Mr. Smith and the Republican Myth

Mr. Smith Goes to WashingtonI really don’t like Frank Capra. This is strange, because he directed one of my very favorite films: It Happened One Night. Even though I am a total softy and I love films that have a nice, gooey center, I find it hard to take Capra’s sentimental style. Add to that, Jimmy Stewart—an actor who diminishes any production he is part of (think: Philadelphia Story)—and you really have trouble.

The film that immediately comes to mind is that plague on all our house, It’s a Wonderful Life. I swear to you, if it comes down to having to watch this exercise in sentimental extremism and gouging my eyes out, I will start looking to Homer as my artistic ideal.[1] But there is another Capra masterpiece (I do not mean this ironically) that is just as awful: Mr. Smith Goes to Washington. After all these years, I had managed to miss it, so I sat down last night to watch it.

When looking at Frank Capra as a director, it is easy to see that he succeeds despite technique. His films are filled with bad blocking, clunky editing, passable camera work, and uninspired art direction. He seems to do okay with actors, but generally, they do better with other directors. Where he succeeds is in storytelling; he has a knack for it, even when dealing with a problem script. So it isn’t surprising that he is at his best when Robert Riskin is writing for him. Riskin did not write Mr. Smith Goes to Washington; Sidney Buchman did, a poor job from an otherwise good writer.

What makes Mr. Smith Goes to Washington so painful to watch is that it is a desperately earnest civics lesson pitched at a second grade level. And the main character played by Stewart isn’t a character so much as the personification of the American spirit. We first see him directing a marching band inside his house. Unfortunately, this is the last time we like him.

At the dramatic peak of the film, Senator Paine (played brilliantly by Claude Rains[2]) asks Smith if the corruption to Jim Taylor isn’t made up by all the good Paine has done. Smith, with the intellectual maturity of a dull pollywog thinks not. But I disagree, which probably just proves how cynical I am. Politics is a messy business and it always has been. This brings us to the most pernicious aspect of this film for modern audiences.

It puts forth the conservative lie that legislation is easy: anyone with a true heart can go to Washington and change the place. This goes right along with the conservative myth that there was some glory day of our country when everyone was true and just. It ain’t so.

Frank Capra was politically liberal. He cared about social justice. He cared about people! I generally agree with his world view that good will out. I accept that people are basically good. But in modern America, those who don’t give a damn about social justice and individual rights use the Capra world to sell their hateful policies. I think the United States is in the bad state it is because there are too many Mr. Smiths who have their naive beliefs in “liberty and justice for all” used against them to elect politicians who want only to redistribute wealth upward.

And that’s hard to watch for an hour and a half.


[1] Get it? Because Homer is often thought to have been blind. I suppose Oedipus Rex would have been more direct. “Call me Oedipus.” But now that I think of it, most people don’t think “gouging eyes out” when they think of him. So a footnote was required.

[2] Jean Arthur and Thomas Mitchell (the drunk doctor in Stagecoach and Scarlett’s father in Gone With the Wind) are really good too.

George Zimmerman is Guilty!

I can forgive almost anything. Murder? Rape? Voting Republican? Hey, we all have bad days. But this?! I cannot forgive this:

Zimmerman should consider himself tried and convicted in the court of “Websites That Sucked 20 Years Ago.”

I say hang the bastard.

Update

It turns out that Zimmerman earned $204,000 from this pathetic site!

Cage Does Cage!

When I was a music major, before I learned that I was no musician, I loved John Cage’s work for prepared piano. This will give you a pretty good idea of this kind of music:

John Cage is best known for a piece of music titled 4’33”. It consists of one or more performers sitting down at or with their instruments and not playing any notes for four minutes and thirty-three seconds. People often refer to it as 4’33” of silence, but that entirely misses the point of the piece. As you can hear in the following performance of the piece, it is not silent. The point seems to be that any performance of any piece of art is necessarily a different piece of art. Watching the first 30 seconds of this video—Which happens to be the length of the first movement!—will give you the idea (although if you wait to the end, the applause is overwhelming):

All of this discussion is not just to school you in the avant-garde of the 1950s. Today, Slate brought my attention to the following video by artist Adam Lucas. It is titled Cage Does Cage and consists of 4’33” of scenes of Nicolas Cage not saying anything. The Slate article is worth checking out, but you should at least watch this really great video:

Am I not beneficent, providing you with enough background so you can enjoy a good insider laugh? You’re welcome!

The Case Against Q

The Case Against QI was listening to a Robert Price and Frank Zindler on Point of Inquiry recently. Price mentioned that the existence of Q had come into doubt and he referenced Mark Goodacre’s The Case Against Q. That was surprising to me, because I thought that Q was an established fact. But I suspect that you are scratching your head wondering what the hell I’m talking about.

Q is a theoretical document that was supposedly filled with the sayings of Jesus. If it ever existed, it is now lost to us. It’s existence is inferred based upon the Synoptic Gospels: Mark, Matthew, and Luke. And it is really interesting. What you need to know is that Mark was the first Gospel written, at around 40 years after Jesus is thought to have died. Matthew and Luke came about ten years later. They are based largely on Mark, as you can see from this great figure from Wikipedia:

<%image(20120410-synopticgospels.png|350|455|Synoptic Gospels)%>

The first thing to note here is that roughly half of Matthew and Luke come from Mark. In saying this, I really mean it: plagiarized. Looking at the original Greek text, it is often copied word for word in the later Gospels. This really does destroy the idea that many Christians have that God was speaking through these men[1]. Would he really have created this kind of overlapping text? Again, we aren’t talking overlapping story; we are talking overlapping words, phrases, and sentences.[2]

The existence of Q comes out of the “double tradition” overlap between Matthew and Luke. This material is almost all Jesus’ sayings, like the parables and the Sermon on the Mount. Again, much of this is word for word. Thus: just like with Mark, they plagiarized Q. Or so the theory goes.

A question obviously comes to mind: why not assume that Luke just used Mark and Matthew, given that it was written after both of them. As far as I can tell, proponents of Q claim that if Luke were based upon Matthew, there would be more agreement between the two Gospels in the material from Mark. Critics, Mark Goodacre for example, claim that there are such “minor agreements.” Having seen these minor agreements, I must say that I’m not convinced. Just the same, I’m not that convinced by the primary arguments in favor of Q.

Goodacre spends a good deal of time going over all of this material. If you really want to know this stuff, The Case Against Q is a good place to look. Personally, I found his arguments kind of thin. But the book was really helpful in demonstrating that the arguments on both sides are kind of thin. There are lots of alternatives that just aren’t discussed. On top of this, my belief in entropy convinces me that with such old documents and the incentives of the early Christians to redact the texts for individual and Church purposes it, there is no truly satisfying resolution. These documents are what the Church is based upon. Anyway, there is most likely no there there.

Update

Mark Goodacre has a nice website supporting The Case Against Q. In particular, for those wanting to know more but not interested in reading what is a pretty technical book, he provides Ten Reasons to Question Q. I’ve provided the points below; if you go to this site, he gives a paragraph or so explanation of each.

  1. No-one has ever seen Q
  2. No-one had ever heard of Q
  3. Narrative Sequence in Q
  4. Occam’s Razor [This one is very compelling. -FM]
  5. Major Agreements between Matthew and Luke against Mark
  6. Minor Agreements between Matthew and Luke against Mark
  7. Minor Agreements in the Passion Narrative
  8. The Phenomenon of Fatigue
  9. The Legacy of Scissors-and-Paste Scholarship
  10. Recognising Luke’s Literary Ability

[1] Just so you know, these books were not written by any of the 12 Apostles. For one thing, these men were almost certainly dead by the time Mark was written. For another, it is hard to imagine that illiterate fishermen and carpenters would suddenly learn to write what all experts agree is sophisticated Greek.

[2] Again from Wikipedia, here is a comparison of a verse from Matthew and Luke with the text in red being identical:

<%image(20120410-matthewluke.png|350|339|Matthew and Luke Comparison)%>

The Dude Abides

The Big LebowskiI watched The Big Lebowski last night. It is a film that grows on you. I know that it suffered at the time of its release because it came right after Fargo, and everyone wanted to see Fargo II. But there are more important reasons to not like the film. Most notable is that it just seems loose—like they really needed another run at the screenplay.

It makes me happy that the the Coen Brothers don’t discuss what their films are about. For example, when asked what the ending of Barton Fink meant, one of them said something to the effect that the lead character was sitting on a beach (from the painting in his room) with a woman’s head in a box. And that is probably as much as they know. The truth is, that like most great art, Barton Fink just works and it is kind of hard to say exactly why. But the fact that the Coen Brothers don’t try to say any more than is up on the screen (note the lack of “director’s commentaries” for their films) allows people like me to say whatever we want.

The Big Lebowski is far more obvious than Barton Fink. The tumbleweed is the perfect symbol for The Dude. And bowling is the perfect game: the pins just set there waiting for the bowler who doesn’t even need to throw the ball because the lane is downhill. Other than The Dude (and perhaps Donny—the biggest problem with the script), all of the characters in the film play parts. This is seen in The Big Lebowski himself, who is every bit the leach he castigates The Dude for being; and Walter, whose status as Vietnam vet, Jew, and intellectual, are all questionable; and The Stranger, who is some kind of Hollywood cowboy monstrosity. The Dude, despite having many annoying character traits, is likable because he is authentic. What you see is all there is.

William Goldman complained in Which Lie Did I Tell, that The Big Lebowski did not work because there was no final bowling tournament. This badly misunderstands the intent of the film. Just the same, the Coen Brothers seem somewhat confused on this point. All the talk about the bowling tournament is not leading anywhere, they clearly understand this. But The Dude’s investigation of the kidnapping of Bunny Lebowski is also not leading anywhere. Yet, they feel the need to resolve it without really resolving it. We learn that The Big Lebowski was just scamming the Little Lebowski Urban Achievers out of a million bucks and framing The Dude for it. We learn this 20 minutes from the end of the film. But this remaining time is not used to tie up the large number of loose ends. We don’t learn what becomes of the Lebowski’s relationship, or the PI sent to retrieve Bunny, or if Maude Lebowski will get her father to return the million dollars he stole. We don’t learn any of this and much more because the film is no more interested in that than it is in what happens in the bowling tournament.

Instead, the film meanders on for another 20 minutes about what it had been meandering on about for the first 100 minutes: The Dude abiding. A tumbleweed tumbles on, despite strange men urinating on your carpet, rich men framing you, and friends dying. “Drifting along with the tumbling tumbleweeds.”

The Dude abides.

Cardenio

CardenioThe first philosopher I ever read was Arthur Schopenhauer. I have no idea why. However, his thinking seems to have infected me. I keep thinking about his basic view of the futility of life. Basically: I keep doing the things I do so that I can keep doing the things that I do. I eat today so I will be alive tomorrow. And what will I do tomorrow? I will eat so I will be alive the next day. Given that the experience of life grows more and more grim as the days pass, I don’t too much see the point. When I was a child, things were nice because each day was new. That is no longer the case. What’s more, each day is filled with somewhat more physical pain and a great deal more psychic pain. So what is the point? I wish I knew.

Given this state of mind, it makes sense to take a step back and try to find some of the things that make life worth while. So I thought I would read some Don Quixote, which generally puts me in a better mood. I was going through the book, trying to find where I last stopped writing about it. I realized I was last reading about poor Cardenio. This is a story within a story. Our daring duo come upon this half-crazed man who tells us the story of his sad life: he made friends with the Duke’s son, who betrayed him with Cardenio’s fiance.

What I find interesting about this is that the basic plot sounds rather similar to a Lope de Vega play. In particular, Peribáñez y el Comendador de Ocaña. I am struck again at the revolutionary content of early 17th century Spanish fiction. Even with the constraints placed on them by the society, both Cervantes and Lope were skeptical of those in power. In their world, power did not equate to moral. This is very unlike the world of that English playwright.

Cardenio is in Chapters 23-24.

Happy Easter

This is the first video from a long video series called Excavating The Empty Tomb (beyond a reasonable doubt). It was either this or a two and a half hour debate between Richard Carrier and William Lane Craig.

Roberts Will Follow Kennedy

Chief Justice RobertsI want to put in my prediction of how the Supreme Court will rule on the individual mandate of the ACA.

Rube Goldberg Law

For the record, I’m not fond of this piece of legislation. It is a huge giveaway to the insurance industry that adds nothing to the system. In the name of getting bipartisan support that it never got, it is overly complicated—a Rube Goldberg[1] monstrosity designed to provide votes more than provide healthcare. But on balance, it seems that we are better with it than we are without it. If it didn’t mean great pain and suffering for tens of millions of people, I would like to see it overturned. It would be interesting to see what the Republicans would do. The truth is that the ACA was the Republican healthcare plan. It is the “free market” solution to our problem of skyrocketing healthcare costs. (I don’t think the Republicans see the uninsured as a problem.) When they decided that the individual mandate was unacceptable, they effectively cut their own throats. Now the only thing I’ve heard them suggest is to let people in one state buy insurance from another. This would help our healthcare problems, but only very little; it effectively leaves the Republicans with nothing to replace the ACA with. (Remember all the Republicans claiming that they wanted to “repeal and replace Obamacare”?) So in the long run, we are left with some kind of single payer health insurance. The problem is that this is likely to take a long time—enough so that I will already be in the Medicare system (assuming the Republicans don’t destroy it first—or the Democrats who seem inclined to do this in the name of being “serious”).

The Moderates

I do not know how the Supreme Court will rule on the individual mandate. I am certain that the four moderate justices (commonly, although erroneous, called “liberal”) will vote to uphold the law. This is because they are not primarily political actors; they still behave the way judges traditionally have; this is not to say they are above politics, but they are not motivated by them in a fundamental way. How the conservative justices will rule is less certain. Scalia, Thomas, and Alito will almost certainly rule against the law; they are not only extremely political in their rulings, they seem to be uninterested in how corrupt they appear.

Roberts Against

As is the case so much these days, the fate of the ACA will depend upon Justice Kennedy. Even if he votes to strike the individual mandate, he may vote to uphold the rest of the ACA. I don’t want to get into that issue, however. What I think is important is that Chief Justice Roberts’ ruling will depend upon Kennedy’s. He will vote whichever way Kennedy votes. If Kennedy votes to strike, Roberts will do so because he wants the law destroyed. This is not, of course, because he is against the law. If a conservative were in the White House, none of the conservatives would vote against the ACA. The vote against it is a vote against the President. This is a way to slap down Obama and perhaps deprive him of a second term.

Roberts For

If Kennedy votes to uphold the ACA, Roberts will concur. He will do this because unlike Scalia, Thomas, and Alito, Roberts does care about how the Court is perceived. He will vote to uphold the ACA so that he can better make the case that the conservatives on the court are not simply political hacks. A ruling to uphold the ACA will make the rulings on Bush v. Gore and Citizens United v. Federal Election Commission appear less political. But having the Court appear less political is not as important as embarrassing the President. To Roberts, voting to uphold the ACA is just a way of making a bad situation a little better.

Final Ruling

So the final ruling will be 4-5 if the Court rules against the ACA and 6-3 if the Court rules for. Regardless, the decision will be political. Of course, we already knew that when Scalia brought up broccoli—a common example from Fox News and conservative media. I’ve never thought that the Court was above politics, but since Bush v. Gore, it has lost any pretense. I feel sorry for the moderates on the Court, because they really do try. And still I hear people claim that the Court is polarized when this isn’t the case; there are four moderate and (as much as possible) apolitical justices and four conservative ideologues. Kennedy is just the one conservative who remembers the way the court used to be. Of course, even he wasn’t reasonable enough to rule that all the votes in Florida should be counted in 2000. Electing the next President of the United States was just too exciting to resist. Who knows if he’ll feel the same way this year.

Update

Republicans see the Supreme Court as a political institution. You can see this by how they appoint justices who are very old. Other than Elena Kagan (whose nomination may indicate that the Democrats have decided that they should start playing the same game), all of the Republican nominations have been younger. Here is the list with the age of the justice during the year they were placed on the Court:

Age Justice Party
50 Antonin Scalia R
52 Anthony Kennedy R
43 Clarence Thomas R
60 Ruth Bader Ginsburg D
56 Stephen Breyer D
50 John G. Roberts R
56 Samuel Alito R
55 Sonia Sotomayor D
50 Elena Kagan D

And this situation has been in place farther back. Rehnquist (48), Sandra Day O’Connor (51), and David Souter (51)—a Bush Sr. nominee, even though he turned out to be a moderate—were all younger than John Paul Stevens (55). Before the Reagan appointments onward, conservatives went for experienced thinkers rather than political ideologues. The three Nixon appointees were all old and moderate: Lewis F. Powell, Jr. (65), Harry Blackmun (62), and Warren E. Burger (62). You have to go back to Eisenhower’s recess appointment of Potter Stewart (43) in 1958 to find someone as young as Thomas nominated to the Court. Stewart’s career shows that one does not have to be old to be a brilliant justice. Thomas’ career does much harm to the reputation of young justices. The point here is not that young justices cannot be good, but rather that Republicans have specifically nominated young justices so as to maximize their political power. Political power is more important than good governance to Republicans. But then, we already knew that.


[1] I found this delightful video about Rube Goldberg from the group Rocket Boom. They are very good. I’m surprised more people don’t watch their stuff. They are well worth checking out:

Oil Sands Won’t Save Our Economy

Artis Brown - Exxon-MobileI’m sort of on vacation, so just a quick note here. Exxon-Mobile is an evil corporation and Artis Brown, supposedly an engineer, is an evil apologist. In the most recent add, he repeats the widely discredited talking point that the oil sands pipeline could create more than half a million jobs. Why stop there? It could create 5 billion jobs. In fact, the Keystone Pipeline is estimated to create as few as 500 temporary jobs, but surely not more than 6,000 jobs.

This is the add running on “liberal” media source MSNBC:

Seagullible

Sea GullOne day when I was at college, a classmate asked, “Did you know the word gullible is not in the Dictionary?” Like an idiot, I said, “Really?!” It took me a half hour to get the joke. I am a gullible person—or at least very trusting. So I hate April Fools Day. I’ll believe anything. But I assume you are not as gullible as I am.

I discovered an amazing book on word origins titled The Surprising History of Common Words by I. A. L. Diamond. I was particularly taken with these histories:

Pen
Definition: a public institution in which offenders against the law are confined. History: People often assume that “pen” either refers to an enclosed structure as for a farm animal or is an abbreviation of the word penitentiary. In fact, it is an abbreviation, but for the word penultimate, as in: he is going to the penultimate before he goes somewhere else.
Gullible
Definition: easily duped or cheated. History: From the late 16th century popularity of “sea gull poker,” an easy mark was considered “seagullible.” The word was shortened to “gullible” in the 19th century during the great “sea” shortage, which caused great harm to the oceanographic sciences.

It turns out “seagullible” is not in the dictionary. Can you believe it?!