When I was a kid I loved plays. There were a lot of reasons for this. One of them is that I have a very good ability to imagine the play in my head. I don’t need or even particularly want a lot of detail: I’ve got that covered. Plays are by their nature kind of the Elmore Leonard style of writing; and given how popular his novels are, I think a lot of people feel the same way. The biggest reason that I read plays when I was young is related to this. I did (and still do) suffer from both forms of dyslexia. As a result of this, when I was young I was a painfully slow reader. But I could read a play in one night. And so I did: very many of them.
One of those plays I read was Lanford Wilson’s Hot l Baltimore. I remembered it as being a funny play. When I was a kid, I was so impressed with people who could write humor; it seemed almost magical. So I think I remember comedy more than the other things. Well, I just read it again and I would certainly not call it a comedy, even though it is an amusing read and would be quite funny performed. If I had to describe it in one word, it would be “poignant.”
It tells the story of a bunch of people living on the margins in the rundown old Hotel Baltimore. That’s where the title comes from: the “e” in the hotel sign has burned out. About midway through the first act, we learn that the hotel is going to be demolished and everyone is being evicted. But that doesn’t particularly matter, although there is much talk about it. The eviction is just part the fragility that is all their lives. It reminds me of Melissa Harris-Perry’s counter to the meme that the rich should be rewarded for their risk taking:
But like all people on the margins, the characters in Hot l Baltimore keep pushing forward because they have no choice. The play culminates with April, an aging prostitute, forcing stunted Jamie, whose sister has abandoned him, to dance. It ends with them dancing as April shouts to the night manager about the radio, “Turn it up!”
What I probably didn’t understand when I was a kid was that these people’s lives were already over and they knew it; they were just keeping up appearances. There are multiple assertions from the characters, “I have plans!” The climax of the play, leading up to the end of the second act, is then “Girl”[1] informs Jackie that the land Jackie’s bought in Utah cannot be used to farm because it is a salt desert. Jackie claims she is lying, but Jackie knows the truth; Jackie probably always knew the truth.
If you aren’t going somewhere, then you’re just treading water. Soon, you’ll get tired and drown. Until then, “Turn it up!”
[1] She is the only character without a name. She is perhaps the only one who hasn’t given up. Instead, she is forever disappointed in the world. She is especially upset that the trains don’t run on time. She is a frightening reminder that disappointment is just a phase we go through on the way to hopelessness.
Yesterday, Matt Yglesias
Have you ever noticed how Republicans get apoplectic at the slightest thing that a Democrat does wrong? There could be ten Republicans who murder their wives. Then a Democrat is caught cheating on his wife. And the Republicans are everywhere screaming that this isn’t just an outrage; it is perhaps even worse than the ten wife-murdering Republicans. Well, we have a new example of this.
There are eight million stories in the naked city, and this is two of them. The water in the Cecil Hotel in downtown Los Angeles was trickling in. Two British tourists, Michael Baugh and his wife, complained. “What kinda country you got here? You don’t know about water pressure?!” So the management checked out the system. The pipes seemed fine. That’s when they found an obstruction in the water tank. It was a dead body.
Have you heard the joke about the football player who is an “influential voice for his religion”? Oh, you have? You just didn’t know it was a joke? Well it is. It is a big joke about the pathetic state of religion in the United State.
Adam Serwer has a great catch. He compares Ronald Reagan’s immigration plan with Obama’s,
Last night, while in bed, I watched The Last Word (it was that or more Rocky & Bullwinkle that I’ve already seen). And as I was falling asleep, Ari Melber said something that shook me. In general, I don’t follow Melber, but I have to admit, he’s a pretty smart guy. You can take that to mean that he is literally “a pretty smart guy” or you can be more cynical and just assume, “He must agree with Frank about something.” I like to think it is both.
John Avlon made a great catch over at The Daily Beast,
I like David Corn. He’s a good reporter. But people have made far too much about his article,
Sure, you’ve heard that “Friends of Hamas” doesn’t exist and so Chuck Hagel didn’t give them a paid speech. But what about the “Junior League of Hezbollah”?! Huh? The word is that a reporter asked if Chuck Hagel gave a speech to that group. And that’s about as solid a bit of evidence as you can get. It has even been suggested that Chuck Hagel may weigh the same as a duck. Burn the witch!
Quick philosophical note. If a tree fell in the woods and no one heard it, did it make a sound? No. When the tree falls, it creates compression waves, not sounds. It is only when something with an ear that can interpret those compression waves that a sound is created. Thus: no listener, no sound.