For people who have never grown up, Frankenstein vs the Wolfman means the Frankenstein Meets the Wolf Man, the 1943 Universal classic starring Lon Chaney Jr and Bela Lugosi. But while working hard to avoid working, I came upon this film on Amazon Prime — a short from 2008. And I have to say, this discovery is well worth the whole year’s subscription.
15 Glorious Minutes
If you get rid of the titles, Frenkenstein vs the Wolfman is about 15 and a half minutes. And they are glorious minutes! I’ve often reflected on the desire of humans to tell stories and this is a great example because the technique is really not up to the story. Just the same, it tells an incredibly interesting story — so interesting that the relative weakness of the animation really doesn’t matter.
I should point out before I continue, the animation is at least a hundred times as good as anything I could ever do. But my talents lie in analysis. (And maybe in my experiment plays that no one will ever want to perform.) Frankenstein vs the Wolfman is animated with what looks very much like gaming software. Just the same, I found it far more interesting than any game.
One of the complainers on Amazon wrote, “This is a ‘movie’ (featurette) that only family of the ‘actors,’ animators, etc, could possibly love.” When I read that review, I knew I had to watch it. There’s nothing like an ignorant and opinionated jerk to make me want to watch a film. I start watching everything other than big-budget superhero dreck with the idea that the film was made by my son. Why don’t others?! It is a far better mindset to enter a film if you want to be entertained.
Frankenstein vs the Wolfman Overview
Frankenstein vs the Wolfman tells an incredibly compelling story of three orphans who live in, well, let’s say Transylvania because it has Gypsies in it. It is of interest because the “monster” of Frankenstein is more or less the guy that we know from Mary Shelley’s book: an ugly but intelligent creation. But in this reality, he has been accepted by the community (admittedly somewhat far-fetched given how awful humans are).
Living in this town is a man who has been cursed (by a Gypsy — racism, it seems it eternal and not at all solely an American thing) to spend each night walking the Earth as a wolf. During the day, he’s a writer of horror stories — a wonderful bit of self-incrimination: what writer doesn’t think that they aren’t a total fraud?!
Frankenstein, an “orphan” because he, like the children, has no parents, helps the three children. The Wolfman, on the other hand, is unrepentant. He doesn’t even try to stop his killing spree. Even though the film humanizes him, he isn’t very likable because he puts his needs above those of other humans. It shouldn’t be a surprise that, in his fight with Frankenstein, he is the loser. But you will be surprised to see how.
If I can get a bit political, the film shows the importance of collective action. Even though Frankenstein is a “superhero” in the film, it is only due to the help of the other orphans that he is able to defeat the Wolfman. This is in stark contrast to most superhero films.
What is most remarkable about Frankenstein vs the Wolfman is that, compared to a Hollywood animated film, it is weak. Yet if you just accept it for what it is — or imagine what you personally would be able to produce — you easily get lost in the story. That isn’t to take away from the animation. As I’ve said, I couldn’t do anything close — regardless what software you gave me. But there are so many things besides the animation that the film does really well.
I thought the editing could have been a bit better; there were parts where the pacing didn’t seem quite right. But it didn’t pull me out of the story. The individual images always looked good. The music by Andrew Kalbfus was very effective. The acting was good. But most of all, the screenplay by Colin Clarke & Marc Packard was first-rate. It triumphed over everything else. The overall production by Andrew Carlson and Colin Clarke works — which is how I try to judge any piece of art.
Colin Clarke’s Other Films
And it shouldn’t be forgotten that this was the first film Colin Clarke directed. He’s made a total of five films over the last decade. I’ve seen four of them, which are all worth checking out: Raven’s Hollow (2011), Witchfinder, and Slit.
Raven’s Hollow is animated the same way as Frankenstein vs the Wolfman. It’s not as strong, simply because the story isn’t as strong. But it’s well made and interesting throughout.
Witchfinder is mostly a live-action film as the rest of Clarke’s film seem to be. The acting in it at the community theater level. But it mostly doesn’t get in the way. And I thought Valerie Meachum as the witch was particularly compelling. Again, the focus of the film is on the story, which is very strong.
Slit is probably Clarke’s strongest film in terms of production value. I have some problems with the story. In particular, the denouement was exactly what I expected. And overall it struck me as a bit misogynistic. And there are strong fetish elements to it. Regardless, the film works and is of interest to see Clarke’s growth as a filmmaker.
I still like Frankenstein vs the Wolfman most. Other people will probably find his live-action films better (especially Slit). But there is something special about this animated film that brings back memories of watching Creature Features with my older siblings.
Regardless, I think any of Colin Clarke’s films are worth checking out. At $1.99 to rent, they are probably over-priced. But if you have Amazon Prime, there’s no reason not to. I’d start with Frankenstein vs the Wolfman. Next, I recommend Witchfinder.