At this point it seemed that anyone you think might have been tempted to cover “Man of Constant Sorrow” has. Of course, you knew that after Judy Collins did it everyone would have to. What I think is strange is that it really wasn’t picked up by punk bands. (But just wait until tomorrow before correcting me!) The truth is that musically, punk and folk aren’t that far apart.
Which brings us to the version in O Brother, Where Art Thou? It was recorded by Dan Tyminski, Harley Allen, and Pat Enright, with Tyminski on lead vocals. But here Tyminski is with Alison Krauss and Union Station doing the song live:
In a sense, I think this version kind of destroys the song in the same way that Jean-François Paillard’s version destroyed Pachelbel’s Canon. It is so powerful that everyone will agree that it is the way that the song ought to be performed and people will stop trying to innovate. Of course, there will always be the iconoclasts who insist that Emry Arthur or Sarah Ogan Gunning had it right all along and the song will be plopped on the end of a disc. But to really please an audience, it’s going to have to have that three-part harmony and the prominent banjo. It will be just like that damned pizzicato counterpoint in “Pachelbel’s Canon.”