Odds and Ends Vol 32: Psychotronic Review Edition

Odds and Ends

I’m on vacation and I feel like I’ve already done my civic duty by watching the final presidential debate. And that was some major pain!

The more I see of Biden, the more that I like him. Just the same, it is very clear what the argument for him is: normalcy.

A lot of people are applauding moderator Kristen Welker. I didn’t think she did a good job. But really: no one could do a good job. With someone who is willing to break all norms and lie constantly, pretty much every part of society breaks down.

The fact that 40 percent of the nation still likes Trump shows that 40 percent of the nation is made up of authoritarian followers. I admit: Trump comes off in these debates as more dominant in the way that one dog might dominate another. But does that matter when it comes to being the president?

He plays second-fiddle to most world leaders — as he does to Mitch McConnell at home. It’s all fake. In his bluster we see all of his insecurities. And people with even a modest amount of cunning use it against him.

So let’s forget all that and talk about all the cool stuff that’s been happening at Psychotronic Review!

Christopher R Mihm

There’s a writer-director of direct-to-video films made primarily in the style of 1950s science fiction and horror. They are often amusing but that isn’t so much the point of them. They are more loving tributes of these earlier films — generally better than the originals.

Mihm is a prolific guy. He’s made one film each year since 2016. (The film for this year has been delayed due to the pandemic.) And I watched them all and wrote a 4,000-word discussion of each with stuff about his work in general and specific actors (he has something of a stable).

At this time, all but two of his films are available on Amazon Prime for free. I recommend checking them out!

Diani & Devine

About a year ago, Elizabeth and I began looking for ways to watch films together. Eventually, we settled on a great service, Watch2gether. Lots of services allow you to watch and text. But W2G allows you to talk. Unfortunately, it doesn’t work with things like Amazon Prime. So now we combine services when necessary: using W2G for voice and Amazon with its Watch Party.

This has also allowed me to watch films with Andrea, which we haven’t been able to do much in recent years. And since our relationship is heavily film-oriented, this is great. She suggested that we watch a 2011 horror-comedy, The Selling.

It introduced us to a really good comedy team, Diani & Devine. They remind me a bit of Nichols and May with Etta Devine getting the more outrageous parts and Gabriel Diani usually playing the reasonably normal man in an insane world.

Check out my article, Diani & Devine, How Hollywood Sucks, and One Reason to Be Hopeful. They’ve made two excellent films and they are both on Amazon Prime for free!

John Carpenter’s Vampires

I saw John Carpenter’s Vampires in the theater. And I liked it. I noticed that it didn’t do well and that a lot of critics didn’t much like it so I bought the Blu-ray and created a complete review of it. (One thing that annoys me is when people review a DVD or Blu-ray as a straight film review. Read my review and you will see the difference.) It also includes overviews of all the other releases of this film (there are a lot).

I could have written about Vampires on Frankly Curious. Although I admire the film in most ways, it is filled with toxic masculinity. The main character Jack (played by James Woods) is just awful. It wouldn’t be hard to say the same thing about Snake Plissken. But he abuses bad guys. Jack treats everyone badly.

Now I understand: apologists would say, “He’s just kidding!” But if you’ve spent any time around bullies, you know that “just kidding around” is one of the most common claims made by bullies. “Why are you hitting yourself?” is supposed to be a joke.

The Gates of Hell Trilogy

Lucio Fulci was one of the greatest Italian horror directors. From 1980 through 1981, he released three Lovecraft-style horror films known as The Gates of Hell trilogy.

It’s interesting what my love of these films shows about my evolving tastes. I suspect that 20 years ago, I wouldn’t have cared that much for them. But over time, I have come to appreciate what I would call “pure horror.” It doesn’t matter to me if things make sense. In fact, it is often the attempt to explain that ruins films.

This was seen a lot in 1950s science fiction films where the writers went out of their way to provide preposterous explanations for what was going on. It’s so common that I rather like it the way you might come to appreciate a horrible scar on a lover. I’m happy every time I learn that Glenn Manning is going to die because his heart is only increasing in size at half the rate of the rest of his body.

The Gates of Hell films aren’t like that. But they also don’t exactly explain anything. For example, in City of the Living Dead, the four main characters are discussing what to do next. Suddenly, the doors fly open and a wind of thousands of maggots are blown all over them. Why? I don’t know! But it’s creepy, disgusting, and effective!

I Survived a Zombie Holocaust

Let me leave you with another nice discovering: I Survived a Zombie Holocaust. It’s a New Zealand film about people making a zombie film when there is a zombie outbreak and they are attacked. It’s not as good as The Selling, but it’s a lot of fun and very funny throughout the first hour.

I Survived a Zombie Holocaust is playing over at Psychotronic Review. Watch it now!

Until Next Time

This is my last day of vacation. I may be really busy when I get back. Then again, I may be looking for anything to avoid paying work. So maybe I’ll do something here.