Frank Zappa

Frank ZappaI remember reading an article by a fairly serious music writer — most likely in New Musical Express — discussing Frank Zappa, who was born on this day in 1940. This was in the late 1960s and the writer said something to the effect that Zappa could be the best rock guitarist of all time if he would just take it seriously. I don’t think anyone ever so perfectly encapsulated Zappa. It wasn’t just his guitar playing. Zappa did not think much of popular music. I recall the early albums being filled with little comments. Like on Absolutely Free at one point, he says, “This is like The Supremes… See the way it builds up?” Most of his career was him saying, “I’m only playing this crap because you idiots like it.”

Zappa was always fundamentally a blues guitar player. But his mixing of various modes makes it often sound more like jazz. It’s actually more of a classical approach, but with his use of subtle string bends and other aspects of electric guitar technique, it all sounds highly idiosyncratic. Of course, now you can hear his influence in some of the more interesting “independent” bands over the last couple of decades. As you can probably tell, I admire Zappa at the same time that I think he was kind of a douche who didn’t do as much with his talent as he should have.

He was at his best when he was creating instrumentals like “Peaches en Regalia.” But since I’ve heard that song entirely enough for a far longer life than I will have, here is “Black Napkins” performed live:

Happy birthday Frank Zappa!

George Roy Hill

George Roy HillOn this day in 1921, the great American film director George Roy Hill was born. I always associate him with William Goldman’s book Adventures in the Screen Trade. The entire chapter on directors consists of the following sentence, “Some of my best friends are directors.” This sentence did have a footnote where Goldman explained that directing was a hard job — not like a theoretical physicist’s job is hard, but like a coal miner’s job is hard. And he noted that directors help everyone involved in the production. His point was that we have mythologized directors and that given all the other creative minds on a film, the director is not that important. He has a vision of the film director that is more like that of a theater director: the person who manages all the creative activity. I agree with this vision to a large extent. And this is the kind of director that George Roy Hill was.

To a large extent, the film directors who are considered “auteurs” are generally the ones who talk a certain way. There is no doubt that someone like Jon Jost absolutely is the author of his own films. But it is hard to make that claim even for David Cronenberg, much less Martin Scorsese. This doesn’t say anything about the quality of the films these three men make — they all produce films that are without exception worth making and are sometimes great. But $100 million budgets are collaborations. Regardless, I don’t think that Scorsese has a more distinctive visual style than Hill does.

Of course, the thing is that Hill does have a distinctive style. Or rather: his films have a distinctive visual style. It is just that no one fetishizes that style. But as a result of that, Hill’s films tend to age better. I know for a lot of people, Goodfellas is a favorite film. To me, it is almost un-watchable; it is filled with tricks that Scorsese would (gratefully) eventually get over or refine. (I think Scorsese is at his best in films like The Age of Innocence and Bringing Out the Dead and Kundun.) Hill doesn’t have that problem.

So let’s look at a few of his classic films — and I will be ignoring a number of others! First is Butch Cassidy and the Sundance Kid — one of the greatest westerns ever made. (I want to say “the greatest” but that’s hard.) In a sense, that is William Goldman’s film, because it is drenched in his sensibility. Just the same, it looks and feels like a Hill film. It was a collaboration of a lot of great people, including Burt Bacharach. But Hill brought it all together in a film I still love watching.

Do I need to mention The Sting? Maybe we should just move on to The Great Waldo Pepper. When I was a kid, I didn’t much like it. But it ages well. Also: it helps to be an adult. This trailer makes it seem like it’s a comedy, but it really isn’t. It’s an interesting film about a man trying to find meaning in life. But it is done in a very Hollywood (false) way:

Other films that are well worth watching include: Slap Shot, A Little Romance, and The Little Drummer Girl. I will say nothing about the Chevy Chase film, because I haven’t seen it. But let’s take a look at The World According to Garp, which is still a joy to watch:

Happy birthday George Roy Hill!

Édith Piaf

Edith PiafOn this day in 1915, the great singer Édith Piaf was born. The French Billie Holiday! Stylistically, they are rather different. But they are both highly emotional singers, with tragic lives to back it up. Piaf spent much of her childhood living in her grandmother’s brothel. At the age of 14, she began working with her father as a street performer. She continued in this line of business until she was discovered at the age of 20, when she began working nightclubs. She quickly rose to stardom, but died at only 47 of liver cancer.

It’s better just to listen to her music. Let’s start with one of her biggest hits, “Non, Je ne Regrette Rien.” I love its resolve. I just wish it didn’t include the payoff line, “Aujourd’hui, ça commence avec toi” (“Today, it begins with you”). That seems to cheapen it. I want it to be a statement about who she is, not what relationship she now finds herself in. Regardless, it is wonderful:

Here is another hit, “Milord.” Exactly what happens in the song is not clear. So let me give you my take. The singer is a woman who works at a cafe as a server. She has seen this rich gentleman walk past before with a beautiful woman on his arm. But the woman is not there today. The server entreats the gentleman to sit down and tries to cajole him out of his sadness. And by the end of the song, she has him dancing around with her. It is very beautiful:

The next song, “Hymne à l’Amour,” Piaf actually wrote the lyrics to. It was written to her lover, after he died in a plane crash on his way to visit her. You don’t need to know the lyrics. It is just one of those “I would do anything for you” songs. You get everything from the performance:

And let’s end with Piaf’s signature song, “La Vie en Rose.” The lyrics are also by Piaf and it is pretty similar in content to “Hymne à l’Amour.” Life is rosy when he looks into her eyes. I think the reason the song works so well is simply that there is nothing quite so compelling as a sad woman singing of hope. Here she is singing it in Nine Boys, One Heart:

Happy birthday Édith Piaf!

Steve Biko

[After everything that has gone on with the police killings of Michael Brown, Eric Garner, and John Crawford III — along with the release of the torture report — I’ve decided to reprint a slightly edited article I wrote three months ago on the anniversary of Steve Biko’s death. It goes along with South African comedian Trevor Noah, and his appearance on The Daily Show about how we’ve managed to create an apartheid state without having to enact explicitly racist laws. We do it all with heavy doses of implicit racism. —FM]

Steve BikoOn this day in 1946, the great political activist Steve Biko was born. He worked against the apartheid regime in South Africa. In the late 1960s, he helped to form South African Students’ Organization and was its first president. By 1972, his political activities were so successful that he was thrown out of college. And the following year he was “banned” by the South African government. That meant he was forbidden from speaking to more than one person at a time. And he was confined to his township. And he could not write for or speak to the media.

Let us take a step back from this. In the United States at this time and for another decade and a half, conservatives in the United States spoke of apartheid South Africa as though it were the shining light of democracy in Africa. According to these conservatives, the rulers of South Africa were the modern incarnations of the Founding Fathers. But we all know what was really going on. The rules were white, so it didn’t matter what they did. And the oppressed were black, so it didn’t matter what was done to them.

Despite these restrictions, Biko continued to organize. The Soweto Uprising was highly successful, and was put down by the regime with its characteristic restraint by setting dogs on the school children and then shooting them. At least a couple hundred where killed and over a thousand wounded. After this, the regime decided that they really needed to go after Steve Biko, even though he was not directly involved.

On 18 August 1977, Biko was arrested at a check point under a law that ought to sound familiar to Americans who have been paying any attention to events in America over the last several decades, Terrorism Act No 83 of 1967. He was tortured for 22 hours. This resulted in Biko slipping into a coma. Then he was chained to a window grill for a day. Just short of four weeks later, he was transported 700 miles to a prison that had hospital facilities. He died the next day — 12 September 1977. Wikipedia provides the following tragic but entirely typical conclusion, “The police claimed his death was the result of an extended hunger strike, but an autopsy revealed multiple bruises and abrasions and that he ultimately succumbed to a brain hemorrhage from the massive injuries to the head…” You know: the police never do anything wrong. And they can never be held accountable regardless, “After a 15-day inquest in 1978, a magistrate judge found there was not enough evidence to charge the officers with murder because there were no eyewitnesses.”

The one good thing about Biko’s death was that it really did publicize just how awful the apartheid system was. Over 10,000 people came to Biko’s funeral. So he was a martyr to the cause that he had worked his whole adult life for. So I can see the beauty in his life and ultimate sacrifice. But it mostly just fills me with rage.

Nevertheless: happy birthday Steve Biko!

Afterword

Here is Peter Gabriel’s song “Biko”:

John Kennedy Toole

John Kennedy TooleOn this day in 1937, the great writer John Kennedy Toole was born. Other than his juvenilia, he is only known for one thing, A Confederacy of Dunces. But what a thing! Everyone seems to know the story of how the book was published: his suicide and his depressed mother’s pursuit of its publication. I can’t speak to the cause of Toole’s finally unraveling. I’m sure if he had found a publisher — especially if the book had done as well as it would when it finally was published — it would at least have extended his life. But I suspect there was more going on than a general depression brought on by a lack of professional success.

In preparation for this post, I spent an hour going through my books, looking for my copy of A Confederacy of Dunces. I couldn’t find it. I did find two copies of Kaufmann’s translation of Faust — which is okay, given one of them is in pieces. (I don’t know why I haven’t thrown it out.) And I found at least five copies of Dr Faustus — which is not okay, because I was collecting them because I had this idea of producing it at some point. But no Confederacy. I must have loaned it out to someone to read.

This is something that I do, especially with this book. No intelligent American should be able to go through life without reading A Confederacy of Duncesat least once. It is a wonderful book. And I don’t even mean in the sense that it is brilliant with a great feel for language. I mean it in the sense that it is a very funny book. You will enjoy it! Let me go further: you will enjoy it from the first page!

You have to ask yourself an important question, “Why am I reading Frankly Curious when I could be reading A Confederacy of Dunces?” There are really only two acceptable answers. First: “Because it is only now that you have opened my eyes!” Second: “I have already read it!” I appreciate your readership. But I’m more than willing to wait. A Confederacy of Dunces is a very special book — especially for the kind of people who come around here. (You should take that as a compliment.)

Happy birthday John Kennedy Toole!

Jane Austen

Jane AustenOn this day in 1775, the great novelist Jane Austen was born. She is known for her witty romance novels, but they are probably better thought of as parodies of the romances of her own day. In this way, she is rather like Cervantes, whose Don Quixote is a loving ribbing of the chivalric books of his own time. But all of that is lost on most modern readers. It is remarkable, however, that we are able to get so much out of her novels completely outside the context in which they were written.

Another aspect of her novels that isn’t as appreciated as it ought to be is their political content. Austen was clearly very concerned about one issue: the injustice of inheritance law in England at that time — most especially the way that it affected women. In Pride and Prejudice, Mrs Bennet is looking into the abyss of a future after her husband is dead when she (and her five daughters) will likely be thrown into poverty. In the book, she comes off as very silly; but it is hard not to sympathize with her razor-like focus on getting her daughters married.

In her first novel, Sense and Sensibility, poverty is not in the future — it is manifest. But there is another aspect of that novel that especially appeals to me. In it, she savages the romantic sensibilities of the time. Marianne Dashwood and John Willoughby do not come off well in the novel. Austen clearly did not think much of the early romantics. I tend to agree.

Let me quote a little bit from the beginning of Sense and Sensibility. This is a lovely (and horrible) scene where John Dashwood’s wife Fanny talks him out of the promise he made to his father to take care of the son’s stepmother after the father’s death. These are the rationalizations of real people:

“It was my father’s last request to me,” replied her husband, “that I should assist his widow and daughters.”

“He did not know what he was talking of, I dare say; ten to one but he was light-headed at the time. Had he been in his right senses, he could not have thought of such a thing as begging you to give away half your fortune from your own child.”

“He did not stipulate for any particular sum, my dear Fanny; he only requested me, in general terms, to assist them, and make their situation more comfortable than it was in his power to do. Perhaps it would have been as well if he had left it wholly to myself. He could hardly suppose I should neglect them. But as he required the promise, I could not do less than give it; at least I thought so at the time. The promise, therefore, was given, and must be performed. Something must be done for them whenever they leave Norland and settle in a new home.”

“Well, then, let something be done for them; but that something need not be three thousand pounds. Consider,” she added, “that when the money is once parted with, it never can return. Your sisters will marry, and it will be gone for ever. If, indeed, it could be restored to our poor little boy–”

“Why, to be sure,” said her husband, very gravely, “that would make great difference. The time may come when Harry will regret that so large a sum was parted with. If he should have a numerous family, for instance, it would be a very convenient addition.”

“To be sure it would.”

“Perhaps, then, it would be better for all parties, if the sum were diminished one half.– Five hundred pounds would be a prodigious increase to their fortunes!”

“Oh! beyond anything great! What brother on earth would do half so much for his sisters, even if really his sisters! And as it is — only half blood! — But you have such a generous spirit!”

“I would not wish to do any thing mean,” he replied. “One had rather, on such occasions, do too much than too little. No one, at least, can think I have not done enough for them: even themselves, they can hardly expect more.”

“There is no knowing what they may expect,” said the lady, “but we are not to think of their expectations: the question is, what you can afford to do.”

“Certainly — and I think I may afford to give them five hundred pounds a-piece. As it is, without any addition of mine, they will each have about three thousand pounds on their mother’s death — a very comfortable fortune for any young woman.”

“To be sure it is; and, indeed, it strikes me that they can want no addition at all. They will have ten thousand pounds divided amongst them. If they marry, they will be sure of doing well, and if they do not, they may all live very comfortably together on the interest of ten thousand pounds.”

“That is very true, and, therefore, I do not know whether, upon the whole, it would not be more advisable to do something for their mother while she lives, rather than for them — something of the annuity kind I mean.– My sisters would feel the good effects of it as well as herself. A hundred a year would make them all perfectly comfortable.”

His wife hesitated a little, however, in giving her consent to this plan.

“To be sure,” said she, “it is better than parting with fifteen hundred pounds at once. But, then, if Mrs. Dashwood should live fifteen years we shall be completely taken in.”

“Fifteen years! my dear Fanny; her life cannot be worth half that purchase.”

“Certainly not; but if you observe, people always live for ever when there is an annuity to be paid them; and she is very stout and healthy, and hardly forty. An annuity is a very serious business; it comes over and over every year, and there is no getting rid of it. You are not aware of what you are doing. I have known a great deal of the trouble of annuities; for my mother was clogged with the payment of three to old superannuated servants by my father’s will, and it is amazing how disagreeable she found it. Twice every year these annuities were to be paid; and then there was the trouble of getting it to them; and then one of them was said to have died, and afterwards it turned out to be no such thing. My mother was quite sick of it. Her income was not her own, she said, with such perpetual claims on it; and it was the more unkind in my father, because, otherwise, the money would have been entirely at my mother’s disposal, without any restriction whatever. It has given me such an abhorrence of annuities, that I am sure I would not pin myself down to the payment of one for all the world.”

“It is certainly an unpleasant thing,” replied Mr. Dashwood, “to have those kind of yearly drains on one’s income. One’s fortune, as your mother justly says, is not one’s own. To be tied down to the regular payment of such a sum, on every rent day, is by no means desirable: it takes away one’s independence.”

“Undoubtedly; and after all you have no thanks for it. They think themselves secure, you do no more than what is expected, and it raises no gratitude at all. If I were you, whatever I did should be done at my own discretion entirely. I would not bind myself to allow them any thing yearly. It may be very inconvenient some years to spare a hundred, or even fifty pounds from our own expenses.”

“I believe you are right, my love; it will be better that there should be no annuity in the case; whatever I may give them occasionally will be of far greater assistance than a yearly allowance, because they would only enlarge their style of living if they felt sure of a larger income, and would not be sixpence the richer for it at the end of the year. It will certainly be much the best way. A present of fifty pounds, now and then, will prevent their ever being distressed for money, and will, I think, be amply discharging my promise to my father.”

“To be sure it will. Indeed, to say the truth, I am convinced within myself that your father had no idea of your giving them any money at all. The assistance he thought of, I dare say, was only such as might be reasonably expected of you; for instance, such as looking out for a comfortable small house for them, helping them to move their things, and sending them presents of fish and game, and so forth, whenever they are in season. I’ll lay my life that he meant nothing farther; indeed, it would be very strange and unreasonable if he did. Do but consider, my dear Mr. Dashwood, how excessively comfortable your mother-in-law and her daughters may live on the interest of seven thousand pounds, besides the thousand pounds belonging to each of the girls, which brings them in fifty pounds a year a-piece, and, of course, they will pay their mother for their board out of it. Altogether, they will have five hundred a-year amongst them, and what on earth can four women want for more than that?– They will live so cheap! Their housekeeping will be nothing at all. They will have no carriage, no horses, and hardly any servants; they will keep no company, and can have no expenses of any kind! Only conceive how comfortable they will be! Five hundred a year! I am sure I cannot imagine how they will spend half of it; and as to your giving them more, it is quite absurd to think of it. They will be much more able to give you something.”

“Upon my word,” said Mr. Dashwood, “I believe you are perfectly right. My father certainly could mean nothing more by his request to me than what you say. I clearly understand it now, and I will strictly fulfil my engagement by such acts of assistance and kindness to them as you have described. When my mother removes into another house my services shall be readily given to accommodate her as far as I can. Some little present of furniture too may be acceptable then.”

“Certainly,” returned Mrs. John Dashwood. “But, however, one thing must be considered. When your father and mother moved to Norland, though the furniture of Stanhill was sold, all the china, plate, and linen was saved, and is now left to your mother. Her house will therefore be almost completely fitted up as soon as she takes it.”

“That is a material consideration undoubtedly. A valuable legacy indeed! And yet some of the plate would have been a very pleasant addition to our own stock here.”

“Yes; and the set of breakfast china is twice as handsome as what belongs to this house. A great deal too handsome, in my opinion, for any place they can ever afford to live in. But, however, so it is. Your father thought only of them. And I must say this: that you owe no particular gratitude to him, nor attention to his wishes; for we very well know that if he could, he would have left almost everything in the world to them.”

This argument was irresistible. It gave to his intentions whatever of decision was wanting before; and he finally resolved, that it would be absolutely unnecessary, if not highly indecorous, to do more for the widow and children of his father, than such kind of neighbourly acts as his own wife pointed out.

Reading that again, it makes me angry. Austen had people nailed. Her exaggeration is only slight. I think Fanny reaching the point of turning the logic back on itself — it is sad that they will get to hold onto that fine furniture when our selfishness will require them to live in place not deserving of it — doesn’t ring true. That’s Austen’s brilliance. If the conversation had ended a couple of paragraphs before, it would leave the reader punching the wall. But it is good to that that people have not gotten notably worse in the last two centuries.

Happy birthday Jane Austen!

Gustave Eiffel

Gustave EiffelOn this day in 1832, the great architect Gustave Eiffel was born. He was also a civil engineer. And then after he retired, he did significant work in meteorology and fluid dynamics. Of course, we just know him because of of the tower named after him that he designed for the 1889 Universal Exposition.

Before the tower, he was best known for his bridges. And beautiful things they were. His first bridge was a small one — 22 meters — for the Saint Germaine railway. This was when he was still in his early twenties. This lead to his first major design, the half kilometer Bordeaux bridge.

In his mid-thirties, he started the company Eiffel et Cie, with fellow engineer Théophile Seyrig. Their first project together was to build the Budapest-Nyugati train station, which showed Eiffel’s fondness for exposed structure:

Budapest-Nyugati train station

And next came the exquisite Maria Pia railway bridge:

Maria Pia railway bridge

Before building his famous tower, Eiffel was very important in the building of the Statue of Liberty. The original engineer, Viollet-le-Duc, died after completing the head and arm. So it was left to Eiffel’s team to figure out how to make the whole thing fit together. Obviously, it wasn’t his design, of course. I figure you don’t need to see a picture of the Statue of Liberty or the Eiffel Tower. Although if you click over the Wikipedia, there is a nice collection of images showing the tower’s construction.

He continued to design and build major works into the late 1890s — all over the world. And then he retired and worked on some important applied science. He lived to the ripe old age of 91.

Happy birthday Gustave Eiffel!

Aphra Behn

Detail of Aphra Behn by Peter LelyBefore getting to the birthday post proper, I just want to say that it is the painter Roger Fry‘s birthday, and I love his work. I just don’t know that much about him. And for some reason, there isn’t all that much of his work online. Nor is a book about or by him in the library. But maybe by next year, I will have something to write about. He’s very deserving. Of course, so is the subject of today’s birthday post.

On this day in 1640, the great English writer Aphra Behn was baptized. Like most people from that time, we don’t know when she was born. The standard thing is to assume that people were baptized when they were three days old. That’s what the birthdays of Shakespeare, Marlowe, and Cervantes are: their baptismal dates minus three days. So with Behn, we are just going with the baptism. And it hardly matters. Why not that day?

Well, why not any day? The truth is that we don’t even know Behn’s real name. The date of her baptism is apocryphal. We don’t really know anything about her. And that is very probably by intention. The literary theorist Germaine Greer said of her, “She is not so much a woman to be unmasked as an unending combination of masks.” Even the one place where seemingly every adult is documented finds her missing: tax records.

To give you some idea of just how vexing her life story is, check out this passage from Wikipedia:

Shortly after her supposed return to England from Surinam in 1664, Behn may have married Johan Behn (also written as Johann and John Behn). He may have been a merchant of German or Dutch extraction, possibly from Hamburg.

Shortly after returning from a place she may have never been, she may have married a man who might have been of a particular profession and maybe from a particular place. It is exasperating! But we do seem to know that she worked as a British spy in the Netherlands. She was supposed to get in good (Seduce?!) the son of the exiled son of the recently executed Thomas Scot. For this dangerous service, the King of England (Charles II at that time) repaid her the way they normally did: by abandoning her and not even paying her expenses.

Because she was in debt, she started writing for a couple of theater companies. Her early works were rather bawdy, like, The Amorous Prince. But she found more success later with comedies. She wrote a total of 19 plays and was the first notable female playwright in England (other than Queen Elizabeth who wrote all of Shakespeare’s plays). But she did far more than this. She also did a great deal of translation, and most important, she was key in the development not just of the English novel, but of the novel generally.

Sadly, she spent pretty much all of her adult life in debt. She may have been working at a furious pace (only John Dryden wrote more plays during that period), but it didn’t pay off very well. Perhaps the British were as bad about paying women then as we are today. On the other hand, there are two portraits of her by noted artists (and perhaps a third). So maybe she just lived beyond her means, as seems to have been typical of writers then — and now. She died in poverty at the age of 48.

Happy birthday Aphra Behn!

Tom Verlaine

Tom VerlaineThe great musician Tom Verlaine is 65 today. He was the founder of the early punk band Television. If that is the right word. Those early bands like Television and Ramones are hard to classify. But Television was an amazing band. Verlaine originally started the band with Richard Hell. But eventually Verlaine kicked Hell out of the band, supposedly for his poor musicianship and his odd behavior. I think it was actually just a personality conflict. For one thing, Hell was actually a rather good bass player. But more important, Verlaine is very laid-back on stage and Hell was spastic. It was probably for the best. Hell really needed to be a solo act, and his material didn’t fit in that well with Television.

Television didn’t stay together that long. I’m not counting how they later got back together like just about every other punk and post-punk band. They only released two albums during that period. But they are both classics: Marquee Moon and Adventure. And then, Verlaine went on to have arguably an even more successful solo career. In addition to his excellent songwriting, he is one of the great guitarists that rock has produced.

There isn’t a lot of great video of Verlaine online. There is currently the whole Marquee Moon on YouTube. But the best thing I can find is the same thing I posted last year of him solo performing in Madrid. But this is a playlist of the entire performance:

Happy birthday Tom Verlaine!

Edvard Munch Without The Scream

Edvard MunchOn this day in 1863, the German Expressionist Edvard Munch was born. Don’t misunderstand, however; he was a a Norwegian painter, and quite a bit more idiosyncratic than most German Expressionists. He is one of those artists who is cursed to be associated with a single painting. In his case, The Scream, which he painted when he was just 30 years old. But he is so much greater than that.

He was also influenced by the impressionists. And during his time in France, he was doubtless influenced by the post-impressionists. Some of my favorite of his paintings remind me of Gauguin. A quick check of Wikipedia discloses that he was influenced by Gauguin as well as van Gogh and Toulouse-Lautrec. I think I can see the van Gogh to some extent, but my powers of art appreciation are not keen enough to see the influence of the great illustrator.

Here is an example of what I mean. It is The Girls on the Jetty — or rather, one of 18 he painted around 1900:

The Girls on the Jetty - Edvard Munch

It is still Munch and Symbolist, but the use of colors strikes me very much like Gauguin. You can see this even more in an earlier painting, At the Roulette Table in Monte Carlo:

At the Roulette Table in Monte Carlo - Edvard Munch

I’ve had some difficulty finding much of his later work that really blows me away. That’s not to say that his later work is bad. It is just that there isn’t all that much of it on line — or at least it is hidden beneath a million copies of The Scream and parodies of it. But here is a painting from 1914, Weeping Nude:

Weeping Nude - Edvard Much

Happy birthday Edvard Munch!

Peter Bagge

Peter BaggeThe great cartoonist Peter Bagge is 57 today. Is he really great? I think he is. I remember when he first started publishing, his rubbery characterizations and his outrageous sensibility were very new. I’ve always thought that he and Bill Watterson looked kind of similar, but he took it to extremes that fit what he was trying to do with it.

I probably first saw him in Weirdo in the early 1980s. But I really got into him with the first issue of Neat Stuff. Looking at it now, I find it kind of embarrassing. The artwork is great, but the writing is kind of like Mad Magazine for teens. But they had their moments. There was Studs Kirby, every Fox News viewing man you’ve ever met — with sentimental periods where he drinks himself to sleep listening to Brenda Lee records. And there was The Bradleys, a highly dysfunctional family — not really well written but wonderfully rendered. As I recall, this is from the end of a strip where Buddy has purchased The Yardbirds’ greatest hits or something:

The Bradleys - Peter Bagge

You don’t find much Bagge on the internet. At least you don’t compared to the far greater Bernie Wrightson. I assume this is because Bagge is a greedy man who just can’t get enough money. The last time I saw him, he was publishing cartoons in the libertarian Reason Magazine. I’ve since learned that he also writes articles. I really don’t want to know. You start with an artist — generally not the greatest analysts. Then you combine that with the libertarian thinking of someone at the top of his profession — who had success very young. This is not a formula for deep thinking. But Woody Allen being a child molester doesn’t make his films any less great. Peter Bagge being a libertarian doesn’t make his comics any less great. Am I saying these are the same? Only in the sense that they both show a lack of impulse control.

Happy birthday Peter Bagge!

Emily Dickinson

Emily DickinsonOn this day in 1830, the great poet Emily Dickinson was born. I feel a great kinship with her because of her agoraphobia. I would rather conduct my relationships through letters. (I’m not saying this is a good thing.) But Dickinson was also interested in a lot of the same things that I am, and her thinking of metaphysics certainly parallels mine.

Regardless, I thought I would present “The Mystery of Pain.” I found a version online for teachers where it comments, “This poem is suitable to be taught for Junior High School students because it has a great moral value of life. It notices to be patient when we are in a pain, and we have to realize that everything will change, there is no everlasting pain. Since the language used is quite hard to understand, the teacher should assist students to find the correct interpretation of the poem.”

All I can say is that I hope the teachers understand the poem better than whomever wrote that! Let me give you my interpretation. We tend to not be able to imagine that we will always feel the way we now do and that’s a drag when we are feeling pain. But the enlightened mind will know that the pain will go away, only to be replaced by another pain. I would find that a depressing thought if it were not exactly what I know to be true.

Pain has an element of blank;
It cannot recollect
When it began, or if there were
A day when it was not.

It has no future but itself,
Its infinite realms contain
Its past, enlightened to perceive
New periods of pain.

Happy birthday Emily Dickinson!


This article was part of last year’s birthday post, The Best Birthday Post Ever. I don’t normally do this, but I am suffering from some kind of food poisoning or something. I hope I feel better later!