Over the weekend, I came upon this article, Dirty Work but Someone Has to Do It: World’s Leading Dirty Car Artist Turns Grubby Car Windows Into Works of Art. I’m not quite sure what it means to be the world’s “leading” dirty car artist, but Scott Wade certainly does seem to be quite the phenomenon. He is a graphic user interface designer, but is best know for his hobby of creating art out of dirt on glass.
I don’t think that it is rude to point out that if this work were on paper or canvas, it would be considered professional-level illustration but nothing special — certainly not something that would take the internet by storm. In a different and more fundamental sense than Marshall McLuhan had in mind, “The medium is the message.” We may all appreciate beautiful flower arrangements, but there is nothing especially notable about creating beauty out of beautiful elements. But creating beauty out of garbage or dirt is at least remarkable and sometimes edifying.

What I am more interesting in is the ephemeral nature of the art. When I was younger, I was hung up on the notion of art that outlasts the artist. It no doubt reflected my fear of death. But as I’ve gotten older, I’ve begun to see explicitly ephemeral art as the most valid. Art that can be stored loses much of its integrity and becomes commodity. Portrait of Dr Gachet was an interesting and idiosyncratic painting in 1890 — utterly worthless as a commodity. Today it stands as one of the most expensive paintings ever sold — pure commodity. But more to the point, it is virtually impossible to see past its status as commodity. Like all of van Gogh’s work, it is that peculiar style of painting that rich people pay a lot of money for. (Note that the most valuable paintings are almost all post-Impressionist and early modernist.)
If you click over to the Daily Mail article I linked to above, you will see that most of the subjects are what you see at poster shops at the mall: American Gothic, Marx Brothers, Albert Einstein, Luncheon of the Boating Party, the stars of Dallas. If you go to his website, you will see more of the same: Mount Rushmore, Alice in Wonderland, Mona Lisa, and of course, Marilyn Monroe. This is not a put-down of Wade. He’s a commercial artist doing what people want to see. But I don’t think it speaks well for our culture.

Did we travel such a long artistic road with constant battles over technique and philosophy only to reach the point where art is born, lives, and dies as commodity? Maybe I’m expecting too much. Art has always had to appeal. Of course, at one time, it didn’t have to appeal to huge swaths of humanity. And if the media is the message, maybe dirt is exactly right. Maybe sand is a more edifying medium:

Philae is dead. It died Friday night as its battery was drained. But here is hoping that it doesn’t rest in peace. And it is possible that it will not.
Consistency is a laudable goal, but not something to get too hung up on. I very much agree with Ralph Waldo Emerson, “A foolish consistency is the hobgoblin of little minds…” Just the same, some level of consistency is important. At very least, the attempt keeps us intellectually honest, because one can only finesse an argument so far before it crumbles. In the field of politics, we see inconsistency in the form of hypocrisy — and hypocrisy of the most premeditated nature.
On this day in 1944, the great singer-songwriter
This morning, Jon Swaine reported
In an age where business dominates our governments and writes our laws, every technological advance offers business an opportunity to impose new restrictions on the public. Technologies that could have empowered us are used to chain us instead.
As regular readers know, I have a great love of idiosyncratic art. (See, for example,
For years I’ve been grappling with a question. How is it that technology and infrastructure affect the amount of money a business owner makes. According to most people on the right, a person’s or company’s value is exactly (or very nearly so) based on the amount of money they make. But think about a man who makes hammers. If he lives in 1750, it doesn’t matter how cheaply and quickly he can make hammers, there will be distinct limits on the number that he can sell because of distributional limitations. But this same man living today would have almost no limitations and so could make vastly more money. What’s more, because he was selling so many more hammers, there are various scaling effects that would also bring his costs down and his profits up.
On this day in 1907, the great actor 
I know that I have fairly negative feelings about the following list of countries: China, Iran, Iraq, and Saudi Arabia. It’s not that I hate them — not at all. But I think a whole lot worse of them than I do, say: Germany, France, Italy, and the United Kingdom. I’m sure there are a lot of things that go into this. I associate all of these countries with authoritarian governments, even if Iraq is now technically a democracy. But mostly, they strike was as kind of Old Testament in their outlook on life. This isn’t necessarily fair, but certainly a case can be made.
I was talking to my father the other day about Obamacare. He is a fairly typical conservative in that his opinions change like a pinball. Sometimes he is quite liberal, but let Fox News work on him for a few minutes and he’ll reverse course. In fact, I can generally determine what it is that Fox News is pushing by the changes in his opinions. About a year ago, out of the blue, he decided that Obamacare was too complicated. Why oh why couldn’t we just have had a simple law like Medicare for all?! He didn’t put it quite that way, but that was the substance of it. I told him the truth: because conservatives like him wouldn’t stand for such a law; Obamacare was an attempt for liberals to get along with conservatives; and the liberals got paid back with fake outrage about the bill being some kind of socialist plot. I did not mention that liberals also got paid back by conservatives like him complaining that the law was too complicated and claiming that they would have been just find with a single-payer system.