“Bye, Baby”

Emmett TillI am working on a book about nice people. Unfortunately, I am having some difficulty finding women and minorities who are known particularly for being nice. I’ve been reading and watching a lot of stuff about the modern civil rights movement, looking for people who can flesh out what one friend has taken to calling, “Frank’s Nice Guys.” But it is hard to find the niceness of people’s personality when they are in the middle of a struggle for their very lives—in the middle of a war.

I just got a video Free At Least: Civil Rights Heroes—Part 1 Emmett Till / Medgar Evers. I think this title is incorrect, because Till was not a hero: he was just one of many casualties.[1] He was brutally murdered for whistling at a white woman, Carolyn Bryant. Or was it that he said, “Bye, baby”? Or did he ask for a date? Or did he do nothing all? Based upon the video, he seems like he was a nice kid. Certainly, his “crime” seems to have been one of niceness.[2] So I’m not inclined to think of niceness as that great a thing just now. And that is the whole problem. Those without power very often are nice. It is when the powerful act like human beings that we take note.

On a more positive note, the more I learn about Medgar Evers, the more I think he was a nice guy in the best possible sense. I think he is going to be one of my nice guys. But it was very hard to watch the video. Myrlie Evers-Williams, Medgar’s wife, spoke very beautifully about their final days together. I can’t imagine knowing that my death (or that of my spouse) was about to happen and being so calm. They are built of better stuff than I. By the end, I was a mess—sobbing uncontrollably. But at least I was that much closer to my goal.


[1] I am inclined to take this back. Perhaps we need to distinguish between Emmett Till the boy and Emmett Till the symbol. Regardless, this is what Till’s mother, Mamie Till-Mobley (who was a hero—there is no doubt of that), said, “I believe that the whole United States is mourning with me, and if the death of my son can mean something to the other unfortunate people all over the world, then for him to have died a hero would mean more to me than for him just to have died.” Indeed.

[2] I can understand that someone can find a sexual advance threatening. Just the same, mating rituals for humans are generally ones of charm rather than coercion. Clearly, Mrs. Bryant felt threatened: she went to her car and got a gun. But that in itself showed the level of control she had. And after the fact, she did not mention it to her husband. Given that, I suspect that after it was over, even she saw that she had over-reacted. And so I don’t imagine that Till was aggressive in any way. Bryant was just hopped up on racist stories of the over-sexed black man and his insatiable desire for white women.

Update

I am watching PBS’s excellent Eyes on the Prize. Because I am an iconoclast, I have always tended to minimize Martin Luther King, Jr. And I still do think that his role in the modern civil rights movement is generally over-stated, in the same way that George Washington’s is in the American revolution. But King as amazingly eloquent. This is especially true when he is speaking extemporaneously. Truly amazing. Watch Eyes on the Prize and see what I mean.

Potato Pancakes

Potato PancakesI love potato pancakes, and I consider myself something of an expert on them. Most people are not aware that there are two kinds of potato pancakes. First, there are the traditional—What will we do with these left-over mashed potatoes?—and then there are those we make from scratch as an exquisite touch to any meal. I will present you with recipes of both.

Left-Over Potato Pancakes

You can’t just plop some mashed potatoes into a frying pan and expect to get something like a pancake. A binding agent is necessary. In the case of potato pancakes, this is egg and flour. So for each cup of mashed potatoes, add two small eggs and and one and a half tablespoons of flour. To this, add about a quarter cup of finely grated onions, a half teaspoon of salt, and a quarter teaspoon of pepper. Mix it all together. Then, in a skillet of oil (about one-quarter inch in depth), fry small patties of about three-eighths inch thick and two to three inches around. Use a high temperature oil like corn or peanut. Cook until the bottom of the patty is browned, flip it over (Don’t splash the oil and burn yourself!), and cook until the other side is browned. Soak up extra oil with paper towels and then serve.

Some people don’t like pepper in their potato pancakes, so feel free to skip that. Also, it isn’t necessary to add onions to this recipe, but I wouldn’t think of having potato pancakes without them.

Specially Prepared Potato Pancakes

Grate about two cups of potatoes. There is no need to peel them. Before putting the grated potatoes in your mixing bowl, squeeze as much of the water out of them as you can. This is very important! Chop up a half cup of onion. Squeeze what little water you can out of these and add them to the potatoes. Add three medium eggs, two tablespoons of flour, a teaspoon of salt, and a half teaspoon of pepper. Mix it up and fry as stated above. If the mixture is too soupy (or becomes so), just add more flour. Contrary to many sources, you aren’t going to ruin your potato pancakes with too much flour (within reason).

Potato pancakes are no big mystery. Making them is more a knack than anything else. As long as you minimize your mixture’s liquid content, you should be fine. There are few things in the universe better.

Puppet Shows and the Evil Dr. No No

Yogi Bear and the Three Stooges Meet the Mad, Mad, Mad Dr. No-NoI have been doing puppet shows for as long as I can remember, but the first puppet show I do remember doing was for my second grade class.[1] I did it with my best friend of the time George Herring. We performed Yogi Bear and the Three Stooges Meet the Mad, Mad, Mad Dr. No-No. This must have been my idea, because this was my favorite record album when I was that age. (I also really liked David Frye’s Richard Nixon Superstar too. Go figure—not because it wasn’t good, but rather: the same kid who liked Dr. No No liked such hip comedy as Frye? Like I said: go figure.) Despite having probably listened to the album hundreds of times, I have no memory of it. Here is the synopsis according to Wikipedia:

Yogi Bear and the Three Stooges Meet the Mad, Mad, Mad Dr. No-No is a 1966 comedy album produced and released by Hanna-Barbera Records. The album presents the Three Stooges (Moe Howard, Larry Fine and Curly-Joe DeRita) as inept park rangers who are called upon to rescue Yogi Bear (played by Daws Butler) after he is kidnapped by Dr. No-No, a nefarious scientist who invented a machine that turns people into animals.

I do, however, remember that I was twenty years old before I found out who Dr. (single) No was, and fully understood the joke that Dr. No No was.

Knowing my personality (then and now), I doubt that our performance was much abridged. My only reason for believing that our performance was less than a half hour is the probability that Mrs. Johnston would not have allowed our silliness to go on that long. Or maybe she would have. Of all my grammar school teachers, Mrs. Johnston was by far the most likely to indulge my innate silliness.

I found this nice little video about how to put on a puppet show. It shows just how little is required.

The main thing I would add is that found material often works very well as a script: comedy records, short stories, whatever delights you. Also: an audience is not strictly necessary. Most of the enjoyment is the process itself. And if that doesn’t work for you, you can always film your puppet show and put it on YouTube. As it is, the, the most viewed video I’ve ever seen is a puppet show, Potter Puppet Pals: The Mysterious Ticking Noise.

Update

At some twenty million views, this puppet show is not even near the top of the most watched videos. But then, neither are many of the videos people think of as very popular. Dramatic Chipmunk, for example, has only 32 million views. Keyboard Cat has on 19 million views. What are the most popular? You don’t want to know, but I will tell you: music videos mostly. Justin Bieber has the top 1, 8, and 9 positions. How many views? Baby ft. Ludacris has over 650 million views. I guess Mencken was right, “Nobody ever went broke underestimating the taste of the American public.”

Update II

Just a month after posting this article, carlosvonchang uploaded Yogi Bear & The 3 Stooges Meet The Mad, Mad, Mad Dr. No-No on YouTube. It is presented in two parts—side A (16:01) and Side B (17:00). I’ve put these two videos into a single playlist so it automatically loads Side B after Side A has finished.


[1] My first two years in college, I carried around a puppet mounted on the end of a bamboo stick. The idea was a human skull on the end of a pike. I thought it was incredibly clever.

There, There, There

Bad SpellingI have always been a poor speller, although I’ve improved greatly over the last decade. However, because I am a careful writer, I am less likely than most to write an incorrect homonym like “beat red.” This must be a point of pride to many intelligent bad spellers. In general, spelling is arbitrary. As Geoffrey Numberg says in the way we talk now:

Nothing is fairer than a spelling test, after all. The rules are the same for everyone: there is no cultural bias, no subjectivity about right and wrong answers. And unlike other subjects, spelling gives no special advantage to those children who happen to be brighter or more creative than their classmates. The wonderful thing about English spelling—at the fourth-grade level, anyway—is that it makes no sense at all.

Thus we bad spellers can brush off good spellers as freaks like professional basketball players and American Idol contestants. But knowing the difference between there, their, and they’re: that takes intelligence.

Bearing this in mind, I had a very uncomfortable experience a couple of days ago when I was writing Reduced Shakespeare. Reading through my first draft, I noticed that I spelled “their” as “there”—three times! This was very embarrassing, even if I was the only one around to notice it.

Having thought about it a few days, I now wonder what the big deal is. In truth, the following sentence is completely clear, “There horses were not their.” It makes me wonder if my concern is not just a reflex to please grammar pedants who I despise anyway. These people are, after all, the greatest impediments to the reform and simplification of the language that I greatly desire.

On the other hand, no one wishes to look stupid. Such grammatical niceties are the best way that we have to prove we are educated. That is something, sadly, that matters to me. Except, of course, when writing about grammar.

Acclimation

Man in ParkaI am working on a short article about Samuel Beckett’s play Krapp’s Last Tape and so this reminded me of a short play I had written about a year ago that I called Acclimation. This is because my friend Kristen McHenry had mentioned that it reminded her of this play. I disagree completely, but she must have been perceptive or I clear, because I did write it after having discovered Beckett’s Act Without Words both I and II, but especially I. In this play, a man is playfully tortured by the universe. He is hot, so a carafe of water is hung down, just out of reach. But the universe provides! A box is lowered. He climbs upon the box, but the carafe is only raised farther up. The play ends with the man giving up, regardless of the hope that the universe tempts him with.

When I discovered the play, I read it again and again. To me, it is as truthful of the human condition as Waiting for Godot. But frankly, far harder to shake. As I thought more and more about it, I got the idea for a similar play that deals with my own very personal battle with the universe: acclimation. It seems I am forever putting on and taking off clothes in order to attain the right temperature. In my case, this is likely due to my misspent youth and its negative effects on my Hypothalamus. But I’m sure at least that there are many menopausal women who relate. The play, of course, is deeper than this. Or not. In some ways it is just a romp: a silly theater piece for a comedic actor. I hope someone enjoys it.

How to Read a Play

I have found that most people have difficulty reading a play, and this one is more difficult than most. A play cannot be read the way a novel is. You must convert every stage direction into an image. So when I write that the man removes his cap with his right hand, you must imagine the man in your head removing the cap with his right hand (which would be on his left as you see him in the theater). Otherwise, you won’t experience the play.

Acclimation
by Frank Moraes © 2010

Dimly lit stage, stronger light focus in the center. A man walks on from stage right and stops just right of the light focus. He is dressed as if he is in the arctic: he wears a parka with a hood and heavy boots. He faces the audience and when he speaks, he addresses the audience directly.

Man: Good evening!

He pulls the hood down to reveal that he is wearing a ski mask.

With his left hand, he pulls the ski mask off his head and drops it on the ground in the light center, while he pulls the parka hood back on. He unzips the parka three-quarters the way down, and then thinks better of it; he zips it back up to half-way up. He reaches inside the parka with his right hand and produces a ski cap at the same time as he pulls the parka hood back with his left. With both hands he puts the cap on and puts the parka hood back up.

He shivers exaggeratedly. He smiles. He thinks for a moment, and then quite suddenly unzips the parka all the way, removes it and throws it on top of the ski mask.

He thinks. He feels his body, and looks concerned. He looks down at the parka and picks it up. He studies it. No. That’s not it. He sees the ski mask. He drops the parka and grabs the ski mask, putting it on his head. He sighs. And then stops.

He pulls the ski mask off with his right hand and then the ski cap with his left hand. He throws the ski cap down on top of the parka angrily and put the ski mask back on. He pets his ski mask from his forehead to the back of his neck, as if brushing his hair back. He is comfortable.

He sits down on the floor and looks at his heavy boots. He looks at the left boot, then the right, then the left again. He pulls the boot off and throws it on to the cloths pile. He smiles and then suddenly becomes concerned. He pulls the ski mask off of his head with his right hand and puts it on his left foot. He thinks about it for a moment, then looks disgusted. He pulls the ski mask off with his left hand and throws it on the pile.

He reaches for the boot he just removed and stops. Then he grabs it and places it next to his left foot. Quickly, he pulls off his left sock and puts the boot back on. He then removes his right boot, removes his right sock, and replaces his right boot.

He jumps to his feet triumphantly, but is quickly concerned. He reaches down into the pile and grabs the ski cap. He places it on his head. Then, without thinking, he begins unbuttoning his shirt. We see a thermal undershirt beneath it. He finishes. He unbuttons his shirt cuffs and starts to take the shirt off before abruptly stopping and sitting again.

He grabs his socks from the pile. He removes his right boot, puts the sock back on, and throws the boot onto the pile. He repeats the process with his left foot.

Again, he jumps to his feet triumphantly, but is again quickly concerned. He reaches down into the pile and grabs the ski mask. He removes the ski cap, throws it on the pile and puts the ski mask back on. He sighs—scratches his right cheek with his right hand through the ski mask.

Impulsively, he rips the shirt off and throws it on the pile. Then he unbuttons his pants and removes them—also throwing them on the pile. Standing in thermal underwear and socks, he hugs himself and dances lightly from one foot to the other. He looks down at the pile of cloths.

He grabs the parka and puts it on, again hugging himself for warmth. Slowly, he releases his grip on himself, as he warms up. Finally, his hands hang down to his sides and the parka is open in the front. He pulls the parka back so it is still on, but no longer covers his shoulders.

Slowly, he pulls the ski mask off his head with his right hand and looks at it. Then he looks down at the ski cap, but gives up the thought. He takes the mask with his left hand and throws it on the pile.

He pulls his right arm out of the parka and then his left arm out. Holding it with his left hand he drops it onto the pile. Standing next to the pile of close with his arms outstretched, he sighs heavily and then smiles broadly.

Man: Good night!

The man grabs all of his cloths and exits stage right.

Interpreting the News

NPR / Fox NewsI was listening to NPR’s Weekend Edition this morning. It was the first time I had heard it in some time. It was interesting to compare it to another form of mainstream news: Fox. Although NPR is hardly perfect, I noticed that the stories were presented in as non-judgmental a manner as possible. Interpretation was left to the listener. On Fox News, in contrast, everything is judgement. Regardless of the ideological content of their programming, the point of any program is not the communication of ideas but rather of feelings—particularly outrage.

Rather than the pernicious ideas that underlie all Fox News content, what really matters is this emotional approach to information. Since NPR presents ideas, one can agree or disagree with it. The Fox News viewer is given no such option. Instead, he is caught in a stimulus-response loop that gratifies his basest feelings of in-group superiority and out-group degeneracy. “Look at that person who is so vile as to not live up to my moral standards!” Given that this is the end result of any Fox News story, there can be no broadening of minds—no increased understanding.

Such an approach to news could conceivably be used by the left as well as the right. In fact, it would seem easier for the left. The atrocities of an increasingly unequal society seem ripe for the kind of emotional appeals as we saw during the robber baron days in newspapers and books. And yet, we don’t. The emotional appeal comes almost exclusively from the right.

I think this is due to the fact that the political center of gravity in this country has moved so far to the right. As a result, there are only two kinds of people who can continue to consider themselves conservative. First, there are the super rich for whom conservatism justifies their unjustifiable standards of living.[1] Second, there are those for whom facts and argument mean nothing. These are people who have only their anger and the belief that they belong to an in-group[2] to find any purpose in life. This leaves just about any person who is open to fact and argument on the left in the American political spectrum. However, I think the day is coming when the have-nots will begin to see their situation in less intellectual terms. I can’t see this as an entirely bad thing, even though I do not relish the idea. I am tired of all the modern-day Howard Beales mad as hell that the rich are taxed too much.

In the end, I will always side with ideas and thus NPR. I need no help in determining what to believe. And I think this is true of most people. Left to themselves, they will reach reasonable conclusions—even the Fox News viewers. Unfortunately, the Fox News viewers are not left to themselves. As a group, they are the least able to protect themselves from demagoguery, and yet most attracted to it.


[1] I cannot get my head around the idea that one person is a thousand times more valuable than another. Even Jonas Salk depended upon millions of people in order to do his most honorific work. So it really fries my brain to believe that some hedge fund manager is a hundred million times more valuable than a subsistence farmer.

[2] Whether they really are part of that in-group is highly questionable. For example, many such people believe themselves to be entrepreneurs or the “potentially rich” when they are, in fact, just working stiffs who, if luck turns sour, will be rolled over like Sherman tank tracks by the very group they consider themselves to be “in.” I see this from time to time, like the ENRON engineer who lost his retirement after the top executives—the real in-group members—had sold off theirs early (and illegally) for hundreds of millions in profits.

What is a Truel Heart?

Elvis Presley - The Top Ten HitsEarlier today, I was listening to Elvis Presley’s The Top Ten Hits. This collection included his number one hit, “Don’t Be Cruel,” of course. I have never been able to sing the refrain of this song anyway but, “Don’t be cruel to a heart that truel.” This is not just a matter of my usual silliness. The fact is that true doesn’t really rhyme with cruel. They are assonantal, but in an extremely awkward way that sends shivers down my spine. So my choices are to pronounce “cruel” as “crew,” which makes the whole line dull, or to create a new word: truel. So it will always be: don’t be cruel to a heart that’s truel.