Last night, I sat down and watched Silver Streak. I was kind of excited actually. I hadn’t seen the film since I was in high school. And much later, I read a screenwriting book by Syd Field. In it, he talked a lot about the film and clearly thought that it was a great script. Even at the time, I thought that was a stretch. I didn’t recall it as much more than a vehicle for Gene Wilder and Richard Pryor. So I was interested to see what I had missed.
The short answer to that query is, “Not much.” But I see why Field liked it! It is very well structured. The first act ends with Wilder getting thrown off the train. The third act starts with Wilder and Pryor jumping off the train. What’s more, the second act is divided into two parts by Wilder—Can you guess—getting removed from the moving train. I’m not saying that the script is bad because of this. But I’m also not saying that the script is good because of this.
What most bothers me about the script is that it goes for realism and yet is full of plot holes. I don’t mind all the cute coincidences; that’s totally in keeping with style of the film. I don’t even mind that Pryor’s character clearly was supposed to leave at the beginning of the third act, but was brought back because he is absolutely the best thing in the movie. But I do mind that the FBI acted stupidly throughout the film so that there was a film. And I do mind that the villain doesn’t have anything close to a plan that would allow him to get away.
Basically, Devereau kills the professor to get the Rembrandt letters because they will prove that two paintings that Devereau purchased are forgeries. So his plan is to substitute a lookalike for the professor. Okay. The professor’s picture is on the book and obviously his publisher and other people would know, but I can accept it. But when things go wrong and Wilder finds out, they just try to kill him and leave his body on the train. Under the best of circumstances, no one is going to be allowed off the train until the police search everyone and everything. Of course, that isn’t the only murder. And at the end, we have Devereau running around with a rifle shooting cops in helicopters. Yeah, those snobby art collectors are know to be very good at gun play.
All of that wouldn’t be so bad if it weren’t for the totally illogical behavior of the feds. When the agent who is on the train gets killed, the first thing the authorities would have done is check him for ID and they would have found his badge. And then, they could have just waited for the train to stop at a regular stop, got on board and taken Devereau and his men into custody. After all, they were the only people on board with guns!
I can appreciate what Colin Higgins was trying to do in the screenplay. But I don’t actually think it works. The first act is a romance. The second act is a comedy. The third act is action. And that first act is the killer because that’s the one that gets you into the mood of thinking this movie will have something to do with reality. Contrast that to another Arthur Hiller film, The In-Laws, which is preposterous from the first minute. Of course, the film works because Wilder and Pryor are great together. But this film is going a very long way out of the way to have a good second act with these characters.
There is another problem with the film for modern audiences. It is sexist and racist. The two women on the train are apparently sex starved. And the heroine is consistently a prop who can only moisten the foreheads of men who have been clubbed. Blacks in this universe are either AMTRAK employees or Pryor, who plays a petty criminal. In fact, even after the train crash, he steals a car and goes on his merry. The one exception to this was still a stereotype: the shoeshine man in the train station. He was, however, part of a very telling moment. Wilder is in the bathroom having put shoeshine on his face and is now trying to learn how to walk in rhythm to the music. The shoeshiner comes upon him and says, “You must be in pretty big trouble, fella. But for God’s sake, learn to keep time!” In our segregated society, that’s very true. In general, a white guy would equate “trouble” with “bad guy.” The black guy knows that trouble doesn’t mean you’ve done anything wrong. This is, of course, a lesson that more and more white people are learning each day.
I understand that I’m focusing on the film’s failings. The truth is that the second act is really good. And if that’s what you want, you should watch Stir Crazy. It has the advantage of being silly from beginning to end.
Ross Douthat’s last column was about—Wait for it!—how the decline of marriage is causing income inequality,
On this day in 1627, the great scientist
The following video from the Majority Report is really good and very funny. Sam Seder has a standing “libertarian challenge” where he encourages libertarians to call in and discuss issues. At first, when I heard libertarians call in, I thought the show must be screening for stupid people, but I don’t think that’s it at all. Anyone calling up a radio show is at a distinct disadvantage because they aren’t professional talkers. What’s more, Sam Seder is a very smart and knowledgeable guy. He is also quick-witted and funny. So it is no surprise that by the end of the call, the libertarians come off sounding crazy as they back themselves not so much into a corner as into non-existence.
It was a very good day for the world on this day in 41 AD. Roman emperor
There is more out of the American Prospect/Democratic Strategist forum on entitlements. The last time I brought this up, it was to say,
As I
The
You may remember my 95-5 rule: 95% of the problems in the world are caused by 5% of the people. This comes from my experience that the vast majority of people just want to live their little lives and be left alone. So it is a very small number of people who get us into wars and otherwise perpetrate acts of social disease—even though most of them use a pen rather than a rifle.
One of my favorite conservatives is Sean Trende of Real Clear Politics. I usually disagree with him on substance, but he’s a good and honest number cruncher. And yesterday, he did a whole lot of crunching,
Eight years ago,
My favorite economist
This gets to my fundamental beef with politics. On one side of the debate you have Noble Prize winning economist Paul Krugman. He’s actually quite careful and more conservative than I am. But the main thing is that he’s a serious thinker. On the other side, you have Bill O’Reilly. He’s a professional ranter—an entertainer. Is that an unfair comparison? Do you think maybe I should compare Krugman to Greg Mankiw? Well, for one thing, I don’t think the conservatives look much better with his “
But I suspect if conservatives created their perfect government and liberals created theirs, the liberal government would actually be smaller. Because what conservatives want from government costs a lot of money. It doesn’t cost much to feed the poor, but it costs a lot to feed the military industrial complex. Most conservatives are still angry that we don’t have the kind of army we had during World War II when it was 10% of GDP. That doubling of the defense budget would more than make up for the liberal programs they would get rid of. So just there, they would have an even larger government than the one we now have. Liberals could pay for their increased spending with military cuts. And would.