Immigration Reform Wouldn’t Have Stopped Trump

Donald TrumpIn an otherwise interesting article, Jonathan Chait wrote, “In the aftermath of the 2012 election, it was obvious to nearly every analyst outside the Republican Party, and to quite a few of those within it, that the GOP needed to get immigration reform off the table to give it a chance with Latino voters. All House leaders had to do in order to accomplish this was to bring up an immigration-reform bill that had passed in the Senate, and it could have passed with just a few dozen Republican votes.” No, no, no! Jesus, how long are people going to believe this hogwash?! Sure, there were and still are analysts who think this. But they couldn’t be more wrong.

Chait continued, “Anger by the base paralyzed them from acting, and they muddled through instead.” I really wonder what people like Chait think political parties are. Do they think that the parties just make up their platforms and then hope that there will be enough voters for them to win elections? Parties are coalitions. For almost 50 years, the Republican Party has managed to wed the “libertarian” part of the party with the racist part. Is that racist part just going to shut up because immigration reform was passed?

The whole time immigration reform was being debated, it was very clear that even its Republican supporters had the attitude that this was the one thing that they were willing to do for the immigrant community.

This brings us back to Chait, “Not long ago, the prospect of Trump heading the ticket in 2016 was utterly unthinkable. Now it is thinkable…” How is it that the House passing immigration reform would have stopped Trump from gaining so much traction? Indeed, if immigration reform had passed, wouldn’t that have made the base even more angry? Wouldn’t that have made a Trump or Cruz candidacy all that much more appealing? I really don’t get the way that mainstream (usually liberal) pundits see this. It’s like they think that an immigration reform bill — one that was ridiculously harsh, requiring almost two decades to get citizenship — was some kind of magic bullet that would make the Republican Party’s racism problem vanish.

And look at what Chait acknowledges: the Republicans just had to allow the bill to get a vote where only a tiny percentage of Republicans would have voted for it. And it only passed the Senate with a handful of Republican votes. So what would this have said to the Latino community specifically? That the Republican Party doesn’t hate them, just everyone in it?! It’s madness. And it gets worse.

At least by doing nothing, things stay the way they are. But the whole time immigration reform was being debated, it was very clear that even its Republican supporters had the attitude that this was the one thing that they were willing to do for the immigrant community. So the Republicans were offering an incredibly harsh, punitive approach to immigration reform and acting like that was the end of it. It’s like a friend giving a junkie twenty bucks after years of charity, “Okay, but this is the last time I’m doing this!” That’s what the Republicans were offering.

Given the Republicans will not embrace immigrants (legal or otherwise), I do not see how immigration reform helps them. Are we to assume that immigrants are just ignorant? That they wouldn’t know that it was the Democratic Party that somehow got immigration reform passed despite Republicans and not because of them? But regardless of that, how does immigration reform make Trump’s candidacy less plausible?

Idealistic Basis of Liberal Patriotism

The Osterman WeekendYesterday, I watched Sam Peckinpah’s last film, The Osterman Weekend. It is based on the Robert Ludlum novel. It was only his second novel, and from what I understand, it didn’t make much more sense than the film. But the film really is something to behold. It has the feel of porn, with everyone spying on everyone else. And the last act turns the whole thing into a revenge story, with no real clue as to how the first two acts were meant to facilitate this. And it is a shame, because it has an excellent cast, and I’ve never seen Rutger Hauer so good.

But I want to focus on one little thing in the film. The CIA has decided to get well known liberal television journalist John Tanner (Rutger Hauer) to work for them by convincing him that his three closest friends are KGB agents. Laurence Fassett (John Hurt) thinks he will go for it because of Tanner’s politics. He says, “They say that converts make the greatest zealots. He’s more American and Americans. He’s a bigot about truth, democracy, justice.” I think that’s exactly true. The most liberal among us are the biggest believers in those grammar school civics lessons.

For a long time, I thought that conservatives were the same way. But I can’t say that’s true anymore. Conservatism is all about tribalism and hierarchy. America is not great because of its ideals or the things it does; for the conservative, America is great because it is America. And this is why we get this endless parade of jingoism — the constant call for us to use our military to crush some other group or country. I do see in this a certain naive idealism: the assumption that America is great for some vague and gauzy reason.

But if you aren’t willing to pull back the gauze and focus clearly on the reality, then all your patriotism is nothing more than chauvinism. And I wonder if there isn’t a deeper understanding that to look too closely at what America actually is would shatter the illusion. Maybe such naive conservatism is, at base, just the Dick Cheney kind of cynical conservatism. It doesn’t matter, I suppose. Because you can’t love something if you refuse to see it. That’s the kind of adolescent “love” that is weaker the more you know of the object.

The film made me wonder if I would rat out my friends if I found they were traitors. It’s hard to get into the mindset of the Cold War, especially knowing what a ridiculous game it was. But I’ve thought very clearly about whether I would rat out a friend involved in a terrorist plot (and I’ve had a few over the years who I could imagine being involved in one), and the answer is that I would. But even there, that’s probably first an act of humanism. It is second an act of patriotism, but only in the John Tanner version of it: being a bigot about truth, democracy, justice.

Morning Music: Elvis Costello at Woodstock 99

Elvis CostelloAs I like to do when I highlight a particular artist, I end this week with a live set of said artist. This week, it has been Elvis Costello. And do I have a wonderful one: Elvis Costello at Woodstock 99. It will make up for my slighting the early albums at the same time that it is too early for him to perform stuff that I’m not intimately familiar with.

The second song is one that I had thought about using this week, “Mystery Dance.” When I first heard that song, I was still in my teens and I knew exactly what he was talking about. Sex really is an art, and it should not be attempted by two novices. So at the time, it made me feel normal. As an old man, it’s just hilarious, but in the kindest way.

There are lots of things to love about Elvis Costello. He’s got a great voice — capable of conveying any emotion (something I find distinctly lacking in the huge pop stars). Musically, he’s always interesting — never boring, but never too difficult (even on The Juliet Letters). But mostly, he’s just really smart. It’s nice to know what he has to say. I feel like I grew up with him. When he was angry, I was angry; when he started figuring out life, I started figuring out life. I really ought to get some of his newest albums to see if we are still growing together — or more likely, not growing together.

Anniversary Post: Orion Spacecraft

Orion SpacecraftOn this day last year, the first test flight of the Orion Multi-Purpose Crew Vehicle (Orion MPCV) took place. Using it, we should be able to go beyond low Earth orbit to, say, the Moon. Indeed, its next test will be an uncrewed trip around the Moon by the end of 2018. And then, some time around 2022, we plan to send four astronauts into orbit around the Moon. And then a few years later, the first crewed trip to an asteroid.

Now you all know me: I love the robotic space program. I’m not that keen on people going up in space because I’m risk adverse. But this is pretty cool. And if people are going to be orbiting the planet… Plus, the potential for the exploration of asteroids really is great, because it is our first real efforts to address the potential catastrophe of an asteroid striking the Earth. On the other hand, given how well humans seem to be doing in creating their own catastrophes, maybe it is unnecessary. Still: it is worth doing.

Also: the cost of the mission is estimated to be less than $3 billion. That’s roughly 50 times less than colonizing the Moon — much less Mars. But I know how all of you are really excited about colonizing Mars, so listen up: Orion is an important step in that too. It seems to me that Orion is about the most exciting thing happening in crewed space exploration. It’s a bit of a return to the Apollo days.

On the other hand, Donald Trump will probably destroy the world before we ever reach an asteroid. Here’s hoping I’m wrong!

Two Muppets, One Cup, Two Girls

Kermit the FrogI’m sure that in the past, I have written about 2 Girls 1 Cup. But during my Thanksgiving trip, the subject came up, as I will discuss shortly. I have, for the first time, done a bit of research on the video. That is to say, I looked at the Wikipedia page on it, because that is about as close as I ever want to get to it. For those who may not know, it is a short film featuring two young women who apparently defecate into a cup (glass, actually), drink it, and vomit it back into the other’s mouth.

I was introduced to it by some young men I worked with at a startup. They really wanted to show it to me — as was quite common at the time (late 2007 — when it was still fairly new). I asked them, “Is it scatological?” That was said right as the video started. One of them said, “What is ‘scatological’?” At that point, one of the young women defecated into a glass. I immediately stood up and as I walked away, I said, “That is ‘scatological’!” So I only saw the first few seconds of it. The young men filled me in on the complete narrative later.

Hungry BitchesIt turns out that the video itself is just the trailer for an hour long Brazilian fetish porn film called, Hungry Bitches. There has been much discussion over the years as to exactly how “real” the whole thing is. One thing I noticed in my brief encounter with it was that the feces of the one woman was either fake or she was very ill indeed. The porn industry seems to have perfected the art of the enema, so I don’t actually have much difficulty seeing how the whole thing could be faked. Clearly doing any of that is something that would be truly disgusting for a normal person, but for a professional, well, whatever.

(It is worth noting that I know a few people who are what we might call connoisseurs of pornography in its many forms. When I asked them about the video, they were lackadaisical about it. 2 Girls 1 Cup is not at all a new thing. Similar films have been around since at least the early 90s. So this particular video becoming a big deal is due to the vagaries of society — most especially the recent proliferation of video streaming services.)

What I learned last week is that there is a genre of videos which record people’s reactions to 2 Girls 1 Cup. Clearly, there are people who find scatological material erotic. It’s a small percentage of the population, surely. But human sexuality is broad. And I am not one to judge when it comes to such matters. But clearly, the video did not go viral because people found it titillating; it went viral because people found it disgusting. So shooting people’s reactions to the video was quite normal. I haven’t actually seen any of them, because even that is too close to the original.

Hungry Bitches was released in January of 2007. According to Wikipedia, “Around mid-October 2007, video-sharing sites including YouTube were flooded with videos depicting others’ reactions to watching the video for the first time.” By mid-November, comedian Adam Ray came up with his own scripted version, Kermit the Frog Reacts to 2 Girls 1 Cup. I actually hate the idea. Kermit is a hero of mine. But I did check it out. (Note: it has some foul language.)

There are a number of things that impress me. One is that the puppetry is rather good. The voice isn’t bad, until it gets too loud and outraged. And Adam Ray is the kind of comic who pushes jokes too far. He doesn’t allow the joke to end with the appearance of the hand lotion. Instead, we get Kermit masturbating under the table. Is it pedantic of me to note that frogs do not have penises but rather cloacae? Probably so, but it is something of a matter of honor.

Following this two weeks later, Ray released, Kermit Shows Rowlf the Dog 2 Girls 1 Cup. It is the better of the two. (Note: it has some foul language.)

Again, I think Ray pushes the joke far past its breaking point. All he needs to do is note that Rowlf is, in fact, a dog. But it works. I think they both do, and they are creative. It’s all rather interesting. The producer of Hungry Bitches, Marco Antônio Fiorito, even said in an official declaration, “I have already made fetish movies with scat/feces using chocolate instead of feces. Many actors make scat films but they don’t agree to eat feces.” That’s a lot of creativity to create the fantasy that some people desire. I respect that. But I hope the subject never comes up again in my life.

There Are Different Ways to Destroy Freedom

Freedom of SpeechEvery time I hear someone saying it is okay for all of us to limit freedom of speech because it isn’t the government doing it, I have a problem. Sure, I don’t especially care if people boycott Rush Limbaugh’s advertisers. But a much more likely scenario is that some company is going to fire some woman for what she says on her personal blog. It happens all the time. And people usually don’t care because it doesn’t contradict the Constitution — as though every right that people ought to have is found that the two century old document.

I’ve made arguments along these lines many times before, but I always get the impression that people don’t really get it. It’s really simple. People have a right to life. We no longer have free land where people can just go out and make their own living by hunting and gathering — or by farming. Just try it some time. Go out to an unused field and start developing it. You’ll find very soon that even though the property is not being used for anything, you don’t have the right to farm it. You don’t own the land; someone else does. So if you can’t get a job, you don’t have a right to life. You have a right to beg and maybe a right to starve, but that’s about it.

This is a fact of the world that libertarians in particular do not understand. But it is a fact that is poorly understood by even quite liberal people. Most liberals I know just have a gut feeling about what is right and wrong. They don’t think too deeply about it. And that’s fine! One should have a gut feeling about justice. And I think that conservatives mostly have the same gut feeling. It’s just that they’ve managed to slice and dice the world up into those people who deserve this kind of justice.

But it isn’t just on an individual level that we find this. On Monday, I read a very interesting article by Glenn Greenwald, Court Ruling Against Chicago Sheriff Proves Thuggish Anti-WikiLeaks Blockade Was Unconstitutional. The ruling doesn’t have to do directly with WikiLeaks. It has to do with a classified ads site, Backpage. Cook County Sheriff Tom Dart decided that he didn’t like the barely cloaked prostitution ads in Backpage, so he decided to shut it down.

Glenn GreenwaldNow before going forward, I should point out that Tom Dart is not a bad guy. He suspended foreclosures in Cook County, because he said (rightly) that renters were being evicted, based upon their landlords’ being behind in their payments. His legal reasoning was sound. He’s not some yahoo. He has a JD from Loyola University. But that doesn’t stop him from being wrong about other things. He first tried to shut down Craigslist. He did it by filing a lawsuit against the company for its offering of “erotic services.” He lost; the court found that Craigslist was an ISP and therefore not responsible for any illegal things that people using the service did.

So far, so good. But then Dart went over to the dark side. He knew he couldn’t take Backpage to court. So instead, he pressured Visa and MasterCard to not allow credit card transactions through the site. Brilliant, right?! And of course the credit card companies wouldn’t admit that they were doing this because of political pressure. It is, whether done by public or private entities, the perfect way to destroy just about anyone: don’t allow them to make money. The Constitution says nothing directly about that.

Well, the court didn’t buy it. It said that it was clear that Sheriff Dart had violated Backpage’s first amendment rights. But as Greenwald pointed out, back in 2010, this is exactly what Joe Lieberman did to WikiLeaks. And there it wasn’t just some overzealous sheriff with some sexual hangups; this was a sitting US Senator trying to destroy an explicitly political group using underhanded economic tactics because he knew that the First Amendment would never allow the important and legal work of WikiLeaks to be stopped directly. It’s not the government! It’s just a private sector!

Of course, even if the extension of this case to WikiLeaks is clear to Glenn Greenwald, it isn’t mentioned in the case. And you always have to wonder where the Supreme Court would come down on this. This is one of those cases where I actually think that Scalia would come out right. But Thomas and Alito, I feel certain would see things differently on this one. The truth is that we need a new Constitution. The Supreme Court has found far too many loopholes that have empowered the powerful and weakened the weak. This kind of financial extortion should be clearly illegal, and not left up to a bunch of people who owe their jobs to the power elite.

Morning Music: Baby Plays Around

Spike - Elvis CostelloToday in our adventures with Elvis Costello, I’m going to highlight what I think is the first CD I ever owned: Spike. It’s certainly the case that I originally had Blood & Chocolate on vinyl. And yes, I know, I’ve completely neglected the first three albums. I think that’s because of something James said. I assure you, I could do Elvis Costello songs for the next several months and manage to write 500 words about each one of them. I’m still not 100% and today we’re doing Spike so get over it!

The thing about Spike is that I don’t think it is a very good album. But it has some of my favorite songs on it. It has “Let Him Dangle” and “Tramp the Dirt Down.” But I already highlighted both of those songs (along with the exquisite “Shipbuilding”) a year ago, Three Elvis Costello Political Songs. In that article, I say I that I hadn’t actively sought out his music after this album, but that’s not true; I followed him closely through All This Useless Beauty. But it is probably true that Spike was the album that kind of ended the romance.

The real standout song on the album is “God’s Comic.” Maybe I say that simply because I get it, unlike so many other of his songs. For example, on the same album is “Veronica,” a little pop annoyance he wrote with Paul McCartney. I really tried to figure out what that song was about, but it was only after I read an interview with Costello that I found out. How the hell was anyone supposed to get that from the song? And given what the song is about, why is it such an upbeat tune?

On the other hand, in “God’s Comic,” I’m in on the joke. I even get the final line that turns everything on its head. And I think this is a wonderful bit of sly writing:

So there he [God] was on a water-bed
Drinking a cola of a mystery brand
Reading an airport novelette
Listening to Andrew Lloyd Webber’s Requiem
He said, before it had really begun
“I prefer the one about my son.”

Get it?! God is listening to Webber’s requiem mass, but God isn’t that into it. He prefers Webber’s Jesus Christ Superstar. In addition to everything else, God has base tastes. It’s a brilliant song with lots of other great lines like, “Sometimes you confuse me with Santa Claus; it’s the big white beard I suppose.” And I was going to feature it today, but this week, I’m feeling a little down. And so we’ll listen to another song I quite like from the album, “Baby Plays Around.” It was written with Cait O’Riordan, the woman who did a better job than anyone else at putting up with his crap.

Anniversary Post: King Charlemagne

CharlemagneOn this day in 771, Carloman I died. He was King of the Franks — for a couple of years anyway. He was the son of Pepin the Short, although I don’t know if that means he was actually short. Anyway, so Pepin was King of the Franks, and after he croaks, Carloman becomes King of the Franks, and after he croaks, his brother Charlemagne takes over. And Charlemagne is the great man who brought the Holy Roman Empire back together. Hooray!

Actually, I don’t really care. What I do care about is that Charlemagne, like most “great” leaders, was no kind of self-made man. They were almost all of them born into it. War was the family business just like farming was for the vast majority of other people. It’s the way with humans. Look at Hollywood. I’m a great admirer of George Clooney, but he was born into the business.

I don’t especially have anything against any of this. Genghis Khan’s daddy was a Mongol ruler. Fine! What I do have a problem with is this creepy cultural tendency — especially in America — to attribute success to some personal greatness. It just ain’t so. Let’s go back to actors again. I’ve noticed something about great old British actors like Laurence Olivier or Alec Guinness. Again: I admire them both greatly. Neither man was born into the business. But you could say they were born for the business. They were both very attractive young men. It wasn’t their acting talent that made them stars.

So hooray for King Charlemagne! I’m sure he did about as well as any other person put in his position.

Using ‘Good Causes’ to Justify Our Greedy and Out of Control Copyright System

Anne FrankI think we are all in agreement that if Anne Frank had not believed that her diary would be protected for 95 years, well, she never would have written it. Right! I mean, that’s what writing is all about: making as much money as you possibly can for as many years after your death as possible. Because it isn’t even really about you or your family. It’s about the corporation that owns your work. The last thing you would want is for your work to be widely and freely available. Let’s not forget: the world changes a lot faster than it used to, so copyright needs to be a lot longer.

Wait. That doesn’t make sense, does it? I mean, the song “Yesterday” is really old. In any reasonable sense of the term, it is in the public domain. It doesn’t really belong to anyone. Certainly if it had been written in 1865 instead of 1965, it would have been well out of copyright fifty years later. And that was when times were slower. It made more sense. It might take decades to get the whole world humming “Yesterday.” In 1965, it took a couple of months. Today, it takes a couple of hours. Yet copyright length is more than twice as long as it was in 1865.

I started with Frank’s work, because two weeks ago, Michael Hiltzik wrote, The Squabble Over Anne Frank’s Diary Shows the Absurdity of Copyright Law. The Anne Frank Fonds owns the copyright to the diary. It is now 70 years after the murder of Anne Frank. According to the law in Europe, the diary should be in the public domain this January. But Fonds is having none of that! This is because they claim that her father, Otto Frank, is the co-author. He died 1980. Thus, we must wait until 2050 at the earliest for the book to belong to the people.

It turns out that the Anne Frank Fonds does a lot of good work with the money that it makes. But what it is doing with its copyrights is exactly the same as what any other soulless corporation is doing. The most recent US copyright law — the Sonny Bono Act — increased copyright to 95 years. As Hiltzik put it:

The act wasn’t aimed at encouraging artistic expression, [Arizona State law professor Dennis] Karjala says. It was pushed by corporate entities such as the Walt Disney Co, which would soon lose rights to the earliest films featuring Mickey Mouse. “They were all concerned about the cutoff of the royalty spigot,” Karjala says.

It’s just a corporate game. When I last wrote to Dean Baker about Fantasia not being in the public domain, he said, “It’s all about Mickey Mouse (literally).” Indeed it is. Oh, the money that would be lost to a bunch of people who have never had a creative idea outside the realm of finance in their lives! The truth is that I’m sure that the Anne Frank Fonds would get along just fine without the copyright to the diary. And I’m sure that the MLK family would get along just fine with the copyright to his “I Have a Dream” speech.

But these are the “good causes” that are trotted out to justify a totally out of control copyright system — one that does nothing to encourage writing and a great deal to harm it.

Divided Nation in More Ways than One

Inland Regional CenterI am painfully aware of stereotypes. That doesn’t mean that I am immune to them. But I have no doubt that I am far more immune to them than the vast majority of people I interact with. So whenever I hear of a horrible crime, I always hope that the perpetrator is a white man (or woman, but that’s generally too much to ask for). When a murder suspect’s face is shown on the local news and it is black, I’m saddened. And I spent much of yesterday hoping that the San Bernardino shootings were a bunch of white guys who wanted to play at war.

It doesn’t matter to the victims. But it does matter to the society. And watching the reactions yesterday, I see we are a society cleaved in half. The liberal world was focused on guns and the easy access to them. It is an important issue. But we liberals have a real problem here. Events like this would not be stopped by any of the “common sense” gun control laws that the Democratic Party would propose. The difference on gun control between Bernie Sanders at his most conservative and Hillary Clinton at her most liberal is basically nothing. And it certainly isn’t anything that would have stopped yesterday.

But there are roughly 30 gun murders every day in the US — and twice as many gun suicides. But sadly, that is “dog bites man.” The news doesn’t care. Good God! The news doesn’t even care when shooting sprees don’t end in large numbers of dead. Every day is a good day to talk about gun violence. But if you do, there won’t be anyone listening to you. This is bad news for liberals. There is no time when anyone will listen to a discussion of the real problem. And even if they did, very few in America are open to what would need to be done to address it.

On the conservative side of things, everyone was talking terrorism. God, how I’ve come to hate that word! It’s just the newest racist word that anyone can use without being called on it. We pasty white Americans can’t use the n-word, but we sure can use the t-word. And do we ever! I heard someone talking about nuking ISIS. I guess that’s the new, “Fight ’em over there so we don’t have to fight ’em here.” Except that it is exactly the opposite.

Let’s suppose that these three mass murderers were aligned with ISIS. Let’s further suppose we could wipe out ISIS central command with nukes. Would this really cause resentful Muslims all over the world to just calm down? I don’t think so! I think doing something like that would greatly increase the number of attacks here at home. Nuking them would seem kind of like a trick — an unfair way of winning. Far better to show that ISIS is impotent in the normal ways of war. (It’s also true that the use of nukes wouldn’t be any better at defeating ISIS; it would just be better at killing more civilians.)

Martin Longman noted something really depressing:

I have to say that the news out of San Bernadino is about the worst possible for pious American Muslims who go to work everyday, get along with their co-workers, and don’t cause any problems of any kind. It’s not great news for Muslim American women, either.

Basically, this shooting is perfectly designed to make people lose their minds in fear around Muslims.

I guess that’s probably the point…

This has been the working theory of terrorist attacks in Europe: make the wider population hate the Muslim community. In so doing, give Muslims who just want to live their lives a very good excuse to lash out. In other words, manipulate the non-Muslim community into starting a war. It’s a brilliant strategy. It depends upon stereotypes and they are very dependable.

All Indians walk in single file; at least the only one I ever saw did; so let’s nuke ’em.

Morning Music: Sleep of the Just

King of America - Elvis CostelloThis week of Elvis Costello is truly random. It’s just whatever comes into my mind. Everyone seems to have a soundtrack for their lives, and Costello is certainly a big part of mine. One such song is off King of America, “Sleep of the Just.” I’d never heard that phrase before I heard it in the song, but it is so clear. As Oxford puts it, “A deep, untroubled sleep.” It is something I don’t ever recall having.

I have a vague memory of seeing Costello do the song live in San Jose around that time — 1986. I think it was the Blood & Chocolate tour. Nick Lowe opened for him. Costello did two sets: one on guitar and one (rather silly) on piano. And for an encore, he did “I Want You” with even more intensity than he performed it on the album.

Regardless, lyrically the song is opaque. There are some things that are fairly clear. There is a brother and sister. The brother is in the army and the sister is a pinup girl. The brother is ashamed to have his fellow soldiers ogling his sister. What’s so frustrating about the song is that he plays around with point of view in a most careless way. But I’ll still give it my own narrative.

The singer has a confrontation with a soldier in a bar. The guy’s a jerk, but nothing comes of it. The next day, the singer is on a bus (Tour bus?) and it breaks down, so he has to spend the night there. He meets and sleeps with a young woman. He imagines that she is the sister of the soldier. And the final verse is his imagining of what the sister is imagining. Or not. I’m more interested in it from a formal standpoint.

Costello couldn’t help but throw in a little reference to Madonna, although I think it’s awkward. I think he means it as in, “Is it immaterial, girl?” And not, “Is it immaterial girl?” It is, in fact, immaterial given that all women are some mother’s daughter. But ultimately, we all need, and I dare say deserve, the sleep of the just.

Afterword

For all you Costello fans, I just found this set of acoustic demos for the album: King Of America Demos.

Anniversary Post: Jean-Luc Godard at 85

[Okay, it’s another one of those days that I really don’t like my options for the anniversary post. And it just so happens that it is Jean-Luc Godard’s 85th birthday. I keep forgetting that he is still alive. So I’m rerunning Jean-Luc Godard from last year. Check the Afterword for something else. -FM]

Jean-Luc GodardThe great filmmaker Jean-Luc Godard is 84 years old today. I know, last year I referred to him as overrated. I’ll stand by that. But that doesn’t mean he isn’t great. It’s a general thing anyway. I think the French “New Wave” have been hopelessly overrated. This is probably due to the fact that most of them were film writers so they were in a position to plug themselves — which they did. But generally, give me Robert Bresson over any of them. And generally Alain Resnais over Godard or Truffaut.

Above all, I have never been able to get into À Bout de Souffle, or Breathless as it is commonly known in English. But I’m not one to especially appreciate cinematic technique when it isn’t combined with compelling characters, plot, or theme. I’m willing to admit that I’m missing something, but the film seems to me very sloppy, never clear what it is trying to say. And it has the plot of Dillinger, with less interesting characters.

Godard got more interesting the more political he became. I’ve always been very fond of Alphaville and later still La Chinoise and Week End. His later work also shows more wit, even when he’s being serious. But it is hard to show any of this here. So consider just a minute from Alphaville. I think you can see a direct line from this to Jon Jost:

Afterword

In the film Alphaville, the lead character is tested with a joke. I wish it were available on YouTube. It is told totally deadpan, and yet is funny as hell:

One day a tiny man entered a North Zone cafe and said, “I want a cup of very hot, sweet coffee,” adding: “I shan’t pay, because I fear no one.” He drank his coffee, he left. He drank his coffee and didn’t pay. The cafe owner said nothing, he was afraid of scandal. But when the tiny man repeated the trick a few times, the cafe owner said: “I’ve had it, I’ll get a tough guy to beat up the tiny man if he comes back.” So, on the fourth day, when the tiny man said, “I want a cup of very hot, sweet coffee,” the tough guy goes to him and says: “So you’re afraid of no one?” “That’s right.” “Well, neither am I.” “Well,” says the tiny man, “make that two cups of coffee. Very hot and very sweet!”