Michelangelo and Male Beauty

MichelangeloLast year, I focused on Elizabeth Barrett Browning, so I’ll be moving on. That’s kind of odd, because I’m not a huge fan of hers, although I do admire her work. But I am a big fan of Michelangelo who was born on this day in 1475. Last year, I wrote of him, “I still remember when I saw David for the first time in Florence. Up to that time, I had no idea that art could be that powerful.” Of course, I had seen pictures of it before. But as with most great art, representations of it are not the same. And for one thing, it is big—17 feet tall. It’s also quite clear where his sexual interests lay: with men. It is the ultimate representation of male beauty.

In fact, when he was 57, Michelangelo met Tommaso dei Cavalieri, who was 23 at the time. He wrote many explicit poems to the younger man and the two of them were friends until Michelangelo’s death 31 years later. Did they have a sexual relationship? We don’t know. Does it matter? Well, it has to a lot of people since then who have found it embarrassing. To me, it doesn’t matter in the least, except that I hope the great old man got a little in his golden years. But for those who hate the idea of homosexuality, it seems silly to care. I don’t care if artists I admire lived exemplary lives. It’s nice, of course. I prefer that “my” artists are decent people. But there is no indication that Michelangelo was anything but a nice guy. And even if Cavalieri wasn’t sexually interested, it still must have been flattering to be so admired by the great artist.

Michelangelo's David

Happy birthday Michelangelo!

Free the Gnomes!

Protest Gnome - Stop Oppressive GardeningI’ve been reading Terry Eagleton’s newest book, the wonderfully funny and perceptive, Across the Pond. I’m sure I’ll write about it later. But I wanted to discuss something I learned in it. “Some years ago, there flourished briefly in Britain a Gnomes Liberation Movement, whose project was to abduct ornamental gnomes from people’s gardens and return them to their owners on the payment of a ransom of candy.” That sounded just too charming. It sounds like Halloween, but better. I had to find out more.

Alas, I think that Eagleton is mistaken. I have not found anything so whimsical as gnome for candy hostage taking. But there really is a gnome liberation movement. It started in France in the late 1990s as Le Front pour la Libération des Nains de Jardin. This literally means “Front for the Liberation of Garden Gnomes,” but is generally referred to as the Garden Gnome Liberation Front (GGLF). In one year, they were responsible for 150 gnome rescues. Of course, the “gnome slave industry”-controlled media refer to it as “theft.”

This was followed in 1998 but the Briey mass suicide. One morning, the people of that city woke to find 11 gnomes hanging by their necks off a bridge. Close by was note that read, “When you read these few words we will no longer be part of your selfish world, where we serve merely as pretty decoration.” Many people believe this was not actually a mass suicide, but a staged protest by the GGLF.

Then, in 2000, the GGLF was back. France had its first ever garden gnome exhibition in March of that year in a suburb of Paris. As CNN reported at the time, it was “a hit with the public as chic Parisians develop a taste for kitsch culture.” That’s right: “kitsch culture.” The servitude of gnomes meant nothing to these people!

Gnome Slave MarketGnome Slave Market

The movement expanded to Italy where it took the name Movimento Autonomo per la Liberazione delle Anime da Giardino (Independent Movement for the Liberation of Garden Souls) or MALAG. This arm of the GGLF started a Gnome sanctuary in Barga. They wrote, “These intrepid gnomes have found a green wooded valley, far away from all the problems and pollution of modern life and have started to rebuild their lives with their new found freedom.” The group also released a number of photos of abused gnomes in captivity. (Note: these photos may not be suitable for children or other sensitive people.)

And then, in 2008, a “53-year-old Gnome russler” was arrested in Brittany, France for helping 170 Gnomes escape their captors. Of course, the authorities called it “theft.” This seems to have been the end of the civil disobedience actions of the GGLF. Since then, all of the gnome liberation forces have combined under Free the Gnomes who lobby for gnome freedom. For example, when a gnome is found in captivity, activists will send a letter:

Gnome Slave Owner,

We deplore your treatment of gentle woodland creatures, and your total disregard for the basic principles of liberty.

Your moral bankruptcy is evidenced by your acts of wanton recklessness and the deliberate use of coercive force and terror tactics against gentle and innocent creatures.

It has come to our attention that a Gnome is being held captive in your garden. We do not, as a rule, negotiate with terrorists, however, we request that he be released immediately. Already your actions have prompted copycat offenses, which we have witnessed, including the deplorable use of a Gnome as a hood ornament.

We understand that you probably were not responsible for the innocent Gnome’s original capture but rather purchased him from a Gnome slave trafficker like a garden center or craft show. Please understand that we are not holding you responsible for the state of Gnome slavery in America.

We are, however, asking you to put an end to your involvement. Do the responsible thing; free your Gnome today.

I take it as a given that none of my readers hold gnomes captive. But if you know anyone who does, your path should be clear. Stop oppressive gardening. Free the Gnomes!

Same Sex Marriage Becoming Non-Issue

Same Sex Marriage - Homer - SimpsonsEd Kilgore wrote an interesting article this morning, Self-Isolation of White Evangelicals on LGBT Issues. It is based upon the WaPo/ABC poll about attitudes toward same sex marriage. As you may have heard, 59% of Americans believe that same sex couples should be allowed to marry. This is not much less than double the 34% who don’t.

I used to think there is a natural evolution on the issue: an increasing number of people just don’t care. I thought that anyone who honestly considered the issue outside political hysteria would quickly come to the conclusion that other people’s marriages really have no effect on their lives. But it is hard to come to that conclusion now because the number of people who think gay couples ought to be able to adopt children is actually higher, with 61% support. Those against are the same: 34%. The only conclusion I can come up with is that people now know enough gay people that they realize that they are just like everyone else.

But what about that 34% of the nation who still think that gays and lesbians are some kind of social disease? It would be easy to assume that they are just the religious troglodytes. This is true and not true. And because I still largely think of myself as culturally Catholic, I was very pleased to see that Catholics are even more evolved on the issue of same sex marriage than Americans generally. White (that is, most) Catholics support same sex marriage by 70%-26%. The people who really don’t support marriage equality are white evangelicals, who opposite it by 28%-66%.

Obviously, this is a huge problem for the Republican Party. Just look at this trend:

Same Sex Marriage Support Trend

Normally, a political party would have reversed course on an issue like this. But normally, an issue wouldn’t be so concentrated. It seems that overwhelmingly, it is the Republican base that is committed to opposition to same sex marriage. This stops the Republican Party from moderating on this issue. This is hardly surprising, of course. The Todd Akins of the party didn’t come out of a vacuum.

What’s more interesting is what this says about the future of the Democratic Party. As I’ve discussed a lot around here, increasingly the Democratic Party is only liberal in terms of social issues. And same sex marriage has been the number one signaling issue the Democrats have that allows them to say, “We are the liberal party!” But let’s say that reproductive and same sex rights went away tomorrow. What would the Democratic brand be? Sadly, it would be: 4.6%. That’s the difference between the top marginal tax rate the Republicans want (35%) and the Democrats want (39.6%). In other words, the Democratic brand is, “We’re not quite as bad on economic issues as the Republicans.”

As a result of this, I’m glad that the same sex marriage issue is going away. It will put more pressure on the Democratic Party to think about economic issues from a liberal perspective. But I’m not fooled. We have long, long, long way to go.

Lynn Margulis and the Gaia Hypothesis

Lynn MargulisThe great biologist Lynn Margulis was born on this day in 1938. She did a whole bunch of stuff that I have to admit makes no sense to me. I’ve finally gotten to the point where I understand basic human biology. I know what a liver is and I know more or less what it does. That’s a big step up for me. But Margulis did work on a really basic level. For example, Wikipedia says that, “She showed that animals, plants, and fungi all originated from Protists.” What are Protists? They are a group of cells that have a nucleus and a membrane. What does that mean? I really don’t know. I kind of thought that all cells had nuclei and membranes. I though that was what made a cell a cell as opposed to a bunch of carbon molecules. But apparently what she did was very important. I suspect that if she had been a man, she would have been awarded a Nobel Prize. Just saying.

I know Margulis because of her work on the Gaia hypothesis. This is the idea that the earth itself acts as an organism. It was originally an idea of James Lovelock, which to him meant that the earth creates its own climate. There is certainly something to this. At one time, the atmosphere was mostly carbon-dioxide. As a result, plant life developed that could metabolize it and turn it into oxygen. Now we have animals that metabolize oxygen and so we have a cycle that has climatic consequences.

A misunderstanding of the Gaia hypothesis, that Lovelock in particular fell into, was thinking that because of the homeostasis of the earth’s system, that the climate couldn’t be upset. This is very clearly not the case. Just think of a human body. It is possible for it to get sick. It is possible for it to get a fever that causes brain damage or death. Just because a system does have stabilizing mechanisms, doesn’t mean that those don’t have a breaking point—especially when some external actor is pushing it in very unnatural ways.

I don’t actually know what work Margulis did regarding the Gaia hypothesis. But I suspect, that if I did, I wouldn’t understand it either.

Happy birthday Lynn Margulis!

Dancing Jesus and 666 Followers

Nice Atheist GirlAndrea’s alter-ego, Nice Atheist Girl, hasn’t been around much recently. I guess she’s been suffering from existential angst—a common problem for atheists, nice or not. And she recently watched Die Wand. As I wrote yesterday, that’s enough to depress anyone. But she came back with gusto today, posting a new atheist-themed image, Psychotic Love, on her website and tweeting out a couple of things.

But when I went over to her Twitter account, I noticed she had reached a milestone: Nice Atheist Girl has 666 followers. I figured I should note the occasion:

Nice Atheist Girl - Twitter 666

Of course, as any reasonable person knows, 666 is not the number of the Beast. It appears the actual number if 616. But regardless, just because a number is associated with “the Beast” doesn’t mean that anything with that number is “the Beast.” For example: my name is Frank but not all people named Frank are me. It’s called logic and I realize that many Christians are against it. For example: the silly high school student who refused to run in a race because she was given the number “666.”

Speaking of religious silliness, but this time intentional, Andrea brought my attention to a fun little book, Dancing with Jesus: Featuring a Host of Miraculous Moves.

Dancing Jesus

Don’t be cursed with two left feet!

Update 5 March 2014 7:24 pm

I forgot my joke about the dancing Jesus above: he clearly has no soul!

Stan Lee Sucks: the Jack Kirby Story

Jack KirbyThis is not a review, but I do want to talk about the documentary With Great Power: The Stan Lee Story. It is, of course, about Stan Lee, the “great man” behind Marvel Comics. It isn’t a review because I wasn’t even able to finish watching the film. This isn’t because it is a bad documentary. I thought the filmmakers did a decent job of telling the story. The problem is that I can’t stand the glorification of Stan Lee. I recognize that he’s a good businessman with a knack for marketing. But he isn’t much of a creative person, and the things Marvel is known for are really due to Jack Kirby, not Stan Lee.

Interestingly, With Great Power does deal with the Jack Kirby issue. And even though the film is a total whitewash, if you are paying attention, you can tell Kirby was screwed by Lee. The basic story is that Stan Lee and Jack Kirby created the most famous of the Marvel franchises: The Fantastic Four, The Incredible Hulk, and The X-Men. Plus many others. But it is very clear that Kirby was the primary creative force. And in 1970, because of unhappiness with his contract, Kirby quit.

The X-MenAt that time, Kirby was still just a freelance artist for Marvel, making $35,000 per year. Now that was a good amount of money, but not when you consider what he had done for the company. At that time, Marvel was publishing 60 million issues of its various titles every year. And Kirby got absolutely nothing for having created so many of the Marvel titles. At that time, comic book artists were treated very much like baseball players before they unionized. Stan Lee, of course, wants to portray Kirby’s leaving as just a matter of his ego and that he wasn’t getting the attention that even Lee (now, 20 years after Kirby’s death) admits he deserves. He notes how happy he was when Kirby came back to Marvel in 1976 as though all was forgiven. That was not what happened.

Kirby only stayed with Marvel for three more years. And when he left, it was for the same reason. Marvel still treated him like a hired gun. They had a final falling out over the fact that Marvel would not make him a regular employee. Kirby wanted health insurance and other employee benefits but Marvel would not provide it. For the rest of his life, Kirby battled with Marvel over rights. And it is largely due to Kirby that comic book artists got the rightful benefits of their work.[1]

The AvengersThe issue isn’t just that Kirby created all these comic book characters. Jack Kirby revolutionized comic book art. He added unheard of dynamicism to the art form. Part of that was his use of extreme perspective. A typical example of this is where a character will be drawn running with a fist out in front and a leg way in back, almost in a crouching position. Before Kirby, you just didn’t see this kind of thing and after Kirby you saw little else.

Of course, in the film, it made out as though Stan Lee created that. Younger artists talk about how Lee would make these exaggerated poses in explaining what he wanted to see. Well, that was just Lee showing them how to draw like Kirby. But Stan Lee would rather hop around the office than just tell them to do what Kirby had been doing.

I don’t begrudge Stan Lee his hundreds of millions of dollars. But I have a big problem with people making Stan Lee out to be some creative genius when he isn’t. Now lots of movie stars have decided that Stan Lee is “it” because he “created” the comics all these films are based upon. All Stan Lee did was make a lot of money and live a long time. And that should be reward enough. As for the films, they are pretty much without exception pathetic. In 2007, The New York Times wrote, “Even at rest, a Kirby character pulsed with tension and energy in a way that makes movie versions of the same characters seem static by comparison.” That’s still true. The art of comic books is the art. And even if Stan Lee did everything he claims (which he didn’t), his contributions would be minor.

KamandiWhere is Jack Kirby’s biography? Where is Jack Kirby’s documentary? His is a far more interesting story. But Jack Kirby was just a great creative artist and writer. He never had a PR film to push his own myth. And that’s all that With Great Power: The Stan Lee Story is: a myth.

Afterword

When I was a kid, the only current comic book I enjoyed was Kamandi: The Last Boy on Earth. It was a post-apocalyptic narrative that was created, drawn, and written by Kirby for DC Comics. Kirby continued to do interesting work throughout his life. The later stuff is much more interesting—much less old fashioned super hero stuff. Lee has never gotten past that stuff, but then Lee’s greatest talent is no doubt least common denominator “art.”


[1] It’s interesting that conservatives always claim that the market works out everything fairly. But the truth is that the people who are actually responsible for creative work are generally treated like garbage by the business community. And it is only someone of the stature of Jack Kirby who can even begin to push back against that. This is why we need unions and this is why conservatives hate unions.

Jon Stewart Hammers Jim DeMint

Jim DeMint: Evil Not StupidI don’t know why Jon Stewart gives Jim DeMint a platform to spout his nonsense. But I have to admit, on last night’s The Daily Show, Stewart did an excellent job of countering DeMint. What DeMint is peddling is exactly what Paul Ryan is selling this week, “The War on Poverty is a failure; welfare is trapping the poor in poverty!” It is all a load of crap.

The thing about DeMint, like pretty much the entire conservative movement, is that he is totally disingenuous. He talks about how of course he wants to take care of the poor. It’s just that he doesn’t want to do it with the big bad federal government. He wants it at the state and local level. But that’s just tactical. He knows that it is much harder to tax at the state level. So by pushing programs out of the federal government, they will immediately be cut and eventually starved of funding.

The problem that conservatives have is that the policies they favor are hugely unpopular. This is why increasingly, we hear conservatives talking about how unfair democracy is and how only people who pay federal income taxes—the only truly progressive tax in the nation—should be allowed to vote. For someone like DeMint, it must be really frustrating. Instead of being able to honestly push for the policies he wants, he has to constantly hide it.

I have to admit, I tend to mischaracterize conservatives. It’s true that they pretty much have no ideas. Everything they push is a recycled idea from long ago. But that doesn’t mean they aren’t working hard. Whereas liberals work on new ideas, conservatives work on new ways to make their bad old ideas sound reasonable. So let me just say it in the hope that I will remember it: Jim DeMint isn’t stupid, he just uses all his brain power for evil.

This is what we see in the first “Internet Exclusive” segment. It contains everything that I’ve been talking about. But notice how DeMint constantly finesses what he’s saying. He means cutting programs for the poor but he says creating opportunity. And he totally characterizes the left. He says there are people who want everything done at the federal level. That’s not true. But that is his way of making the “let’s go local” argument sound reasonable. It is painfully clear that he simply doesn’t want to spend money on the poor. He says repeated that “we” can all agree that a safety net is important. But he’s lying. He doesn’t think that at all. He wants to force people to beg at church doors. Watch:

It is nice to see Jon Stewart so well prepared for an interview. And given that Jim DeMint is treated by the mainstream media like he is something other than an ideologue who wants to destroy the government, it is best that people see him interviewed by someone who counters him. The sad thing is that if DeMint went on CNN, he never would have been countered on his statements. A good example of this was where DeMint came out with one of our most annoying myths, “We have the best healthcare system in the world.” Stewart just gave him a look and the audience burst out laughing. I’m sure it’s true that if you are Jim DeMint, “we” have the best healthcare system in the world; otherwise, it isn’t even close. But conservatives feel comfortable spouting this kind of nonsense, because they are almost never countered on it. It’s sad that one of the few places they are countered is on a comedy show.

Die Wand or The Wall

Die Wand - The WallImagine a film that combines My Side of the Mountain and Kierkegaard’s The Sickness Unto Death. Sound like fun? Then you should see Die Wand, Julian Polsler’s faithful 2012 cinematic adaptation of Marlen Haushofer’s book of the same name. Perhaps in the past, you’ve thought, “I like Wim Wenders’ films, but they don’t have enough explicit philosophical dialog!” In that case, Die Wand is the film for you!

In English, “Die Wand” means “The Wall,” and that is the name that it has been released under here in the United States, despite the obvious problem that it might be mistaken for Alan Parker’s film Pink Floyd—The Wall. It tells the story of an unnamed woman who goes to a hunting lodge with some friends. The friends go to town and don’t return. She soon finds that an invisible wall has appeared that prevents her from going to town. This is not such a bad thing, however, because it appears that everyone outside the wall has died.

Thus we follow the woman (that is literally her name: die frau) for the next two years as she comes to terms with and deals with her situation. She is caught inside with a pregnant cow, a cat, and a dog who she doesn’t like all that much at first. We watch her plant potatoes, cut hay for the cow, hunt deer, and much else. But mostly, we hear (in voice-over) her discuss the nature of existence. At one point early on, she says, “Perhaps it would have been wiser to go to the village with Hugo and Louise.” What she means is that if she had gone with her friends, she would be dead and would not have to make the many decisions she is now forced to make—like whether to kill herself or not.

There are many ways to interpret this film. I suspect the simplest is the best: it is an allegory of life. It is not that everyone outside the wall is dead, it is just that she cannot connect with them. As a result of this, she becomes as dependent upon her dog as he is on her. Dogs, because they are, in the grand scheme of things, stupid, love us on a level that we can never get from humans. And it works the other way around. Human relationships are too complicated because humans are too complicated. There is nothing complicated about a dog.

Despite what I’ve said, the film is engaging from beginning to end. I don’t think that the incessant voice-over was really necessary. I think the existential themes in the film come across loud and clear. That’s largely due to an exceptional performance by Martina Gedeck, who is the whole film. And most of what she gets to do is walk around and stare out of windows. Yet it never seems staged and never gets boring. From the beginning, the viewer cares about the woman.

Die Wand is also exceptionally beautiful. Each shot is framed with great care. And the film is edited very deliberately with relatively long shots. It is designed to be soaked in—to be enjoyed as a process. That said, I suspect most people won’t like the film. They want a film that is going somewhere. Die Wand is not going anywhere. It ends pretty much where it starts: she will continue on until she doesn’t. Just like all of us.

Afterword

There is one strange technical thing in the film that is worth noting. It is in German with subtitles whenever anyone speaks—which is almost never. The voice-over, which seems to have been done by the same actor, is in English. I’m glad for this. I’m not a fan of subtitles. But it is odd, and I wonder that they didn’t just dub the little dialog that was in the film. It would have been easy with modern technology. (Yes Virginia, dubbing really can be done well.)

American Well-Being

Gallup-Healthways Well-Being Index

Every year since 2008, Gallup and Healthways have put out the State of American Well-Being where they ranked each of the state by how well they are doing based upon “55 unique measures of well-being that went far beyond physical wellness and traditional health risk factors.” They interviewed over 178,000 people. The minimum number of respondents for any given state was 462 and the maximum was a bit more than 17,000. I assume those are something like Wyoming and California respectively.

What we see in the map above are the states put into quintiles. Perhaps surprisingly, a bunch of really cold states are in the top ten. But this is deceptive. This year the two Dakotas are at the top of the ratings, even though they were at 12 (South) and 19 (North) just last year. It’s hard not to conclude that this has something to do with the oil money they have recently been getting. The truth is, all of those northern states in the top ten have very low unemployment rates—North Dakota has a rate of just 2.7%. But I can’t say for sure, because the full report is not out yet. Indeed, the surveys themselves are over a year old. But it is a lot of data to deal with.

Other things stand out in the report, however. Just as the northern states seem to be doing well, the deep south is doing really poorly. This is especially interesting when you consider that unemployment isn’t that high there. Louisiana and Oklahoma have an unemployment rate of only 5.4%. Alabama’s rate is only 6.1%. Arkansas and Mississippi do have high rates: 7.4% and 7.8%. But this is nothing compared to California (8.3%) and Rhode Island (9.3%), both of which rate much higher.

Coal country doesn’t seem to be doing well. In fact, West Virginia has rated last every year the report has been done. I think they all might do better if they stopped trying to hang onto the 19th century and decided to move into the 21st. I don’t doubt that the rest of the country would be willing to sink a lot of money (not that we aren’t already) into helping the people of West Virginia break free of their coal economy. Of course, there are very powerful energy interests who do everything to stop that. I assume the people who own those companies would rate high on the wellness scale.

Another thing that sticks out is the difference between Oregon and Washington. I’ve lived for long periods in both states and they seem very similar to me. Yet Washington ranks 9th (15th last year) and Oregon ranks 25th (24th last year). This may be due to the fact that Washington is just a little better than Oregon in a whole bunch of ways. They add up. And the politics of Washington are distinctly more liberal than Oregon, so there’s that.

There are various other things to note. California is now, as always, in the high teens. That makes sense. We are too big a state to make major changes from year to year. Nevada made a huge increase this year from 39th to 26th. I suspect that people are still feeling relieved that Sharron Angle is not their Senator. Actually, it is probably because their unemployment rate has dropped a lot, even if it is still the second worst in the nation at 9.0%.

My conclusion on all of this is that living in a liberal state is generally the best thing, unless you have huge numbers of petrodollars flooding your state. Burying your head in the sand and refusing to except science, hating people who aren’t like you even when they don’t bother you, and pining for a nation that never existed? These are things that keep you down and not feeling well. You are all welcome in California!


H/T: Chris Cillizza

Vivaldi’s Opera

Antonio VivaldiLast year, I wrote about Antonio Vivaldi who was born on this day in 1678. And I’m afraid that I’m forced to do the same thing this year. There are a couple of other interesting people, but I still have a couple of things to say about him. Vivaldi was one of the greatest Baroque composers. As I’ve gotten older, I have found Baroque music less interesting. But when I was younger, I loved his work.

He is mostly known for his instrumental work. The best known of these are the violin concertos The Four Seasons. I was found of his six flute concertos, most especially number 3, “Il gardellino.” I know that concerto so well that I’m pretty sure I still have it memorized, even though I haven’t played it in 30 years. I was surprised to find the following performance of it with James Galway on flute. It isn’t surprising that he would perform the piece, of course. But he’s reading music, and it surprises me that he doesn’t have it memorized. I suppose he isn’t as big a fan as I am. Of course, I never played it (or anything else) like this:

Another surprise to me was that Vivaldi wrote a lot of operas—at least 50, but according to one letter he wrote, 90! So I spent some time listening to some of his work. Now, I have to admit, I wasn’t hopeful. Opera didn’t really come into its all until the Classical period. And indeed, much of it is not terribly compelling. The over-technical aspects of Baroque music that work so well with most instruments sound awfully strained to me in the human voice. Still, there is much to like in Vivaldi’s operas.

Here is a bad video of a wonderful duet from one of Vivaldi’s later operas La Fida Ninfa. I think that translates “The Trusting Nymph.” It sounds playful. I will have to look into it more, but until then, enjoy this couple of minutes:

Happy birthday Antonio Vivaldi!

The Midnight Coterie of Sinister Intruders

Andrea brought my attention to the following Saturday Night Live faux-trailer for a Wes Anderson horror movie with the very funny title, The Midnight Coterie of Sinister Intruders. I think the idea is to play with the idea of Wes Anderson as Wes Craven. Mostly, it is a parody of The Royal Tenenbaums. But it is a good reminder of just how distinctive a filmmaker Anderson is. I find him uneven, but there is no doubt that you always know you are watching a Wes Anderson film. And that’s a lot more than you can say about most directors.

“Picture of Edith Piaf”? How about a song, instead: