mostly, the music is tonal but in that pentatonic and whole tone scale way that sounds simultaneously exotic and familiar. But he is rarely boring. He has a great sense of when to surprise the listener. In this regard, I think he is significantly better than Ravel, who I also admire.

If you want to listen to a rather sterile rendition of Clair de Lune, Google created a very beautiful and sweet Doodle for the occasion of Debussy’s 151 birthday. You could do a lot better musically. For one thing, you’ve probably heard Clair de Lune way too much already. I highly recommend listening to Debussy’s only opera Pelleas et Melisande. There are a few full versions online if you wish to listen to it. Or you could listen to any number of versions of Prelude to the Afternoon of a Faun. There is a very amusing animation to it in the film Allegro Non Troppo. But let me introduce you to some of his later work. This is the eleventh piece of the first book of Preludes, La Danse de Puck. Give it a chance. It is a bit more difficult than a lot of his work, but it is ultimately charming:

Happy birthday Claude Debussy!

Guthrie and Bergman

Woody GuthrieOn this day back in 1743, the great Russian poet Gavrila Romanovich Derzhavin was born. But what do I know? I don’t read Russian. The inventor of the theory of the Aryan master race, Arthur de Gobineau was born in 1816. Who would have thought that a Frenchman would give the Nazis their philosophical start? I hate to bring it up on Bastille Day. On the other hand, I think it is important for modern day conservatives to remember: Gobineau is what it is to be a conservative.

Special message to conservatives: This is what history will think of you. I know you all don’t see it now. But your belief in “equality of opportunity,” which even if it weren’t a myth, will eventually be seen for what it is: a form of intellectual aristocracy. You won’t say it, but you really do believe the race would be better if these “inferior” people just died out. And guess what? Over time, we’re going to need as much genetic diversity as possible. Because what is really valuable (or at least highly prized) now is very specific to this time and place. It will not always be so. But I don’t think that is what you should be thinking about. You should be thinking about what bigots you will ultimately be seen to be.

The writer Owen Wister was born in 1860. He pretty much invented the modern western. What is most interesting about his work is that it shows that even at the beginning the western was fundamentally about protecting the property of the rich. It wasn’t then and pretty much isn’t now about the rugged individualist, except in as much as that rugged individual can help protect the profits of the rich. The painter Gustav Klimt was born in 1862. He was a really interesting artist, but I just don’t find him that compelling.

The great Swedish filmmaker Ingmar Bergman was born in 1918. It was very hard to not give him the day. I don’t think he is unerring in his brilliance. But his films are always interesting and often great. It may be a cliche, but The Seventh Seal is one of the truly great films. And I am especially fond of Scenes from a Marriage. But sometimes, he’s really a bit too much as in Cries and Whispers. Since you really can’t appreciate Bergman in a short snippet, here is a parody of him that is delicious fun:

Okay! Here is probably the most famous scene from the beginning of The Seventh Seal. There are no subtitles. For those who haven’t seen it (And why is that?) Death has come for the knight. But the knight convinces him to delay his death until they finish a chess game. When choosing colors, Death picks black and then notes, “Appropriate, don’t you you think?”

Actor Harry Dean Stanton is 87 today. He’s interesting because he’s looked old for such a long time, he doesn’t look too bad now. Blockbuster film producer Joel Silver is 61. Comedian Jane Lynch is 53. And David Mitchell is 39. Here he is with Robert Webb lampooning the unequal crime fighting duo as we saw recently in Marvel’s the Avengers:

The day, however, belongs to the great folk singer and songwriter Woody Guthrie who was born on this day in 1912. Here he is doing “Hard Travelin'” which sounds very much like it could be on the first Bob Dylan album.

Happy birthday Woody Guthrie!

Meaning of Blondie’s “Rapture”

Blondie - RaptureYesterday was Debbie Harry’s birthday and I was shocked to see that I had not written about the meaning of the song “Rapture.” Or at least I hadn’t written about it here. I did write a discussion of the song over at Song Meanings. So let me expand on that a bit. To me, the song is very clear. This is distinct from just about everyone I’ve heard discuss the song. There are two primary theories. The first is that the song means nothing because Harry and Stein threw it together on a limo ride to a gig. As it seems I am forever reminding people: meaning is a construct of the listener, not the speaker. I may mean to communicate some idea to you in a story, but you are the final arbiter of what it meant. Or put another way: a comedian may think a bit is really funny, but if no one laughs, it isn’t funny.

The second theory is the fallback for all rock songs: it’s about drugs! But when writing about drugs, most songwriters are pretty explicit about it. For example, “I’m Waiting for my Man” is about drugs; “Lucy in the Sky with Diamonds” (LSD, get it?) is not. Anyone who has ever done LSD knows the song seems very much like what someone who has never done LSD thinks it is like. Even “Lookin’ out My Back Door”, which seems like a guy coming home, dropping acid, and tripping on his back porch, is probably not about drugs, but rather about a man home from work who finally gets a chance to play with his creativity. I honestly don’t know why people would say that “Rapture” is about drugs. Do people on drugs hallucinate about aliens devouring cars?

Before I get to the song itself, I want to dispel the idea that “Rapture” was any kind of cutting edge song. Blondie did not invent rap, or for that matter, “white rap,” whatever that might be. Certainly the group was aware of Gil Scott-Heron (“The Revolution Will Not Be Televised”) if not “The Last Poets” and similar groups. But more to the point, “Rapture” was just a punk attempt to do what white musicians have been doing for hundreds of years: co-opt the cool stuff that black musicians were doing. In this particular case, it is hard to believe that “Rapture” would have ever existed if The Sugarhill Gang hadn’t been so successful with “Rapper’s Delight.” And none of that takes anything away from the brilliance of “Rapture.”

Before I started talking to people about it, I thought it was obvious to everyone what “Rapture” was about. It is about environmental destruction and over-blown consumerism. Not that I’m saying it is that simple, but in one sentence, that’s what you get. There is clearly a lot about sex, but this too is related to the commoditization of the act. Look at how they deconstruct the human interactions in the song. When dancing close, the body is breathing “almost comatose.” They aren’t grinding pelvises, they are “back to back” using the sacroiliac join—indicating that they are trying to interact as little as possible with each other. When they do face each other, they don’t look at one another. Without human connection, what is left: the things we buy.

The man from Mars, is, of course, us. He eats up cars until there are none. Then he eats bars until there are none. Then he eats guitars, but before he can get through them, the song ends with the best guitar solo on any Blondie song. The whole issue of “The Rapture” is present throughout the song. At the end, Harry’s disclosure that the man from Mars has gone back up to space is cold comfort. She seems to say, “The Rapture is a myth, no one is really going to come down and destroy you, but your things are going to be taken away from you — by you and the way you live — and you will be left with, what? Each other.” Thus, the song provides a tidy message: don’t relate with your things, relate with each other. The song is more relevant today than ever.

“Get up!”

Getting Soft with Bartolomeo Cristofori

Bartolomeo CristoforiOn this day back in 1852, the model for Alice’s Adventures in Wonderland, Alice Liddell was born. And Audrey Hepburn was born in 1929.

Criminal or glorious leader (I tend to think the two are the same), Hosni Mubarak is 85 today. Jazz bassist Ron Carter and surf guitarist Dick Dale are both 76. Climate change denier George Will is 72. Star of The Visitor Richard Jenkins is 66. And Will Arnett is 43.

But the day belongs to Bartolomeo Cristofori, who was born in 1655. I know: you have never heard of him. Perhaps you are aware of Bartolomeo Beretta, the gun manufacturer. Or Bartolomeo Bosco, the great magician. Or one of the many painters. Bartolomeo is a common name! Our Bartolomeo is the musical instrument maker who invented the piano. Please forgive me while I explain why this matters.

Before the piano, there were mainly two kinds of keyboard instruments. Everyone knows the harpsichord. It has a very distinctive sound that is good for accompaniment of other instruments. But it is much harder to play expressively because of the nature of its mechanism: strings are plucked. As a result of this, there is more resistance when you hit a key. It lacks control. Here is a nice bit of harpsichord using a bit of Domenico Scarlatti. Note the lack of expression, even though it is played by a master:

The second instrument is the clavichord. It is more like the piano in that the strings are stuck. The problem is that unlike a piano, the striking mechanism stays in contact with the strings. So while the clavichord is perhaps as expressive as the piano, it is not loud enough for a large audience. Here is an excellent example of the attributes of the clavichord using a little Bach. Note the dynamic range:

So what Cristofori discovered was a way to hit the strings and then release. If you’ve ever looking into a piano while it was playing, you will see that the hammers act very much like someone playing a xylophone. Of course, it took many improvements after Cristofori to make the piano a truly useful instrument. But he did create what we would recognize as a piano today. And just listen to this performance of Mozart’s Piano Concerto No. 17 with all baroque instruments:

And it is all thanks for Cristofori.

Happy birthday Bartolomeo Cristofori!

Afterword

I’m still very sick. I will try to write more, but it is hard to concentrate.

Johann, Son, Rush, and Slovoj

Johann Sebastian BachIt is quite a day for birthdays! I’m really going to have to limit today’s article to those who are really worthy. The great mathematician and physicist Joseph Fourier was born on this day back in 1768. Theater producer Florenz Ziegfeld of Ziegfeld Follies fame was born in 1867. The great blues man Son House was born in 1902. And the great independent filmmaker Russ Meyer was born in 1922.

There are lots of birthdays today. Rose Stone of Sly & the Family Stone is 68 today. Timothy Dalton is 67. The brilliant philosopher and social critic Slavoj Zizek is 64. The great British actor Gary Oldman turns 55 today. And The Young Turks creator Cenk Uygur is 43.

I really had to grapple with giving the day to Zizek or Meyer or Son House. But in the end, I had to give it to Johann Sebastian Bach. It is interesting that when he was alive and for a while afterwards, Bach was not that popular. It was only toward the end of Mozart’s life that people began to appreciate just how great a composer Bach the elder was. Here is one of his best known works, Toccata & Fugue in D Minor:

Happy birthday old man! You’ve made my life incalculably richer!

Afterword

I can’t help it. Here’s a little Son House:

And a bit from an early Russ Meyer film that I really like, Eve And The Handyman:

And an animated Slavoj Zizek lecture:

Update (29 April 2013 9:36 pm)

I made a mistake. Bach was actually born 31 March 1685.

Mississippi John Hurt

Mississippi John HurtOther than today being the birthday of The Skipper, the only person who really called out to me was Mississippi John Hurt, the great blues and folk musician. He had a great story. He was a performer in his youth in the late 1920s. With the Great Depression he stopped doing music and became a sharecropper. And the world forgot all about him until a couple of years before he died. In those last years, he was quite famous in the folk scene of the 1960s. He was everywhere at festivals and on the TV. And then he died of a heart attack in 1966. But it is cool he got those great last years.

Here he is performing “Lonesome Valley”:

Update (30 April 2013 11:06 pm)

I just discovered that the great Broadway director Joseph Hardy turned 84 on this day.

Happy Birthday Lou

Lou ReedIt is March 2 and some interesting people were born on this day. The wonderful Alvin Youngblood Hart is 50 today. John Irving is 71 today. The genuinely great Mikhail Gorbachev is 82. John Cullum, the fine musical theater actor, is 83. Theodor Seuss Geisel — Dr Seuss — would have been 109 today, but he died at a reasonable age. And Kurt Weill would have been 113. All of these men are or were greater than the man I want to discuss.

When I was younger, I loved Lou Reed and the Velvet Underground. Like many people, I was inspired by Reed. I remember Iggy Pop claiming he got into music after seeing the Velvets because he realized that like Reed, he too was ugly with limited talent. I don’t mean to rag on the man. He’s a pretty good songwriter and what’s more important, he has written about interesting things. The real problem with him is his pretense to be a real poet. He’s at his best when he lets his id fly. When he overthinks something, it means disaster because Reed isn’t a great thinker.

Another aspect of Reed is that he’s an asshole. When I first got into him, I researched him, which is SOP for me. And in those few interviews that he did, he always came off as a total dick. I remember him ranting about how he was a published poet and how people ought to respect him more. (I too am a published poet, and in better journals than he was in 1972. Who cares?!) Then I read Diana Clapton’s biography of him, which was no kind of hit job — she was a fan. One of the most detailed chapters was an interview with a young guitarist who toured with Reed. His treatment by the star was absolutely terrible. And then there was the whole thing about Reed not allowing Doug Yule to be inducted into the Rock & Roll Hall of Fame. (I think that Yule is the real hero of Loaded.)

So while I loved Reed’s music, I was well aware that he was no kind of decent human being. And as I wrote and performed music, I had recurring dreams in which he would appear and abuse me in various ways. This mostly took the form of telling me that I was a no-talent and that I should give up. And that was doubtless good advice!

After a couple of years during which Reed basically never performed (once at the Bottom Line, as I recall), he came to California. He was performing at the Great America theme park. So my friend Will and I went. We are wandering around the park waiting for the concert and we come upon Reed, surrounded by four beefy men. They are all looking up at the Edge, a free-fall ride. So I walk right up to him. I have this ability. I am literally as threatening as a mosquito, so bodyguards don’t even seem to notice me. Lou looks down at me. He is not pleased. He looks at his bodyguards like, “What the fuck?!” I absolutely don’t know what to say so I ask for an autograph. He frowns and sighs almost hard enough to blow me over. “You got a pen?” he asks. I pat my pants. He shrugs, turns, and walks away.

It was a wonderful moment because it was the same dynamic in my dream: dismissive and bothered. This isn’t surprising, given that I knew the kind of guy he was. Some artists love fans because it makes them feel valid, but artists like Reed need to trivialize fans because they make them feel less valid — like teen idols or something. Of course, Reed isn’t that famous. I doubt that 1% of the people in the country would recognize his face. Perhaps 5% would recognize “Walk on the Wild Side,” and frankly, that’s because of David Bowie and Mick Ronson.

The other important performer from that time was Jonathan Richman, who was also a huge Velvet Underground fan. Admittedly, Richman has on average been a disappointment. He has a very poor work ethic. But his best work is better than Reed’s best. Plus, he never tortured me in my dreams. And I’ve met him many times and he is a very friendly guy. That isn’t to say that he’s an angel — just that his particular demons don’t require him to dump on everyone around him.

But given that it is Reed’s 71st birthday, here’s hoping it is a Perfect Day.[1] I’m sure this article will help.

Afterword

I always thought that Wikipedia had a mechanism that automatically updated the ages of people. But this isn’t the case. People apparently have to do it manually. Justin Bieber’s age was updated at midnight East Coast time. Lou Reed’s birthday got updated during the writing of this. John Irving’s birthday hasn’t been updated.

Antoine-Frederic Gresnick lived at the same time as Mozart and composed pieces that can easily be mistaken for him. He was born today in 1755. Here is his Symphonie Concertante in B-flat Major. It is delightful:


[1] I still love this song, but I can have a hard time listening to it now. How could they allow some of the notes to be so out of tune?! I don’t care that much about pitch and I don’t have that great an ear, but jeez!

See also: Lou Reed Sowed and Reaped for 71 Years.

Justin Bieber’s 12th Birthday

Justin Bieber on his 12th BirthdayJustin Bieber turns 12 today. It is the eighth time he has turned 12. He’s like Peter Pan: he can’t grow up. I don’t know why Peter Pan couldn’t grow up. In Justin Bieber’s case, it would ruin his brand.

I am quite serious when I say that Bieber’s entire brand is being a cute little boy. This is also Taylor Swift’s brand. But it isn’t her birthday.

I don’t have a lot more to say about Bieber than I’ve already said. Let me just quote from my article, Justin Bieber and the End of Western Culture:

From the first syllable out of Bieber’s mouth, I was assaulted by the worst technological innovation since the atomic bomb: pitch correction. I hear it everywhere. It first came to prominence in Cher’s hit Believe (You know: “Do you believe in love after love?”). The effect on Cher’s voice is pitch correction used at a high level. But it was an effect. It wasn’t being used because Cher (1) couldn’t sing in tune or (2) had a very weak voice that required some help. After that song, the effect became a fad. It finally died away, but afterwards, there was this residue of the stuff. I could always hear this effect used on some (many) singers’ voices. It wasn’t as strong as in the case of Believe, but it was there nonetheless. And then it hit me: these people (e.g. Taylor Swift) couldn’t sing in tune! Why not? That makes the job of record companies much easier: find someone cute who can move. The pitch correction works in real time, so these tone-deaf savants can even perform live. Ladies and gentlemen: Island Records recording artist Justin Bieber!

So happy birthday Young Bieber. Thank you for doing your best to destroy my culture. My mother always said, “Go with your strengths!” And that seems to be yours.

Afterword

Some decent artists or at least entertainers were born today. Ron Howard is 59. The fine young British actor Jack Davenport is 39. Alan Thicke is 66. The last remaining Hogan’s Hero, Robert Clary is 87. The fine actress Joan Hackett would have been 79 today, but she died at 49 of ovarian cancer.

Gratefully, we don’t need to suffer through another year with Robert Bork on the planet. But he did make it to 85. What is it with conservatives? Do they live so long because they’re rich or is it just to spite the world?

Linda Linda

I came upon the song Linda Linda thanks to Atrios. It is featured in the 2005 Japanese film Linda Linda Linda, where it is played by the fictional band the film is about. Here is The Blue Hearts doing the song originally:

This is rock music at its best. Any band that makes you think of Wild Thing or Louis Louis is doing it right. That seems kind of simple, doesn’t it? Somehow it isn’t.