Why Media Debate Coverage Makes Things Worse

Jeb Bush - Debate CoverageIf you’ve been reading me for a while, you probably know that while I have my problems with Vox, I also admire what they do. Some people there, like Max Fisher, are awesome. But even at its core of where it shows off its upper-middle class biases, it still provides reasonably good coverage. So when I see them make a clear conceptual mistake, it disturbs me because I know it is so much worse at The New York Times, much less Fox News. In this case, I’m talking about its debate coverage.

Dylan Matthews wrote one of their typical genre articles of debate coverage, 3 Winners and 2 Losers From Saturday Night’s Republican Debate. These are always interesting, even if I consider them wrong. The three winners were: Jeb Bush, the Democrats, and the moderators; the two losers were: Donald Trump and Marco Rubio. He felt that Rubio lost because he was just okay and he needed to shine. The Democrats won because, “The longer, the bloodier, and the sillier this campaign season is, the better it is for the eventual Democratic nominee.” And the moderators won because they did a reasonably good job.

Debate Coverage: Not Like Music Criticism

Matthews’ argument for Trump being a loser and Bush being s winner, however, are based on the same questionable analysis: the theater audience was clearly with Bush. Think about this from different perspective. You are a classical music critic and you are supposed to review Yoyo No Mas, the great tenor who hasn’t performed in over a decade. He’s performing in his hometown. And everyone loves his performance. But you are a professional and you know Yoyo No Mas has lost it: his rhythm is erratic and he’s flat when he hits high notes. Do you write a glowing review because the clearly biased audience ate it up? I don’t think so.

It certainly must have looked to many viewers at home that Jeb Bush had a feisty debate. But why should the media play along?

But that’s what Matthews did. And he isn’t alone. That seems to be the consensus of the debate coverage: Bush did well because, oh, how the audience cheered him and Trump did poorly because he got booed — a lot. Most of the rest of the media firmament may be unaware of the situation. They may actually think that the audience is indicative of South Carolina voters. But the truth is that Trump was right when he said, “That’s Jeb’s special interests and lobbyists talking.” And Matthews knows this! He wrote, ” Apparently only 600 of the 1,600 tickets to the event were given to the candidates, and the state and national party controlled most of the rest.” He added to this, “The result was an enthusiastically pro-Jeb crowd.”

Let’s Repeat the False Narrative!

Now I get this. If I were the Republican Party establishment, I’d do it too. It certainly must have looked to many viewers at home that Jeb Bush had a feisty debate. But why should the media play along? Isn’t it the job of the media to report that Jeb’s new more aggressive stance against Trump is mostly just a matter of stage lighting and make-up? Jeb Bush was only a winner if the debate coverage ignores this fact.

From my vantage point, Jeb Bush was better than he has been. But it’s just as easy to make the same argument about him that Matthews made about Rubio. And to me, every time the audience booed Trump, it made me think how pathetic the Republican establishment is. I suspect that this is even more true of Trump supporters. And it makes Jeb Bush look like exactly the weak guy that Donald Trump has portrayed him as: someone who needs his powerful family and establishment connections to win the race.

What the media need to understand is that they affect the game. A lot more people will see debate coverage than the actual debate. If Jeb Bush really was a winner for those who watched the debate, proclaiming him so only pushes a very fake reality that the Republican Party establishment has created.

Update (15 February 2016 11:07 am)

Check this out, Poll: Rubio Won Republican Debate. The placement from the CBS News overnight poll was this: Rubio, Trump, Kasich, and then Cruz. The Drudge Report readers’ poll had this placement: Trump, Cruz, and then Rubio. Notice anyone who’s missing for these polls? That’s right: Jeb Bush. And according to Dylan Matthews, he was the only Republican in the “win” category.

Morning Music: Randy Newman’s Yellow Man

12 Songs - Yellow ManIn 1970, Randy Newman released his second album, 12 Songs — so titled because they didn’t yet know that a more fitting title would be “Randy Newman’s Second Album That No One Will Buy.” That’s not to say that critics didn’t like it. Newman was spotted as a great talent from the beginning. That’s an interesting thing. In general, music criticism is so much better than film criticism. But that’s a subject for another day. But it didn’t turn him into star. Today, we listen to “Yellow Man.”

12 Songs is a great album. But then that’s generally true of Newman during this period. I can’t find anything in his first few albums to complain about. And that most definitely includes his next (generally dismissed) album, Randy Newman Live. I’ll feature something from it tomorrow.

Yellow Man

The song itself is something that he does a lot: pretend to be an ignorant bigoted person. In this case, he is surprised that “yellow man” believes in the family “just like you and me”! And then it ends with what sounds like a call for segregation, “Got to have a yellow woman, when you’re a yellow man.” But this is how Newman is normally offensive. I always get the idea that he’s trying to be offensive and just using whatever device he can find to get away with it. He certainly isn’t satirizing the ignorance of this kind of racism.

In this way, Newman is more like a comedian than a musician. At the same time, I find that I rather like the object of the song. And there is comedic brilliance in that the singer clearly thinks that he is being liberal and generous. But it doesn’t reach the heights of “Political Science” — which we will get to later this week.

Anniversary Post: End of Soviet-Afghan War

Soviet-Afghan WarOn this day in 1989, the Soviet Union announced its withdrawal from Afghanistan, ending the Soviet-Afghan War. During the war, of course, the United States was entirely against the Soviet Union. I greatly admire Jimmy Carter, but he was a Cold War relic. His foreign policy toward the Soviet Union was more conservative than the Republicans who came before and after him. But Carter wasn’t alone. Everywhere you looked in the United States people just took it for granted that all that stuff about allowing women to be educated and similar reforms were a Very Bad Idea™.

The war had been going on for just over nine years. So we were almost exactly four years dumber than the Soviet Union. Of course, I’m not really sure what the hell we were doing in Afghanistan. The main thing was just revenge — an extremely imperfect target, but at least better than Iraq. But once we were there, what were we trying to do? I mean: yes, we were trying to liberalize the country. But that doesn’t count, does it? Why should the Americans get credit for that when the Soviets never did?

The Soviet-Afghan War was always presented in the US as an invasion. I understood even then that this was not the way things work. There had been a coup in Afghanistan. The new government under Nur Muhammad Taraki was very much pro-Soviet Union. Like most such governments, it was not very nice and it managed to get a civil war started. Taraki had begged the Soviets to intervene. They refused and only did so after Taraki himself was assassinated by his own people.

Hypocrisy of US Media on Soviet-Afghan War

I talked about this on my birthday post: not getting the full context of things from my father. This is a more general problem in issues like this. The case that the Soviets were asked by the country to intervene are actually stronger than the case that they simply invaded. But both are rather too simplistic. But what is clear is that when we did the same thing in Vietnam, our media didn’t present it as some kind of unprovoked attack on the country. Just as with the Soviet-Afghan War, we came in to help prop up an unpopular government.

Hypocrisy is a natural human trait. But when your nation’s fourth estate accepts the government’s hypocrisy as God’s own word, that country is not long the land of liberty. Because liberty based upon lies is the same as slavery.

The Contradictory Meanings of Anaphora

There was a big dust-up following last weekends debate and then subsequently when Rubio was shown to repeat his own talking points again and again. Jonathan Chait had written at the time, Rubio Glitch Truthers Insist He’s a Poet, Not a Robot. That was following off John Podhoretz’s tweet above which introduced us all to the word “anaphora.” It is a fascinating word in that it means more or less the opposite thing depending upon whether you are using it in grammar or rhetoric.

Anaphora in Rhetoric

In rhetoric, Merriam-Webster defines it is “repetition of a word or expression at the beginning of successive phrases, clauses, sentences, or verses especially for rhetorical or poetic effect.” People have referenced Martin Luther King’s “I Have a Dream” speak and the opening of A Tale of Two Cities. I’m more fond of this little bit from Richard III, because when spoken, it is virtually impossible not to come down really hard on each of those Is:

I, that am not shaped for sportive tricks,
Nor made to court an amorous looking-glass;
I, that am rudely stamped, and want love’s majesty
To strut before a wanton ambling nymph;
I, that am curtailed of this fair proportion,
Cheated of feature by dissembling nature…

Of course, as Chait noted, this is not the kind of thing that Rubio did. The defenses of him sounded to me very much like the defenses of Sarah Palin’s claim that Paul Revere was ringing bells during his midnight ride. It is a sad fact of life that politicians generally can’t just be allowed to admit to a mistake and move on. I’ve noted before that it would be nice if Sanders could just say, “We need to work on our healthcare plan.” Or simply that everyone would understand that is a workable starting point. But no, he is supposed to just pretend that there is no problem.

Marco Rubio - AnaphoraBut Rubio’s mindless repetition is not anaphora in a rhetorical sense. It’s rather the opposite in that it doesn’t focus the theme in a structured way. It just repeats the same talking point. Anaphora is the use of repetition to layer. You aren’t using anaphora if you say, “I’m the best man for the job. I’m the best man for the job. I’m the best man for the job.” But you are if you say, “I’m the best man for the job because the modern world needs a modern leader. I’m the best man for the job because I bring new thinking. I’m the best man for the job because I’m not stuck in the past!” That would be anaphora.

Anaphora in Grammar

In grammer, anaphora is quite different, “use of a grammatical substitute (as a pronoun or a pro-verb) to refer to the denotation of a preceding word or group of words.” To give you an idea of this, consider the sentence, “I like it, and they like it.” That’s a repetitive and boring sentence. It would normally be written as, “I like it, as do they.” So in rhetoric, anaphora is the explicit use of repetition and in grammar it is the avoidance of it. Quite interesting, I think.

At this point, I would think that the Rubio campaign would prefer he use the grammar version of anaphora. If he’s been trying for rhetorical anaphora (and I don’t think he has), he’s been failing miserably.

GOP Debate: What Happens When Policy Is Gone

GOP Debate - Kids Mud FightingI hadn’t meant to watch last night’s GOP debate. But it was amazing. I couldn’t turn away. The thing was, it didn’t seem like a debate. It was more like kids throwing mud at each other. But I find this more interesting than the substantive debates that the Democrats have. Now that may be because I already know where the candidates stand on most issues. So I see the debates as being artificial. Republican debates are more like fist fights. And this one was the top of the them all.

But it got me wondering: why do Democrats talk about actual policy whereas we see no such thing at any GOP debate? Part of it surely is that Republicans don’t really have much to offer in terms of policy that they can talk about. If they get into the details of their economic policy, it will be clear that all they care about is giving tax cuts to the rich and allowing companies to send more jobs overseas even while polluting more here at home. They aren’t going to talk about that in a debate.

It’s even worse on foreign policy. Pretty much every Republican has this to say about the subject, “Obama has made us weak! I will make us strong!” But if you burrow down into what their actual policies are, they are the same things that Obama is doing. So what they are really saying is, “I will do exactly what Obama is doing, but I will really mean it!” Once you realize this, you can’t watch a GOP debate without finding it amusing — and horrifying. Kind of like watching Dead Alive.

Why the GOP Debate Was Contentless

There is a more fundamental issue at hand, though. The Republicans have moved about as far to the right as they possibly could. This is why it is interesting that people consider Donald Trump too far out. While it might be true that he is too far out, he is not too far to the right. He never would have caught on if he had gone in that direction because only the billionaire class is interested in that kind of a candidate. There is no doubt to me that Trump is by far the most reasonable candidate in the Republican primary.

So when you get these people together who really don’t disagree on anything they can really talk about publicly, they have nothing to do but sling mud at each other. And it was quite a scene. Mostly, it was just allegations about how the others weren’t the True Conservative™. It was, not surprisingly, like Monty Python:

This is a natural problem in a two party system when one party decides to move distinctly toward the other. And that’s what the Democratic Leadership Council was able to do to the Democratic Party. Now I’ve always thought that fundamentally, those people weren’t interested in the Democrats winning elections, but really just wanted a socially liberal Republican Party. But even if you grant that their real concern was making the Democrats competitive, they won the battles and lost the war.

To start with, winning elections means nothing if it goes along with the entire political environment moving in the opposite direction. And that’s what’s happened. It wasn’t Reagan that moved the entire country to the right; it was Bill Clinton. He was the one who managed to greatly constrain the Overton Window. And as a result of this, the Republicans had two options. They could have jumped over the Democrats and become a complete populist party (and this is more or less what Trump is doing). Or they could move way off to the right. And that’s what they’ve done.

It is funny that every four years, we hear what a “deep bench” the Republicans have. And then they all get out there and there isn’t a deep bench. It’s just a bench of a bunch of guys who all play the same position. There is nothing different about them other than that they have different styles. Last night at the GOP debate, we saw a free-for-all. There was nothing to discuss. There aren’t different conservative policy positions. There is just one and the only question is which one of the candidates will enforce it most rigidly.

Offensive Randy Newman

Randy NewmanWill pointed out that I hadn’t done a week of Randy Newman. And given that we was a very big part of my life at one time, I thought this would be a good thing. But I figured that I would constrain the choices by only doing offensive Randy Newman songs. Now don’t be smart! I know that leaves a lot of choices, but it certainly isn’t the case that most of his songs are offensive.

In fact, off his first album, Randy Newman, there isn’t a lot of offensive material. But there is a classic of Newman’s own brand of offensiveness: “Davy the Fat Boy.” It starts with the singer talking about how he’s been friends with Davy since they were very young. And Davy’s parents told the singer to take care of Davy after they go. So what does the singer do? He turns Davy into a carnival freak.

Randy Newman World

It’s really horrible. But it is typical of Randy Newman’s wit. The universe of his songs is not a pleasant one. People are cruel to each other. The best you can hope for in Newman’s world is a small amount of pity and the recognition that we are all damned.

Consider the song “Old Man” off his later album, Sail Away. It is a tender goodbye to an old man who is dying — I assume his father. But it is thoroughly mocking. Newman will not allow the old man any of the standard illusions that people use at that time. The only thing that makes the song not completely horrific is the understanding that the singer will face exactly the same thing soon enough.

“Davy the Fat Boy” works on a whole other level. Maybe it is the case that the singer is doing right by Davy. If there weren’t a good deal vagueness, it wouldn’t be a Randy Newman song.

On the other hand, if you want to get an idea of the sadness that underlies everything Newman did, you can listen to I Think It’s Going To Rain Today.

Anniversary Post: Mathew Brady’s James Polk Photo

James Polk by Mathew BradySupposedly, on this day in 1849, James Polk became the first sitting president to have his photograph taken. It’s that one over there on the left and it was taken by the 27 year old Mathew Brady. I’ll talk about it in a moment.

Polk was a very effective president. But he was also a slave owner and what I would call pragmatically pro-slavery. He seems to have been aware that the slavery advocates were just piling up sandbags to keep out the rising waters. It was all doomed to failure, but there was Polk filling the bags and stacking them.

I have this problem. When slavery was based upon losing wars, and being a slave meant bad luck, I can see people supporting it. But slavery in America is a different matter. I don’t care how far back you go, there really was never a time when it was acceptable to be in favor of it. But Polk was pro-slavery long after any apologetics can be applied.

Of course, I don’t think much different about the titans of industry today. These are all people who are in the business of dehumanization. When you get right down to, the basis of conservatism is that there isn’t such a thing as human dignity. Any dignity that humans have is contingent. In the past, it was based on birth. Now it is based upon wealth, which just so happens to be mostly based on birth. Clearly it is different from slavery, but it is a similar system of control.

Mathew Brady

Mathew BradyThat photograph was taken by Mathew Brady — an early American photographer. And Polk was not the first president he photographed. He had photographed both John Quincy Adams and Andrew Jackson sortly before their deaths. And boy oh boy did Jackson look bad! But James Polk was the first sitting president. Interestingly, just a few months later, Polk was dead too. If I had lived at that time, I would have been suspicious of the young Mr Brady.

Mathew Brady is very well known for his photographs of the Civil War. He spent $100,000 taking 10,000 photographs of the war. He had expected that the government would pay him for the photos. Perhaps if Lincoln had not been assassinated, they would have. But instead, he was left holding all that debt and all those pictures of an event no one was keen on remembering. Like many great artists who are celebrated long after it does them any good, he died in 1896 at the age of 73, penniless in a charity hospital.

Yay capitalism!

What Scalia’s Death Means for His Replacement

Antonin Scalia - Nazi OfficerJustice Antonin Scalia was found dead at a resort in Texas this morning. I assume it was a heart attack. He was 79 and he never looked particularly healthy to me. It’s obviously a personal tragedy for those who knew and loved him. I’m not one of them. To me, he was just a really powerful man who did great damage to our country. Not that he was always wrong, but his ideology affected his rulings in a more grand way than most recent judges. And the last several years he wasn’t making a lot of sense — on or off the bench.

My concern is his replacement. Because other than raising Scalia from the dead and nominating that zombie to the Supreme Court, I don’t see the Republican controlled Senate allowing Obama to appoint anyone at all. And you know Obama: he’s never been one to nominate liberals to the Court. As I’ve noted many times, the Court used to have 5 conservatives, 3 moderates, and 1 liberal. Now it has only 4 conservatives. The Republicans will try to stop any replacement, hoping that they control the White House starting next year.

Think about the history here. Obama got to replace two liberalish justices with two moderate ones. And even that was treated by the Republicans as though he were staging a violent coup. The idea that Obama will get to replace a conservative firebrand like Scalia will be seen as totally unacceptable. And so they will try to avoid doing anything at all.

Republican’s Dangerous Moment Regarding Scalia

But here’s the interesting thing: this is a very dangerous game for them. If they allow Obama to put another moderate on the bench, they might be lucky. If Clinton is the next president, she will almost certainly have a majority in the Senate. And if necessary, the Democrats will be able to abolish the filibuster altogether, and allow Clinton to put the first truly liberal judge on the bench since her husband was in office. Do they really want to take that chance?

Well, the answer is clear: yes. They will definitely take that chance, because the Republicans are the “all or nothing” party. I look back with great glee to when, after winning re-election, Obama told Boehner, “You should have taken the deal I offered you back then.” That was the deal where Boehner claimed to get 98% of what he wanted and still turned it down. But this does make it all the more important that the Democrats win the presidency this year.

Think about this: with another moderate on the bench, the Court could hear another case that would allow it to reverse Citizens United. We would back away from the coming reverse on Roe v Wade. Scalia’s death could hearken much better times for millions of people in the United States. On the other hand, what is the worse case scenario? The Republicans don’t allow Obama appoint a new judge, and we get someone just as bad as Scalia. So this is a very hopeful day for liberals and a terrible day for conservatives.

Social Security and the Elite Attacks on It

Elderly MenMichael Hiltzik brought my attention to something interesting, The Conservative Case Against Expanding Social Security? It Was Based on a Math Error. In December, the Congressional Budget Office (CBO) released a report that cheered conservatives. It stated that people on Social Security would end up making a lot more than was thought in retirement compared to the what they made at the end of their careers. Here’s Hiltzik, “To take just one example, the CBO reported in December that for the average retiree born in the 1940s, Social Security benefits would replace a healthy 60% of average late-career earnings. The new figure is only 43%.”

I probably didn’t notice the release of the original report because the Social Security argument that we get from conservatives is disingenuous. It doesn’t matter what the issue is, they will find a reason as to why it proves that we must cut benefits. Dean Baker and Mark Weisbrot wrote Social Security: The Phony Crisis over 16 years ago. But it could have been written today. The arguments they counter have not changed at all. So it is not at all surprising that conservatives took the fact that seniors would be “living it up” with a full 60% of their incomes while they were working.

The truth is that they might as well make the same argument using the 43% number. Hiltzik noted, “Personal finance experts generally say that it takes 70% of one’s working income to maintain a lifestyle in retirement.” And that tidbit comes from conservative Andrew Biggs, who was making the argument that 60% was excessively generous. So it really doesn’t matter: conservatives think what conservatives think; damn the facts!

But the really interesting thing is that Biggs wrote three articles on this subject recently. Two he has retracted because they were based on the CBO error. But one, he is not retracting because it didn’t use the CBO data. You see, Biggs has his own calculation that show that the CBO’s first estimate actually was the right one. That’s because there will literally never be any evidence that suggests that we are being stingy to our elderly population, because the conservative belief is that we shouldn’t do anything for seniors. They should just have really great investments like I’m sure Andrew Biggs has.

Social Security Attacks Get Worse As Need Increases

As the decades have passed, the conservative idea that people can plan for their own retirement has gotten worse and worse. And the reason for that is mostly because we’ve allowed businesses to do just what they want. So wages have stagnated. And benefits, in as much as people have them, have transferred from pensions to defined contribution plans, which have been a complete failure. Yet as workers’ other options erode, these conservatives want to destroy the fallback: Social Security.

Most people understand racism. When people are segregated, it is easy to vilify or discount “those people.” But it isn’t as well understood when it comes to economics. Those who write about economics are pretty far removed from the lives of the poor. We see this all the time with people like David Brooks who thinks that if the poor would just act more like the middle class their economic fortunes would improve. Sorry, but that ain’t the case and the only kind of people who make that case are people who start at the conclusion.

What’s more, the middle class is not doing very well in case this fact somehow slipped by. But it’s all part of the larger system: taking from the poor and giving to the rich. When people talk about means testing Social Security (as Biggs does), they don’t care about the money it would save the program, because it wouldn’t save much. They are just trying to head off an actually helpful solution like increasing the payroll tax cap. So again: the assault on Social Security benefits is, as always, just a fight to keep the taxes of the rich low.

Update (12 February 2016 8:14 am)

Dean Baker noted that this is not the first time that the CBO just happened to make mistakes that helped conservatives, Strike Three for the Congressional Budget Office? Social Security Retirement Income Projections.

Les Six as an Analog for 20th Century Classical

Les SixThe Émile Blanche painting on the left is of the group of composers known as Les Six. Well, sort of. You will note that there are more than six people in the picture. And one member of Les Six isn’t even there: Louis Durey. The main woman in the middle is the pianist Marcelle Meyer. Way in the back is the movie composer Jean Wiener. And that’s Jean Cocteau on the far right. An impressive group all by themselves.

The members of Les Six are, from bottom to top on the left: Germaine Tailleferre, Darius Milhaud, and Arthur Honegger. On the right, from bottom to top: Georges Auric and Francis Poulenc. And missing, as I said, is Louis Durey.

They didn’t represent a moment in music. Rather they were sort of arbitrarily thrown together as the next wave of French composers following Claude Debussy and Maurice Ravel. And it was just in time. By the time I discovered them in my late teens, I was so sick of Debussy and Ravel that I wanted to scream. I wanted something just as challenging but more concrete. Each of the Les Six composers provided that in their own distinct way.

In this article, I’ll go through them all. It’s sad that they aren’t played as much as they ought to be.

Francis Poulenc

Francis Poulenc with Wanda LandowskaOne of the two “young” members (the other was Georges Auric), Poulenc was a very insecure composer in his early days. As a result, he probably grew the most over his lifetime. It’s seen most in his operas, like Les mamelles de Tirésias (1945) — “The Breasts of Tiresias.”

As always, I would like to present the Sonata for Flute and Piano (1957), which he wrote for Jean-Pierre Rampal, and which the two performed for the first time together. There are a lot of versions of it — it is standard in the repertoire of any professional flutist. Check out Carol Wincenc’s excellent version of it. (And it’s been on YouTube since 2012, so it’s unlikely to be taken down.)

Instead, we are going to listen to some extracts from a ballet that Poulenc wrote in 1923, Les Biches (“The Darlings”). Francis Poulenc was a protégé of Erik Satie. And you can really hear it in Poulenc’s early work. But by Les Biches, the influences are quite a bit more diverse. And this is a wonderful example of his range.

Germaine Tailleferre

Germaine TailleferreGermaine Tailleferre was the only female member of Les Six. It’s actually kind of amazing that there was even one woman in the group. Classical music has been just as sexist as any other field of human endeavor. There have been great female composers, of course. For example, there was Barbara Strozzi. But they’ve generally been pushed to the side because men were the tastemakers.

And don’t fool yourself. Antonio Salieri was one of the great Classical period composers. But he was basically never performed until the movie Amadeus. Similarly, Antonio Vivaldi was all but forgotten until Fritz Kreisler’s fraud. Both those composers were hugely popular in their own time. Who is considered worthy of our attention is almost completely a question of fashion. And that’s even more true when you throw sexism into the mix.

Germaine Tailleferre is technically brilliant. Of Les Six, she is the one who most expands upon Ravel, even while rebelling against his brilliant excesses. It’s always interesting to listen to classical composers as they age. In the teens, her work sounded very much like Ravel. She later became friends with him, even as her own work became more distinct. And her work continued to evolve throughout her long life.

Concertino for Flute, Piano and String Orchestra

I’m going to feature something she wrote at the age of 60, Concertino for Flute, Piano and String Orchestra. This is just the fourth movement of the piece. One constant problem with Les Six composers is that they are not recorded as much as I think they deserve. And that means there isn’t as much of their work around on YouTube. Regardless, I would normally present something from the 1920s, which is considered her most important period. But that music is also a bit more difficult. And this piece is so charming that I feel certain you will enjoy it.

Georges Auric

Georges AuricI have previously stated that Georges Auric was the “least interesting” of Les Six. But that’s not really fair. The big problem with him is that he wrote a great deal of movie music, and that is never the best format in which to show off one’s talent. That’s not to say that it doesn’t take talent, but just that the music is subordinate — although not always as in his score for Jean Cocteau’s La Belle et la Bête.

There isn’t a lot written about Georges Auric. He was a member of Les Six, wrote a lot of film scores, and was a political radical. But you can hear in his music a distinct attack on the Impressionists. With the other members, I feel they are building on it. But Auric seems to be saying, “Enough of this polite music!” And what he ends up with is a fascinatingly eclectic style. There are romantic elements in it.

Ouverture, per Orchestra

In the following piece, Ouverture, per Orchestra (1932), he even throws in some explicit chromaticism. Yet it is all part of a soup and just when you think you know what he’s doing, he veers off in a surprising (and to me, delightful) direction.

In this piece, you can see why Georges Auric would be a natural as a film composer. He has so many tools available to him. And he is fearless. Of course, this piece was written just about the time that he became focused on film. But before that, he wrote quite a lot for the theater and ballet.

Auric does show just what an arbitrary group Les Six was. On a technical level, they aren’t much alike. They weren’t generally friends. But there is something about all their work that seems to bind them together. It’s just hard to nail down.

Arthur Honegger

Arthur HoneggerAll the Les Six composers had some association with film and theater. This is because of their association with Jean Cocteau. But it’s also true that if you were an avant-garde composer in the late teens and early 20s, you couldn’t have but been influenced by film.

And in the case of Georges Auric, it more or less defined his entire career. Now, I want to present some music by another big film composer in Les Six, Arthur Honegger.

Of all Les Six, Arthur Honegger is probably the most difficult to listen to. His music is deeply layered, which can sound lush and very much like Debussy. But he’s also quite fond of dissonance, which can show up at the most unsettling of times.

In addition, in his vocal work, he tends to write very sparse instrumentation, which sounds to my ear, very not Les Six.

Pacific 231

But let’s listen to his most famous work: Pacific 231. According to him, the idea was to create a piece of music that got more and more momentum as its pace slowed. He wrote this five years before Ravel’s Boléro, and it is a far more interesting idea. Not surprisingly, Arthur Honegger named it after a train. It’s also the case that he was apparently a train fancier.

In 1949 (over 25 years after Pacific 231 was written), the film theorist Jean Mitry created a film to go along with it. It isn’t a narrative. But it reminds me of Sergei Eisenstein in its being so visually striking. It almost seems like the music was created for the film. But that isn’t the case, obviously. And I present it here mostly for the music. But the film is quite interesting as well.

Darius Milhaud

Darius MilhaudOf all Les Six, Darius Milhaud is probably the most charming. And you know that is a word I use a lot to describe the group. He integrated traditional melodies into his work. And although most jokes that composers put into their works are subtle, Milhaud is kind of like the Charlie Chaplin of composers.

In addition to everything else, Darius Milhaud composed at a furious pace. I’ve only heard a small fraction of his work. But I quite enjoy it all. His speed was not an indication of a lack of quality. You will see this if you check out a selection of his work. I really encourage you to do so. Unlike most modern composers, his work is lyrical and fun.

He was also a major music teacher during the last century. In 1940, he and his family were forced to flee France because he was nominally Jewish. He ended up at Mills College, which is just down the road from me. (I’ve even performed there!) Leave it to a French man to end up at a woman’s college! But the school did accept men in its graduate program, which is where he taught such luminaries as Dave Brubeck, Philip Glass, and Burt Bacharach. Apparently, Darius Milhaud once told Bacharach, “Don’t be afraid of writing something people can remember and whistle. Don’t ever feel discomfited by a melody.”

Suite for Clarinet, Violin and Piano

So we listen to one of my very favorite pieces of music: his Suite for Clarinet, Violin and Piano (1936). It combines Darius Milhaud’s usual complex, but fundamentally tonal, harmony and singable melodies. And it is almost certainly the reason that I bought a clarinet (even though it is the most evil instrument ever invented).

The format of the piano, violin, and clarinet trio is really a twentieth-century invention. It’s a curious combination and so I’m not surprised that it didn’t become a thing earlier. But it works remarkably well. And it really took off in the 20th century — to such an extent that there are a number of established trios. Now you might think that this would be a problem, given that most of the repertoire consists of very recent pieces. But this is probably seen as an advantage. In my experience, performers don’t much like playing the old stuff. They usually most like playing music that the typical symphony season ticket holder can’t really “hear.”

The quote from Bacharach above is definitely true here.

Louis Durey

Louis DureyLouis Durey is the least know member of Les Six. That’s no accident. He doesn’t seem to have wanted to be part of it. He was friends with Francis Poulenc. But even in the famous Jacques-Émile Blanche painting of the group, he is absent.

He not only participated in the 1920 Les Six collaboration, he came up with the idea! But then he refused to be part of the 1921 collaboration. Around that time, he left Paris and didn’t return for decades to come.

He’s a very interesting composer. He’s the only one of them who had clearly been influenced by Arnold Schoenberg. But the thing about 12-tone composition is that it really can be just about anything the composer wants it to be. I have heard 12 tone pieces that sounded more or less tonal and others that sounded like noise. Unfortunately, I have never heard any of Louis Durey’s 12-tone work. (If you think the other Les Six composers aren’t recorded enough, Durey’s neglect will make you cry.) But in his later work, I think I can hear some of that influence.

Louis Durey was self-taught. He didn’t even decide to pursue music until he was almost 20. But that may explain why, even though he was the oldest of Les Six, his is the most avant-garde. At the same time, great care is taken in his music. And it is very often quite lyrical. That’s definitely the case with Sonatine for Flute and Piano, but I can’t find an acceptable recording of it. So instead, I’m going to share with you something reasonably similar, Trio per Oboe Clarinetto e Fagotto.

Les Six as a Group

I could bring it all together and present L’Album des Six. Unfortunately, it seems no one ever thought it worth recording. It’s all piano works, anyway; and I like a little variety. So I’ve put together a little YouTube playlist of particularly wonderful pieces.

Poulenc

We started with Francis Poulenc and listened to some music from his ballet, Les Biches. Poulenc was my first introduction to Les Six. So it seemed as good a place to start as any. Here, we listen to his Sonata for Oboe and Piano.

Tailleferre

Next, we listened to Germaine Tailleferre. She was the only woman of the group, and technically perhaps the greatest. We listened to a lovely piece from late in her career, Concertino for Flute, Piano and String Orchestra. But she is especially known for her work for the harp. I didn’t bother with it, because I’m not that fond of the harp. But here, we have her 1957 Sonata for Harp. It’s great.

Auric

Georges Auric was a very eclectic composer, and above we listened to Ouverture, per Orchestra where he shows that off — sometimes phrase by phrase! But let’s go way out and listen to a song that was made famous in the John Huston classic, Moulin Rouge. The original name of the song is “Le Long de la Seine.” Don’t you at least want to check and see what song it is?

Honegger

Our other film composer is Arthur Honegger. We listened to his Pacific 231. I said that his work was probably the most difficult of Les Six composers. But then again, it might just be me. Here, we listen to Pastorale d’été, and it is hard to call it “difficult.”

Milhaud

Darius Milhaud is sadly under-performed. At this point, he is probably my favorite of Les Six. But it’s hard to say because I like them all so much. We listened to his Suite for Clarinet, Violin and Piano. Can you stand any more clarinet? His Scaramouche for Clarinet and Piano is irresistible.

Durey

Durey lived into his 90s, but I feel sorry for him. He had something of a difficult life financially. In the 1950s, he was so desperate for cash that he became a music critic. And by his death, he was all but forgotten. But that makes him no less great. Above, we listened to Trio per Oboe Clarinetto e Fagotto. Now we listen to another wonderful piece, Tres Anime.

Les Six

I think this is a great introduction to 20th-century music. Because after you get to Stravinsky, the whole idea of periods begins to break apart. The 20th century was an amazingly eclectic period. Now it is possible to find an audience for whatever you want to do — assuming you have some talent and much luck. So the fact that six quite different composers were tossed together as a single thing makes them a good way to think about classical music from that period onward.

Anniversary Post: La Citoyenne and Hubertine Auclert

Hubertine AuclertOn this day in 1881, the first issue of La Citoyenne was published. It was a bi-monthly feminist newspaper published by Hubertine Auclert. It ran for ten years until Auclert couldn’t afford to publish it anymore. The struggle for women’s rights has been a long one in France. The first signs of it appeared during the French Revolution. But Rousseau so dominated the thinking of that time that no one took it seriously.

Let me make a quick diversion. Conservatives so often say things to me like, “Of Course it was wrong to X, but that’s all solved now and there is no need to do Y.” This annoys me. I’m kinda sorta okay with conservatives being awful. But I’m not okay with them claiming ownership of things in the past that they would have been totally against! Every conservative I ever talk to thinks it’s obvious that women should be able to manage their own finances and stand for election or vote. They just don’t see any of the problems today. They see the demands today as unreasonable. Just like the conservatives of 1881 found these now “obvious” rights unreasonable.

Hubertine Auclert

Hubertine Auclert was a major figure in French struggle for women’s equality. And part of that was moving to Algeria in 1888. What is it about Algeria and feminism? I wrote about Isabelle Eberhardt before. But it seems to come down to what Hubertine Auclert noticed when she was there: that the way the French authorities treated the Algerians was the same way that they treated women back in France.

Of course, it wasn’t just that. It was also the case that the French government colluded with Arab males to suppress the education of women, and generally push a conservative approach to Islam. It’s interesting how common this kind of thing is and how those who supported regressive beliefs are just shocked when it ends up harming themselves.

Of course, Hubertine Auclert did not live to see French women get the right to vote. She would have had to live into her late 90s for that. Women didn’t get the right to vote in France until 1944. And this is especially embarrassing, it was under the Provisional Government of the French Republic. You know: the temporary one they set up after the Allies pushed the Germans out?! Pathetic. But Auclert did live long enough to see married women get the rights to their own paychecks. So there’s that.

After La Citoyenne, it was quickly replaced by Le Journal des femmes. And then in 1897, La Fronde was started — the first French feminist daily, written and edited entirely by women.

Why So Many Conservative Game Show Hosts?

Alex Trebek

I was talking to Will the other day, and he mentioned that Jeopardy! host Alex Trebek was a conservative. I didn’t know that, but it didn’t surprise me.

I’ve noticed a few things about him. One is that he seems to have no sense of the humiliation that players feel when they aren’t doing well. He clearly and (as the supposed neutral host) unfairly shows an eagerness to see the current champion win. And most of all, his sexism shines through. That’s particularly telling, because you would think that for the good of the show, more female winners would be good.

Lots of Conservative Game Show Hosts

I’ve noticed in the past that there really are a lot of conservative game show hosts, in as much as we can tell. The most obvious example is Pat Sajak, who is a far-right climate change denier.

I’ve often wondered why this is, so I went looking and came upon a reprint of an article written by Rebecca Dana back in 2010, Why Game-Show Hosts Vote Republican. It, unfortunately, doesn’t provide a lot of answers as to why there are so many conservative game show hosts. It’s probably because it is an obscure issue and there aren’t a bunch of experts on game shows, much less the political leanings of their hosts.

What the Expert Says

But she does discuss the matter with game show expert, Olaf Hoerschelmann. He provided two quotes that are worth thinking about:

  1. “To have the right sensibility to be a game-show host, you do have to have a belief in rugged individualism — either you make it or you’re not worth it.”
  2. “Generally the ideology of acquiring money and achieving fortune through luck goes along pretty well with a certain basic capitalist attitude.”

I think there is a lot to the first quote. In a world where nothing is clear — where it is all shades of grey — it probably is very attractive to conservatives to have something like a game where there is a clear winner.

I, of course, hate this kind of thing. Even at my most fanatical as a chess player, it was never about winning — it was about the process, the creativity, and personal betterment. But for most chess players, winning is all that matters, which is why I didn’t really continue on in the game after I had reached a level where I thought I really understood it.

Unfairness on Jeopardy!

Chuck Wollery

Hoerschelmann’s second quote is much more interesting. That’s the thing about most game shows: the prizes are not at all fairly distributed. If the top player on Jeopardy! ends with a score of $15,000 and the next player ends with $14,999, that second player goes home with the standard second place prize: $2,000.

Now, you could say that the winner is playing by the rules and would have bet more if the spoils were more evenly shared. Exactly! And if that were the case, Jeopardy! would be a more interesting game. Instead, “Final Jeopardy” is as likely as not to be non-competitive and boring.

We might ask why the game is set up that way. And maybe it is as simple as the fact that it was created by Merv Griffin — another conservative.

My Ideas on Conservative Game Show Hosts

But I have another idea why there tend to be a lot of conservative game show hosts. It isn’t a job that takes much talent. That means, it is more likely to go to someone who is good at working the system — schmoozing with the executives.

I have been watching Chuck Woolery since I was ten years old — over 40 years! And I see absolutely nothing that distinguishes him from just about every other game show host.

We can also just deconstruct it. Game show hosts are generally male and rich. Both of those select for conservatism. That doesn’t apply to actors, because that’s an actual creative activity that draws in liberal minded people.

But men who are paid a lot of money to do things that aren’t hard: nine out of ten times, that man is going to be a conservative. And that means a lot of conservative game show hosts.


Alex Trebek image cropped from one by Nestor Cruz (US Air Force) – Page #123047485 Image #070331-F-3458C-100, Public Domain, via Wikipedia. Chuck Wollery by Beao under CC BY 2.0.