In 2011, Ralph Fiennes made his directorial debut with a filmed version of Coriolanus. Why he did this, I cannot say. My guess would be that it was ripe for the picking: it is the first filmed version of the play that I am aware of. But there is a reason that it hasn’t been filmed and generally isn’t performed that much.
Coriolanus is perhaps Shakespeare’s most difficult play because its title character is a symbol of everything that liberal democracy stands against. It shows total contempt for the masses and goes out of its way to make them look bad and so justify the title character’s total disdain for them. It is not in the least surprising that the fascists loved the play. France banned its performance in the 1930s because of this. But more than a hundred years earlier, William Hazlitt described the character perfectly with all its problems:
The story itself is very much like an Ayn Rand novel. Coriolanus is an uncompromising warrior who despises the people. When they don’t love him as he feels they ought to, he joins the Volsci and attacks Rome. Think about how ridiculous that is. The Volsci army could not conquer Rome, but with the addition of a single man, they are invincible. This is not how war works. In war, the stronger army wins except when there is some special circumstance like a new technology (for example, Battle of Agincourt) or geography (for example, Battle of Stirling Bridge). So this idea that Coriolanus would simply revolutionize the fighting prowess of the Volsci is rubbish of the worst kind of romantic fiction. The Iliad — itself highly romantic — is a far more accurate representation of war.
In addition to this, those people who pushed Coriolanus out of Rome are presented as the very worst kind of politicos. They, and the people they cynically claim to represent, are Ayn Rand’s “moochers.” Coriolanus is cast as a “marker,” even though he doesn’t make anything. He is a warrior. He takes. Yet he is a near perfect character for Rand’s proto-fascist philosophy. And I’m not alone in seeing it that way. A commenter over at Quick Translator wrote:
The writer clearly doesn’t understand Rand very well, or he would see that Coriolanus is both a fascist strongman and John Galt. Both are men who hate almost everyone and feel very wronged that they are not better treated — despite the fact that they are very well treated indeed. And when they don’t get all that they think they deserve, they rebel. In Galt’s case by going home and taking his toys with him and in Coriolanus’ by attacking his homeland.
But the problem is not with the hero. The problem is the way that everyone else is portrayed as evil and lazy. Coriolanus, his familiy, and Menenius (his father figure) are presented as good. They are juxtaposed with Brutus and Sicinius who are so smarmy that there is really no way to like them. And they are the defenders of the plebs — the Roman middle class. You know: the small businessmen and workers who keep the whole of society functioning. But not in the play! No, here they are just a bunch of people who stand around and complain.
Note that this play is not exactly an outlier for our good friend Shakespeare. His plays are riddled with attacks on the lower classes and praise for the upper classes. If a poor character acts nobly, you can be certain that by the end of the play, we will find out that he is really the long lost son of royalty. It’s actually quite disgusting and is one of the reason that I prefer the more radical Christopher Marlowe and Lope de Vega.
As for the film, it is well made. The acting is superb. The various technical departments make it a far more engaging film than I would have expected. Still, I have problems with the modernization of the play. John Logan is an excellent screenwriter. But it is hard to make this play work in the present. I’m tired of seeing television screens in movies, and this one is full of them. Yet despite all of the work to make the commentary come to life, it is hardly clear what is going on. The play is very long and Logan has knocked it down to two hours, much of which has no dialog. So it is all very simplistic: the moochers push out Coriolanus when they should be licking his boots and he gets all hurt and turns traitor.
But in the end, there really is no fixing the play or the character. Coriolanus isn’t even a smart character like Richard III who we hate yet admire for his brilliance. Coriolanus is portrayed as an uncompromising warrior who just can’t deal with duplicity of politics. Who but an idiot thinks that his great skills on guitar should be all that is necessary when he decides to be a moose tracker? And who but an immature adolescent would get angry at the moose when they don’t come running when they hear the sweet sound of his blues licks? I think this is why Fiennes really plays up the “mama’s boy” aspect of the character. But this hardly makes the thoroughly unlikable Coriolanus more palatable.
Ultimately, I don’t like this film because it does everything to vilify the forces of democracy — even going so far as to have Brutus and Sicinius beaten up by two aristocratic women — and everything to humanize the forces of aristocracy. The play itself is bad enough. Fiennes has made it worse. And it really doesn’t matter that he did it with great ability. It sits in the very uneasy realm of films like The Birth of a Nation and Triumph of the Will. Although those films were artistically great and politically lethal. Coriolanus is artistically competent and politically noxious.
I just caught a tiny bit of the show Shark Tank. Regular readers will know that I hate this show. In November of last year, I wrote about how evil it is the way we deify these people,
Enter the stupidest of the “sharks” (which says a lot): Kevin O’Leary. He asks, more or less, “Why should I invest in this? If you are giving away one pair of socks for each one you sell, aren’t you cutting your profits in half?” This is like saying to the CEO of Coke, “Why should I invest in your company when you are spending all this money on advertising? I mean, you’re just throwing away profits!” But it’s worse than this. And it gets at one of the reasons I hate these kinds of “social justice” companies.
I don’t know if are aware of the H P Lovecraft short story “Cool Air.” In it, the narrator explains why it is he has an aversion to cold. He tells the story of meeting a doctor who lived upstairs from him. Through the use of a refrigeration system he has built and continues to build, he keeps his entire apartment extremely cold for unknown reasons. Eventually, the system breaks down and the narrator is forced to help the doctor stay cold with buckets of ice. But in the morning, after getting back with the replacement parts for the air conditioner, he finds the doctor in a hideous state of decomposition because he had actually been dead for 18 years, just keeping himself “alive” with his various chemical concoctions and the cool air.
On this day in 1917, the great magician
Last night, Rachel Maddow did a segment on Napoleon and Antosia
I’ve been hearing a lot of people talking about the possibility that Ben Carson might run for president. Why not? I’m sure he will have another book out that he wants to sell. Perhaps, “One Nation: We Can Save America’s Future by Killing the Poor.” But a presidential run by him would be very typical of the Republican Party, in that they think one doesn’t need to know anything about governing in order to govern. And
I spend more time than a sane man would thinking about bloodletting and leeches. You may be aware that Mozart was likely killed by his doctors who bled him to death in the name of curing what was probably a minor problem. We look back on this and think, “How could they be so stupid?!” I don’t do that. I look around the world and wonder what it is we are doing today that future generations will look back on and think, “How could they be so stupid?!” Although in our case I don’t think it will be as much “stupid” as “cruel.” Take, for example, the way we treat drug users — although there is a whole lot of stupid in that too.
I was thinking about this because Paul Krugman wrote, 
One of my favorite songs is Janis Ian’s “Watercolors” off here
On this day in 1874, the great documentary photographer Lewis Hine was born. He did important work for the first three decades of the 20th century. After college, he became a teacher in New York City. But in his early 30s, he started working as a photographer for the Russell Sage Foundation and the Pittsburgh Survey, which was formed to document living conditions in industrialized areas. According to the 

Poor Maria Shriver, the long suffering wife of Arnold Schwarzenegger, is out promoting an idea that just shows it wasn’t all that surprising that she married a Republican. According to a press release two months ago,
Forget about “A Woman’s Nation”; it is just some group that Shriver put together back in 2011. It seems to be nothing more than a group that doubtless does a little good, but which is primarily involved in allowing companies like Goldman Sachs and Cisco Systems to look like they have the slightest interest in helping poor women. And this new venture, The™ Envelope™ Please™™™, is just a way of making Marriott look like a compassionate corporation.
I don’t know if you have seen this Verizon Wireless commercial about trading in your iPhone 5 for the iPhone 6. I seem to be getting this commercial everywhere. This has got to be a glitch in the ad serving software. I don’t have Verizon. I don’t have an iPhone. I have never had an iPhone. And I’m on record as being pretty negative toward Apple, which I think is one of the very worst high tech companies.
I’m going to make some predictions about the election between Barack Obama and Mitt Romney. And the first thing I’m going to predict is that the election is going to get nastier. I’m going to predict that they’re going to call each other names — lots of names. Both of these gentlemen have supporters who honestly believe that if the other guy wins, America as we know it will cease to exist. And I am going to predict that they say this with increasing drama and increasing frequency and increasing histrionics — that Mitt Romney should definitely not be president but neither should Barack Obama. Barack Obama, in fact, has ruined this country. And if he’s elected again, this country will not survive. So who should you vote for: Joe Biden. And he’s going to publicly convince people to write in “Joe Biden” and millions of people are going to do it — to the point where nobody’s going to be sure if Joe Biden or Barack Obama is running for president. Which, of course, means that the Romney-Ryan ticket is going to sail to victory. Bear with me — it could happen.