Larry Summers on How to Fight Income Inequality

Larry SummersWhat we need is more demand and that goes to short run cyclical policy, more generally to how we operate macroeconomic policy, and the enormous importance of having tighter labor markets, so that firms have an incentive to reach for worker, rather than workers having to reach for firms…

I think that the broad empowerment of labor in a world where an increasing part of the economy is generating income that has a kind of rent aspect to it, the question of who’s going to share in it becomes very large. One of the puzzles of our economy today is that on the one hand, we have record low real interest rates that are expected to be record low for 30 years if you look at the index bond market. And on the other hand, we have record high profits. And you tend to think record high profits would mean record high returns to capital, would also mean really high interest rates. And what we actually have is really low real interest rates. The way to think about that is there’s a lot of rents in what we’re calling profits that don’t really represent a return to investment, but represent a rent.

The question then is who’s going to get those rents? Which goes to the minimum wage, goes to the power of union, goes through the presence of profit sharing, goes to the length of patents and a variety of other government policies that confer rents and then when those are received, goes to the question of how progressive the tax and transfer system is. That has got to be a very, very large part of the picture…

If we had the income distribution in the United States that we did in 1979, the top 1% would have $1 trillion less today, and the bottom 80% would have $1 trillion more. That works out to about $700,000 a family for the top 1%, and about $11,000 a year for a family in the bottom 80%.

That’s a trillion dollars. I don’t know what the number is, but my guess is that the total cost of the Earned Income Tax Credit is $50 billion. Nobody’s got on the policy agenda doubling the Earned Income Tax Credit. The big, aggressive agendas are probably to increase it by a third or a half. So, I’m all for it, but we are talking about 2.5% of the redistribution that has taken place. So, you have to be looking for things and there’s no one thing that is going to do it. My reading of the evidence, it’s a fairly general evidence, is that while there may be some elasticity, the elasticity around the current level of the minimum wage is very low.[1]

—Larry Summers
The One Where Larry Summers Demolished the Robots and Skills Arguments


[1] What this means is that raising (or lowering) the minimum wage will have very little effect on the demand for labor. Thus, contrary to what all conservatives “know,” raising the minimum wage is not going to cost jobs, and lowering (or eliminating) it is not going to create jobs.

What the Three Little Pigs Should Fear

Three Little Pigs - 1933I was thinking back on the story, Three Little Pigs. Apparently, in the original story — dating to the 1840s — the wolf eats both the pigs in the substandard houses only to be boiled to death by the brick house building pig. But that isn’t the story that I heard growing up. For people of my generation, the story was probably based upon the 1933 Silly Symphony “Three Little Pigs.” In this telling, the pigs escape and eventually make it to the brick house. And the wolf only gets scalded and runs away.

Here is the whole cartoon:

In 1942, Merrie Melodies did a parody of it, “Pigs in a Polka.” And we got roughly the same thing:

The Merrie Melodies does not go in for the over moralizing of the Silly Symphony version. But clearly, Three Little Pigs is a fable and so is supposed to teach some moral lesson. And that lesson is that one should work hard else she will end up eaten by a wolf. It’s the kind of folk wisdom that Americans have learned a good deal too well. Americans work far too much, and it is a problem.

But I’m struck by the modern incarnation of the tale. Because it shows the power of social bonds. If the three pigs had been John Galt types who didn’t have any connections to other people, two of the pigs would be dead, as they were in the original telling of the story. In fact, even if the two shortsighted little pigs had gotten away, it isn’t clear that the John Galt pig in his brick house would have taken pity on the them.

The original story actually teaches at least one moral that is absolutely false: that we are alone in the world. Despite the ridiculous conservative idea of the rugged individualist, humans would have gone extinct long ago if they did not work in collectives. And this is why in natural economies — as opposed to the ones where power is wielded to create excessive inequality — one doesn’t see straw, stick, and brick houses right next together. But I remember very clearly taking the train from Hong Kong to Guangzhou and seeing people living in houses built of rotting wood and tarp within a mile of people living in skyscraper penthouses of a quality un-excelled in the world. So the modern world has allowed us to create a kind of Three Little Pig scenario.

Perhaps the biggest problem with the fable is the idea that the houses people choose to live in are based upon how hard they are willing to work. In the original Silly Symphony telling, the first pig chooses a straw house so he’ll have more time to play his flute. The second pig chooses a stick house so he’ll have more time to play his fiddle. But given that houses are a one time investment and the third pig has plenty of time to play his piano when his brick house is built, the story doesn’t speak to anyone’s moral character. It is just that the first two pigs are silly for the purpose of the plot.

Similarly, in an earthquake, the straw and stick houses are far superior to the brick one. So the implication is that what matters is not the result of the house but the amount of work that it takes. As I noted earlier, this is the American mentality. There is no time, as there is in the fable, for the pigs to finish their work and play their instruments. In this regard, the third pig is the least believable because he would never finish his house; he would just make it bigger and stronger and never have time to play that piano.

In the Silly Symphony version of the tale, the first two pigs never do learn their lesson. They take no part in getting rid of the wolf and are still hiding under the bed when the third pig knocks on the piano making them think the wolf is back. In the Merrie Melodies version, there is more of an equal outcome for the pigs — but still the first two pigs are silly. But in both cases, the silly pigs are safe because of the the care of the wiser pig. That is ultimately what we ought to learn from the story: we have to take care of each other. All the other lessons are either untrue (that we are alone) or obvious (that hard work has rewards).

Ultimately, we needn’t be afraid of the big bad wolf. We need to be afraid of being alone. And we live in a society that fetishizes the idea that aloneness is the natural state. Working alone, we can’t do much. Working together, we went to the moon.

Robots Are Not the Problem — at Least Right Now

Mike KonczalThe always great Mike Konczal over at Next New Deal told us, The One Where Larry Summers Demolished the Robots and Skills Arguments. If you’ve been following my economic writing for the last couple of years (And really, why would you?) then you know that I have very mixed feelings about this. But first I should point out that there are two issues here, not one. So let me start with the “skills” issue because it is so stupid and evil, there really is no need for nuance.

The skills argument goes something like this: the reason that people don’t have jobs is that they just don’t have the skills that the modern economy needs. First of all, this just isn’t true. I know all kinds of smart, technologically sophistocated, and well educated people who are struggling in this economy. Just to name one: perhaps the most brilliant engineer I’ve ever worked with — and I’ve worked with a lot of great ones — is struggling as a “independent contractor” at Cisco with relatively low pay and pretty crummy benefits. It just isn’t the case that the people with the right skills are cleaning up as would be the case if the “skills” argument were true.

The skills argument was also made during the Great Depression. Yet when World War II came, suddenly people had the skills that were necessary. Now it is certainly true that modern corporations don’t want to have to do even the slightest amount of training because they’ve gotten used to the government and the workers themselves doing all of that at their own costs. But mostly, the “skills” argument is just an excuse for companies not hiring. It is a way to push the problem into the future: make workers go into debt while they spend years getting the supposedly marketable skills, only to find themselves just as unemployable. It’s not only disingenuous, it is cruel.

What surprised me in Konczal’s article was this sentence, “There’s been a small, but influential, hysteria surrounding the idea is that a huge wave of automation, technology and skills have lead to a massive structural change in the economy since 2010.” I have my concerns about automation, as I discussed in, Robots, Patents, and Inequality. But it is outrageous to suggest that any issues are recent and even more to say that our current economic slump is due to robots and not, you know, the bursting of the housing bubble. What’s more, as Ha-Joon Chang has noted in the past, “The washing machine has changed the world more than the internet has.”

The problem I see regarding any improvements in technology is the way that the rich have been able to game the economic and political system so that they can keep all the productivity increases as a result of this. This is a large part of the story of the total lack of economic gains for workers over the past four decades. But clearly, this is not a question of the technology itself. It is part of political dysfunction. Technology is not changing any faster today than it was fifty years ago. But strong labor unions, social norms, and many other things made sure that workers saw their lives improve at that time.

There is another issue that is related to this, but which isn’t currently a big problem. It is the “CD effect.” It is the way in which technology can allow a small group of people to capture a much larger share of the market. So whereas without CDs, many solo violinists could be employed, it is only necessary for one to be employed. Now this doesn’t happen in exactly this way, and the economics of it is actually fairly complicated. But I think we need to free ourselves of this philosophy that claims that whatever the “natural” market value of someone is is also what they are worth. This is an argument that Greg Mankiw likes to make. It may be true in the land of Ayn Rand utopias, but in the real world, it is a very bad thing. It leads to economic monocultures that are unstable and certainly not nutritious for those in the economy.

So yes, I admit, our economic problems are not robots and other technologies. But our insistence at looking at the economy in a fundamentally conservative way makes the effects of technology bad for the economy, when it ought to be great for it. Technology is not the culprit. But we are allowing the power elite to manipulate society to use technology against us.

My Favorite Philosopher Arthur Schopenhauer

Arthur SchopenhauerOn this day in 1788, the great philosopher Arthur Schopenhauer was born. He is undoubtedly my favorite philosopher. Not surprisingly, he was a proponent of philosophical pessimism, which is “a worldview or ethic that seeks to face up to the distasteful realities of the world and eliminate irrational hopes and expectations.” I think that puts rather too rosy a gloss on what Schopenhauer wrote. I don’t actually accept his idea in The World as Will and Representation, but I nonetheless think he is onto something profound. The will is what keeps us living even though life is nothing so much as a sequence of painful events. As Wikipedia describes the will as it applies to ontology, “Schopenhauer presents a pessimistic picture on which unfulfilled desires are painful, and pleasure is merely the sensation experienced at the instant one such pain is removed. However, most desires are never fulfilled, and those that are fulfilled are instantly replaced by more unfulfilled ones.” On the other hand, if you look at those photos of him as an old man, I think you can tell that he saw humor in the absurdities of life. Ultimately, I think that is our only hope. Because life does not make sense and continuing through all of this pain makes no sense. If it gets better, it will only be temporary.

But it isn’t actually the pessimism that I find most interesting about Schopenhauer. Rather, it is his thoughts on mysticism and Buddhism — which I share. Above all is the idea that we are not at base rational beings. Continuing to live is not a rational choice. It is a fundamental aspect of the universe. On the Origin of Species was published less than a year before Schopenhauer’s death. It explains, as a practical matter, why it is that the will must supersede the intellect. This doesn’t, however, remove the ontological question: why do species evolve in this way? Certainly, one could be evolve in such a way that life would be a rational choice. Or one could if it were not for the eternal will constantly empowering itself through the fact of existence. This is roughly how I think Schopenhauer would have reacted to Darwin’s work.

Here is an introduction to Schopenhauer that was part of The Giants of Philosophy series. Narrated by Charlton Heston, it isn’t a bad overview of his life and work. Or at least, I think it isn’t. I listened to it a long time ago:

Happy birthday Arthur Schopenhauer!

The Urge and Their Charming Song “Bit By Bit”

Bit By Bit - The UrgeIn the early 1980s, I was in a band Otherwise Nice Guys with my current business partner Will. At the time, he introduced me to this 45 rpm single of this band, The Urge. The single had two songs: “Bit By Bit” and “Baby Talk.” I don’t really remember “Baby Talk,” but Will tells me it was really good. I immediately fell in love with “Bit By Bit” and I think we started using the song in our band. It couldn’t be simpler: A-D-E. It’s “Wild Thing” but a bit more modern. Very Modern Lovers if you know what I mean.

It turned out that Will knew of the band because of a family connection. The band was fronted by Mary and Julie Lawler. Will’s mother was friends of their mother. As I recalled, a tape of our band was sent to them and they thought it sounded like The Cars. That still stings. But over the last three decades, the song has never left me. It’s one of those songs I often find myself singing like, “If I Only Had a Brain.”

Strangely, it is really hard to find out anything about the band or their music. There is this page where you can currently purchase the single for forty bucks, Discogs. And they are listed on a great archive at Mind Spring, Women in Punk 1975-1980. But otherwise, I haven’t been able to find anything.

If I had to sum up the band, it would be that they are the girl-group equivalent of the Ramones. They are the very definition of punk. There isn’t anything especially fast or loud about their music. It is just simple rock and roll played with conviction. It is above all fun. And the Lawlers were really good songwriters. And charming as anything.

Because I could not find the song anywhere on the internet, I decided to perform it myself and put it on YouTube. It’s my hope that it might turn up some people who know more about the band than I do, or perhaps one of the Lawlers still cares about this stuff enough to notice. It is a great pleasure of mine to introduce others to great works of art. Unfortunately in this case, all I can provide is my own rather bad performance and not The Urge’s — which makes what is already a great song all the greater.

So here is “Bit By Bit,” performed by me with all necessary apologies to well trained ears everywhere. I would love it if someone with some real talent would pick up the song and perform it. I think it might work really well with an acoustic guitar with a simple finger picking pattern. Or it could be given the full The Troggs treatment. It is such a strong song that it even shines through my performance:

Feeling Sorry for Rudy Giuliani

Josh EarnestMany of you have been in the room when the president has delivered speeches where he’s talked about his love for this country, or how the United States is a force for good in the world — in fact it’s the greatest force for good that the world has ever seen — and we can cite those examples and many of you have been in the room when he’s delivered remarks like that — both in this country and around the world.

More generally, I can tell you that it’s sad to see, when someone who’s attained a certain level of public stature and even admiration, tarnishes that legacy so thoroughly. And the truth is that I don’t take any joy or vindication or satisfaction from that. Really, I think the only thing that I feel is sorry for Rudy Giuliani today.

—Josh Earnest
Press Conference

What Is This America We Are Supposed to Love?

Statue of LibertyRudy Giuliani thinks that Obama doesn’t love America. There are a lot of articles talking about it, and Giuliani himself is going everywhere to make sure no one misunderstood that he’s absolutely right and not a racist. I think Jonathan Chait has written the best summary of the whole thing, If Giuliani’s Obama Smear Wasn’t Racist, What Was It? He’s very charitable to Giuliani and does a deep dive into the former mayor’s comments. And he finds: nothing. So if Giuliani’s comments were not racist, they were nothing at all. And we all know they were something. The logic ain’t hard.

Ramona Grigg wrote, Yes, Rudy, It Was a Horrible Thing To Say. Thank You. Her point is that the comments were so over the top offensive that he’s done a great favor for Obama. Now reporters will dig up video of Obama saying things like, “I think that we have a core set of values that are enshrined in our Constitution, in our body of law, in our democratic practices, in our belief in free speech and equality, that, though imperfect, are exceptional.” Of course, Rush Limbaugh was quick to jump on board, “I’m the guy who’s been saying for six plus years now… Obama does not like this country.” Brian Powell at Media Matters pointed out, most Republicans politicians will just avoid the subject because among the base, this kind of talk is commonplace.

Rudy GiulianiI’m not especially interested in the controversy. It may be a tired cliche, but it is also a fact that at least half of the Republican popular support is based upon racism. So this kind of racism and more generally the implication that liberals are not “real” Americans is forever spilling over in conservative comments when they don’t think anyone is listening. What I’m more interested in here is how exactly it is that Obama is supposed to “love” this thing called “America.” I agree with what Rudy Giuliani said: I don’t think Obama loves America. I don’t think that Rudy Giuliani loves America. I know that I don’t love America because I don’t even know what it is I’m supposed to be loving.

Traditionally, the phrase “love of country” is just an expression of jingoism. It is the idea that country is always right, regardless of what it does. It’s the old Stephen Decatur toast, “Our country! In her intercourse with foreign nations may she always be in the right; but right or wrong, our country!” If we lived in a democracy, I might be tempted to go along with that. But we don’t. When we go to war, it is usually the government doing it against the wishes of the people. So what Decatur’s toast means in practice is fascism, “Right or wrong, our government!” I’ve never met a liberal or conservative who would go along with that. And given that even the most powerful person doesn’t always get what she wants, I can’t imagine anyone at all agreeing to that.

I remember Bill O’Reilly claiming, “And it is our duty as loyal Americans to shut up once the fighting begins.” But even he added “unless facts prove the operation wrong, as was the case in Vietnam.” The truth is that O’Reilly, like demagogues everywhere thinks people should shut up whenever they are saying things he disagrees with. But if he agrees, it is patriotic to protest. So it is pretty clear that when people talk about loving the country, they don’t mean the government.

But if not that, then what? Really! The people? Given that many conservatives seem to think that President Obama hates the country, I find it hard to believe that they love the American people any more than they love the government. Are we supposed to love Charles Manson? Or are we supposed to think that the American people in aggregate are somehow lovable? Or is it the geography? The climate? The economic system? None of those are specific to America.

What I think the America is that we are supposed to love is some idea of America. And this is dangerous, because none of us has the same idea of what America is. I’ve written a lot about this in the area of economics. Liberals like to complain when Republicans talk about creating jobs. The liberals rightly point out that all Republicans mean by this is, “Cut taxes on the rich! Allow more oil spills!” While it’s true that these things actually will not, in general, create jobs, this is what Republicans think they will do. So when a poll comes out that says that 90% of the American people think the government should do more to create jobs, it doesn’t mean anything.

And similarly, the fact that I love Thomas Paine’s idea of America means something to me. But John McCain’s idea of America is that we should have the biggest military and go to war at every opportunity. And with ideas as divergent as that, there is no “America” that we love. And this is why when conservatives start to talk about the issue, they always fall back on “American exceptionalism.”

But I still don’t understand what is exceptional about America. It is a country — just like 195 other countries. We are an enormously powerful country, but if the rest of the world decided to work together to take us down, it would have no problem doing it. There are great things about America. And there are awful things about America. So this whole matter of loving America is just a stupid game. It means nothing. When Rudy Giuliani and Rush Limbaugh say that Obama doesn’t love America, they are just saying that Obama is a doody pants. And that’s about as deep as American politics goes. And that, my friends, is one of the awful things about America.

What Is This “America” Conservatives Love?

Kevin D WilliamsonKevin D Williamson wrote a really pathetic apologia for Rudy Giuliani, Rudy Is Right. As I will write in a later article, I agree: Obama doesn’t not love America. But I have something actually interesting to say in that article. As far as what Giuliani meant when he talked about Obama not loving America, Williamson perfectly encapsulated it by way of refutation. You know, the way huge numbers of conservatives will believe something truly outrageous and someone who writes for National Review brushes it aside as though mentioning it means that that it isn’t a real thing.

Williamson wrote, “To ask the question is not the same as venting the familiar swamp gasses: that he’s a foreigner, at heart if not in fact; that he’s a Manchurian candidate sent to undermine the republic; that he’s a secret Marxist or secret jihadist sympathizer; etc.” Well actually, yes it is. His argument is basically that well, maybe the Fox News hicks believe that nonsense, but not a “respectable” man like Rudy Giuliani. There is no other way to put it: Giuliani doesn’t think that Obama loves America because Giuliani either believes and just wants to push the idea that Obama is some foreign other. Is it that he’s black? Yes. But not just that. Obviously, Giuliani would never say the same thing of a black conservative.

But what really blew my mind was how Williamson managed to lump all progressives into one tight knit group who, like Holden Caulfield (Really!) just hate all those phonies of American history:

For the progressive, there is very little to love about the United States. Washington, Jefferson, Madison? A bunch of rotten slaveholders, hypocrites, and cowards even when their hearts were in the right places. The Declaration of Independence? A manifesto for the propertied classes. The Constitution? An artifact of sexism and white supremacy. The sacrifices in the great wars of the 20th century? Feeding the poor and the disenfranchised into the meat-grinder of imperialism. The gifts of Carnegie, Rockefeller, Vanderbilt, Morgan, Astor? Blood money from self-aggrandizing robber barons.

Now this is pretty much the way I see these discrete things. Just look at what I wrote the last three years on George Washington’s birthday. But the fact is that the Constitution was a racist document and even the Revolutionary War was largely a racist war. But we get better. America is a better place now than it was then. But what is it that America is for conservatives? As Williamson himself talks about, they aren’t without their criticisms. So the real difference is that liberals tend to be proud of America in an aspirational way, “Look how far we’ve come!” But the conservative take on America is one of decay, “Look how far we’ve gone!”

So the conservative ideal is some lost long ago. But of course they won’t tell you when that was. They won’t say the 1960s because that was probably the greatest triumph of liberalism. So they generally have to go back further. But the further you go back, the worse it gets. This leads to the kind of stuff I discussed in, More Libertarian Economic Hokum. In the article I was addressing, the writer argued that we didn’t need child labor laws because the market would take care of it. The same argument is more commonly made about how slavery was dying — if it weren’t for Lincoln and his Civil War, the free market would have ended slavery!

Thus, as I’ve discussed before, conservatives don’t believe in the America of today or the America of any given time. They believe in “America” — some mythical place that never existed. So if Williamson thinks that we liberals are all a bunch of discontented adolescents, what exactly are the conservatives? I think David Cross has it right: conservatives hate this country. They just love a myth they’ve created:

And that’s not love. I’ve had a surprising number of women who loved some idea they had about who I was. And there have been a fair share of women about whom I loved some idea rather than the actual woman. But that isn’t love. That’s the immature crap of, “I love her, but I don’t really like her.” Yeah, that means you don’t love her. It means she treats you like dirt and you “love” the idea that maybe some day she might treat you like a human being.

So it is pretty funny that Kevin D Williamson calls liberals Holden Caulfield, when the liberal approach to America is nuanced, and I dare say mature. It’s the conservative who believes in clear myths that blind her to whatever it is that “America” is. Which is what I’ll be writing about later.

David Foster Wallace

David Foster WallaceOn this day in 1962, the great writer and thinker David Foster Wallace was born. He’d be 53 today and no doubt still entertaining and enlightening us. Sadly for us, it is not the case. He’s been gone over six years now.

He still boggles my mind. His nonfiction is as brilliant as his fiction. He was a very creative thinker. It’s easy enough to be smart and knowledgeable. And certainly Wallace was both of those things. But he looked at things differently than people normally do. Just yesterday, without realizing that today would be his birthday, I mentioned Wallace in, Bravery in Art. The more that I’ve read of his work, the more clear it is that above all, his greatness is dependent upon looking at reality directly. I do not have the ability. I find myself constantly peaking around corners so I can jump back if there is something too horrific staring back. And there often is and I do jump back. In fact my second novel now uses this as a device. I hope that I render enough that the reader knows what happens next because I can’t bear to render it for them.

And I’m not talking about torture scenes. I’m talking about things like the horrible stuff we think to the awkward relationships that never gel but never separate. Most of Wallace’s work concentrates existential matters and the work that is required to live. But I was really impressed to find this quote in Wikipedia, “I want to convince you that irony, poker-faced silence, and fear of ridicule are distinctive of those features of contemporary US culture… I’m going to argue that irony and ridicule… for aspiring fictionists they pose terrifically vexing problems.” I’ve never read any of Wallace’s writing on the subject of writing. But that’s an idea that I probably picked up from reading him more generally. One of the great problems with much modern writing is the inability to commit — for the writer to constantly be reassuring the reader that this is all nonsense and we don’t take it seriously. But if we don’t take it serious, what is the point? The constant sarcasm of the hipster is just a cover for her cowardliness.

I don’t really know what else to say other than that everyone should read Wallace. He has much to teach and he is enormously entertaining. I’ve learned a great deal from him. That’s not something I can say for many modern writers.

Happy birthday David Foster Wallace!

Bravery in Art

Charlie Kaufman“The Post Postmodern Comedy Hour” is a television series that I’ve created. I’ve written two episodes for it. The extent of my illusions regarding it is that if I ever finish six episodes, I may take it down to public access and see if some people would like to try to do it. Along with a couple of short stories I’ve written, it is the best work that I’ve ever done. But more important, it is the only work that I’ve ever written that is exactly the kind of art that I want to see.

On its surface, it is a silly work: Captain Kangaroo for adults. It combines puppets, social satire, documentary, and comedy. But the back story is very dark. It is basically the same back story I used in my second novel, although without all the drug addiction. But it is worse, because in “Treading Asphalt,” Brian survives and manages to make his way in the world. Steve, in “The Post Postmodern Comedy Hour” lives in a fantasy land. Without his sister to shape a world around him, he would be lost. He has a childhood friend who has never grown up. And who doesn’t like him. It’s not that Steve is delusional. Reality simply terrifies him, and he wouldn’t go outside if he didn’t have to. If his sister died, he would probably starve himself to death like Kurt Gödel did after his wife died.

I was thinking about this last night while watching, Synecdoche, New York. I can’t conceive of writing anything as large as that. It probably represents the sum total of every fear that Charlie Kaufman has. And I share those fears. But I can’t get past the one fear that most defines my life: anxiety. It’s the fear of fear itself. It is meaningless. It is the fear of Jean-René in Romantics Anonymous, “Let’s hope nothing happens to us.” It is the fear of the threshold — the fear that any change will make us less happy, and we are very clear that we are already unhappy enough.

No one would ever get any of that from “The Post Postmodern Comedy Hour.” And I think the reason is because I am a coward. I obviously don’t mind talking about my many and varied psychological dysfunctions. But this is just talking. How does one create worlds that accurately express our souls? Forget about talent, the more important thing that separates me from Kaufman and David Foster Wallace is bravery. Art can be used to express reality or paper over it. Papering over is what hacks do.

Now if I were a total hack, I might be more successful. But I am always aware of just how terrified everyone is — or at least how terrified I am. And that is what I write. Cocooned in his studio with his imaginary friend, Steve can be a full person. With the help of his sister, he can play roles in the real world. But he’s never right with the terrifying outside. I don’t think anyone is. I think you’re all a bunch of liars — just like me. And if we talk privately, you’ll admit it. Because lying is what we do to make it through the day to buy food to eat and not live on the street. But it isn’t supposed to be what art does.

Afterword

On the other hand, I’d be lost if it weren’t for things like this:

Now You Are Gone

GoneWhat was once before you — an exciting, mysterious future — is now behind you. Lived; understood; disappointing. You realize you are not special. You have struggled into existence, and are now slipping silently out of it. This is everyone’s experience. Every single one. The specifics hardly matter. Everyone’s everyone. So you are Adele, Hazel, Claire, Olive. You are Ellen. All her meager sadnesses are yours; all her loneliness; the gray, straw-like hair; her red raw hands. It’s yours. It is time for you to understand this…

As the people who adore you stop adoring you; as they die; as they move on; as you shed them; as you shed your beauty; your youth; as the world forgets you; as you recognize your transience; as you begin to lose your characteristics one by one; as you learn there is no-one watching you, and there never was, you think only about driving — not coming from any place; not arriving any place. Just driving, counting off time. Now you are here, at 7:43. Now you are here, at 7:44. Now you are gone.

—Charlie Kaufman
Synecdoche, New York

Scott Walker’s Econ Record Not Good for Workers

Scott WalkerI was talking to my father the other day and he told that this “Walker fellow” seemed like he might be reasonable. It wasn’t my father talking; it was the Charles Krauthammer talking. My father doesn’t really drink. Like kids spinning in circles, my father gets loopy listening to Krauthammer’s calm monotone. Dad’s always been a sucker for people who put forward an air calm rationality. But I am not similarly fooled. Krauthammer is a joke. I’ve called him on his anti-science global warming denial. And his hypocrisy. And his general stupidity. But dad hears him say that Scott Walker is just the kind of reasonable politician America has been looking for, and dad follows along.

I didn’t shout. I just pointed out two things that I knew my father would bristle at. First, Scott Walker is a major union buster. Although in years past, my father was anti-union, in his middle years he became part of union and found that it was very nice. It wasn’t the leading the edge of communism as conservatives have been arguing since, well, since unions came into being. The second thing that I told him was that Scott Walker was a total supply sider — trickle down economics! Well, in 1980 when Ronald Reagan was pushing trickle down economics, my father was totally on board. A lot of people were. It sounded plausible. But over the following decade, he learned what a con it was.

So my father’s enthusiasm has waned for Walker. But sadly, it isn’t just Krauthammer who is going to cram Scott Walker down our throats for the next year or more. Yesterday, Media Matters reported, CNBC Host Demonstrates How Not to Interview Scott Walker About His Weak Economic Record. You see, Walker doesn’t have a good economic record. He has a great record as far as the power elite are concerned: funneling money to the top and destroying unions. But as Eric Hananoki pointed out in the article:

In reality, job and wage growth under Walker have trailed behind the national average, and he “will skip more than $100 million in debt payments to balance the books thrown into disarray by his tax cuts.” …

Reuters reported in a February 15 article that Wisconsin has lagged behind the nation and the Midwest in private-sector employment growth: “Private-sector employment has grown by 6.8 percent in Wisconsin under Walker, behind the national pace of 8.4 percent, according to preliminary data from the US Bureau of Labor Statistics. Private-sector employment in the industrial Midwest, from Ohio to Minnesota, grew by 7.1 percent over that period.” …

Marc V Levine, professor of history, economic development and urban studies at University of Wisconsin-Milwaukee, wrote last June that Walker’s “failure” on reaching his job creation goal should lead to “a serious discussion of why the policy choices made after 2011 failed to generate job growth in Wisconsin at a level remotely close to national averages and what policy options might better address Wisconsin’s jobs crisis going forward.”

But what does any of that matter? For the CNBC set, making the economy better has nothing to do with economic growth and new and better jobs. It is about making the economy better for the people for whom the economy is already working really well. That’s the Republican Party platform. It’s all they really believe in. But they aren’t going to put it that way, because almost no one would vote for them. So they talk about how great economic grow is under Republicans like Ronald Reagan, even though it wasn’t that good under Reagan. And they needn’t worry. No television commentator is ever going to challenge them on their lies.