In 1844, Alexandre Dumas started serializing The Count of Monte Cristo. It was kind of his War and Peace—a novel with so many characters, you need a chart to keep track of it. Really! Wikipedia provides one: Count of Monte Cristo Relations. And even the highest resolution version is hard to read. But let me say what should not be a controversial statement: he’s a whole lot more fun to read than most of the English writers of that time who I admire.
The Count of Monte Cristo is a revenge story. And everyone loves a good revenge story—especially filmmakers. So the book has been turned into a film countless times. In fact, David Goyer (a really typical and talentless film director) is working on one as we speak. In his case, I doubt that the problems of adapting the book to the screen will really matter. The book has roughly 50 major characters, but I suspect a modern Hollywood interpretation of the film will only be guaranteed to have: Dantes is wrongly imprisoned, escapes, becomes Count of Monte Cristo, and kicks some major ass. Will he wear a shirt with MC emblazoned on it? Time will tell.
But in 1975, a big-budget (for the time) version of the book was made for television starring Richard Chamberlain. And yes, it changes a number of things in the book, but overall, it is about as close as you could get in under two hours. And perhaps most important, it doesn’t lose the thematic basis of the book, which is that vengeance changes a man. The Count of Monte Cristo is not Edmond Dantes. There is a lovely scene at the beginning of the film where Dantes will not turn over a thief to the authorities, “I wouldn’t imprison any man who is used to the freedom of the sea, sir.” Wonderful foreshadowing, of course. But the scene contrasts nicely to a later scene where the Count watches approvingly as the same man his killed. (The details are completely different in the book.)
The film has quite a cast. In addition to Chamberlain, who almost defined this kind of made-for-TV drama, there was Trevor Howard, Donald Pleasence, and Tony Curtis. Howard is really great as Dantes’ prison companion, Abbe Faria. But what most stands out, and I really am not trying to be mean here, is what a limited actor Tony Curtis is. In the final scene between Curtis and Chamberlain it is especially obvious. All I could think was, go back to what you do best: Some Like it Hot and The Great Race. His performance as Mondego was an embarrassment. One final point on acting: this film is from that wonderful period when no one cared about accents. I actually kind of like it. Few things are as annoying as watching Leonardo DiCaprio trying to do an accent.
When I was a kid, I watched this version on television—probably on its premiere. My mother was not only a lover of old books, but I think she had a crush on Richard Chamberlain. And why not? The man has it all, except, in the case of my mother’s crush, any interest in women. But does that matter, anyway? The great thing about such crushes is that they will go unrequited by definition. Anyway, I loved it as a kid. But I didn’t get the more important aspects of the story. It was just great to watch the man so badly abused get his revenge. The funny thing is that having watched it last night, it was still all that and I still delighted in it. But it was also more. It was inspiring because justice was done, but also sad because no amount of justice could bring back the idealism of the young Dantes.
I highly recommend watching it. And it is available for free on YouTube. I will say what I usually say: it is much better than what you probably will watch:
Afterword
Wikipedia had the following to say about Richard Chamberlain’s personal life:
I think it shows an amazing amout of progress that the entry does not start with, “Chamberlain is gay.” Or, “Chamberlain was outted in 1989.” The thing is, even in the 1970s, we all assumed that Chamberlain was gay. I remember my mother remarking that it was a shame that all the great looking men were gay.
By the way, I just looked up the net worth of Chamberlain: $20 million. That’s not bad and about what I think we can all agree that a man of his enormous success should be worth. So I looked up Leonardo DiCaprio’s net worth: $200 million. DiCaprio is in no way more successful in his time than Chamberlain was in his time. Our winner-take-all markets have become even more winner-take-all. It makes me think of the line, “I am big. It’s the pictures that got small.” The actors just get smaller but their paychecks just get bigger.
In the following interview with Denys Turner, he gets to the very basis of my thinking regarding spiritual matters, and I think he has a lesson for how atheists should talk to theists. Basically, he says that if you are going to be an atheist, you have to disregard one question, “Why does anything exist?” I understand where he’s coming from and he is certainly right that most atheists in fact do avoid that question. The problem is that those atheists do not explicitly avoid the question. Too often, they seem utterly unaware of the question.
On this day in 1935,
You’ve probably heard of the George Washington Bridge closure story. Even though it was a small story, it was too delicious for liberals. What it looked like was that henchmen of Chris Christie caused a huge traffic jam in Fort Lee because it’s Democratic mayor endorsed Barbara Buono rather than Christie. Now it has been shown that as improbable as it sounded, this is
On this day in 1800,
Marketplace radio
Larry J. Sabato is a political scientist with a long history of accurately predicting the outcomes of elections. He hasn’t done such a good job during the last two election cycles, so of course, now he’s writing for Politico. He just published,
The Senate managed to
Of course, Chait is only talking about the past. If the Democrats offered up a huge tax cut for the rich, the Republicans would not be concerned about adding “to the deficit in an irresponsible way.” If it was an unnecessary war with Iran, there would be no budgetary concerns. In fact, it wouldn’t matter what the money was spent on, as long as it ultimately went to the rich. This is why Republicans continue to push the totally refuted claim that “tax cuts pay for themselves.”
Finally, the end of it. I think by this one, I’m starting to get the hang of it. Now I could go back and do it correctly. But that isn’t going to happen. Maybe if I do it next year, it will be better. I think I have a better idea. Just one introductory paragraph and then a list of the ten best articles from that month. That would be pretty simple and most usable for the readers. We’ll see.
What we know of the Elizabethan theater world is largely due to 
Other birthdays: co-inventor of the hot air balloon
I’ve got my mojo back a bit. And so I’m very eager to write three long and involved articles that need to get done today. But there is so much else to write about. Paul Krugman went on vacation from writing columns for the last week. As I result, I stopped checking his blog. I shouldn’t have. He’s an addict. He just can’t help himself. Anyway, on Friday, he wrote an amazing short post,
Krugman asks what I think is an honest question, “I do wonder exactly what model Laffer was using.” I think I have an answer for that. Laffer may have at one time been a real economist. But for decades, all he’s been has been a conservative apologist. I don’t think Laffer had any economic model that predicted that inflation was going to soar. It is just that everyone on the right knew that interest rates were going to soar. Think about all the stuff from Alberto Alesina and Reinhart-Rogoff about how economic austerity would cause growth (or at least stop stagnation). Most conservatives (even the economists) just grabbed onto a plausible sounding excuse to justify what they wanted to believe. Look at